Korean women are nurtured in a culture dominated by patriarchy and often understand God within this context, another form of authority that is easily displeased and quick to judge. Although it is rare to find pastoral ministry programs sensitive to women's needs, the author shows how such programs would transform women's lives by introducing them to a God to love and understanding and empowering them to help transform society.

This book offers a critical-constructive study of Korean women’s self-esteem from a feminist practical theological perspective. Jaeyeon Lucy Chung recognizes two different and yet related problems: the absence of scholarly work on women’s self-esteem from non-white, non-Western groups in the field of practical theology, and the lack of attention to the low self-esteem prevalent in Korean women’s sociocultural and religious context. Chung employs in-depth interview studies while drawing on theoretical resources of psychology, theology, and cultural studies to develop a relational-communal theory of self-esteem, and a systematic, communal understanding of pastoral care practice. The project offers insights into the life experience of Korean women, especially self-esteem, and it reveals some of the ways self-esteem can be fostered.

Shamans walking on knives, fairies riding on clouds, kings with dragon mounts: They are gods and they are paper images. Some are repulsed and unsettled by shaman paintings, some cannot stop collecting them, and some use them as sites of veneration. Laurel Kendall, Jongsung Yang, and Yul Soo Yoon explore what it is that makes a Korean shaman painting magical or sacred. How does a picture carry the trace of a god and can it ever be “just a painting” again? How have shaman paintings been revalued as art? Do artfulness and magic ever intersect? Does it matter, as a matter of market value, that the painting was once a sacred thing? Navigating the journey shaman paintings make from painters’ studios to shaman shrines to private collections and museums, the three authors deftly traverse the borderland between scholarly interests in the material dimension of religious practice and the circulation of art. Illustrated with sixty images in color and black and white, the book offers a new vantage point on “the social life of things.” This is not a story of a collecting West and a disposing rest; the primary collectors and commentators on Korean shaman paintings are South Koreans re-imagining their own past in light of their own modernist sensibility. It is a tale told with an awareness of both recent South Korean history and the problematic question of how the paintings are understood by different South Korean actors, most particularly the shamans and collectors who share a common language and sometimes meet face-to-face.

With a third of South Koreans now identifying themselves as Christian, Christian churches play an increasingly prominent role in the social and political events of the Korean peninsula. Sebastian C. H. Kim and Kirsteen Kim's comprehensive and timely history of different Christian denominations in Korea includes surveys of the Catholic, Orthodox and Protestant traditions as well as new church movements. They examine the Korean Christian diaspora and missionary movements from South Korea and also give cutting-edge insights into North Korea. This book, the first recent one-volume history and analysis of Korean Christianity in English, highlights the challenges faced by the Christian churches in view of Korea's distinctive and multireligious cultural heritage, South Korea's rapid rise in global economic power and the precarious state of North Korea, which threatens global peace. This History will be an important resource for all students of world Christianity, Korean studies and mission studies.

Nikki A. Toyama-Szeto, Tracey Gee and Jeannette Yep bring together stories of Asian American women and how God has been at work in their lives. Family expectations and cultural stereotypes assume that these women can only act in certain roles. But with the help of Scripture and mentors, these women have experienced God's blessing and transforming power.

This book dismantles every mistruth that you've heard about the role of women in the Bible, her place in the church, and the patriarchal lie of so-called “biblical manhood and womanhood.” In its place, Aimee Byrd details a truly biblical vision of women as equal partners in Christ's church and kingdom. The church is the school of Christ, commissioned to discipleship. The responsibility of every believer—men and women together—is being active and equal participants in and witnesses to the faith. And yet many women are trying to figure out what their place is in the church, fighting to have their voices heard and filled with questions: Do men and women benefit equally from God's word? Are we equally responsible in sharpening one another in the faith and passing it down to the next generation? Do we really need men's Bibles and women's Bibles, or can the one Holy Bible guide us all? The answers lie neither with radical feminists, who claim that the Bible is hopelessly patriarchal, nor with the defenders of “biblical manhood,” whose understanding of Scripture is captive to the culture they claim to distance themselves from. Recovering from Biblical Manhood and Womanhood presents a more biblical account of gender, marriage, and ministry. It explores the feminine voice in Scripture as synergistic with the dominant male voice. It fortifies churches in a biblical understanding of brotherhood and sisterhood in God's household and the necessity of learning from one another in studying God's word. Until both men and women grow in their understanding of their relationship to Scripture, there will continue to be tension between the sexes in the church. Church leaders can be engaged in thoughtful critique of the biblical manhood and womanhood movement, the effects it has on their congregation, and the homage it ironically pays to the culture of individualism that works against church, family, and a Christ-like vision of community.

A “moving and captivating” (Cathy Park Hong, New York Times bestselling author of Minor Feelings) novel following a Korean immigrant pursuing the American dream who must confront the secrets of the past or risk watching the world he’s worked so hard to build come crumbling down. Dr. Yungman Kwak is in the twilight of his life. Every day for the last fifty years, he has brushed his teeth, slipped on his shoes, and headed to Horse Breath’s General Hospital, where, as an obstetrician, he treats the women and babies of the small rural Minnesota town he chose to call home. This was the life he longed for. The so-called American dream. He immigrated from Korea after the Korean War, forced to leave his family, ancestors, village, and all that he knew behind. But his life is built on a lie. And one day, a letter arrives that threatens to expose it. Yungman’s life is thrown into chaos—the hospital abruptly closes, his wife refuses to spend time with him, and his son is busy investing in a struggling health start-up. Yungman faces a choice—he must choose to hide his secret from his family and friends or confess and potentially lose all he’s built. He begins to question the very assumptions on which his life is built—the so-called American dream, with the abject failure of its healthcare system, patients and neighbors who perpetuate racism, a town flawed with infrastructure, and a history that doesn’t see him in it. Toggling between the past and the present, Korea and America, Evening Hero is a “soulful, melodic, rhapsodic novel” (The New York Times) about a man looking back at his life and asking big questions about what is lost and what is gained when immigrants leave home for new shores.

***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION*** “An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People). When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. Molly slips down an existential rabbit hole where she must confront the dualities of motherhood: the ecstasy and the dread; the languor and the ferocity; the banality and the transcendence as the book hurtles toward a mind-bending conclusion. In The Need, Helen Phillips has created a subversive, speculative thriller that comes to life through blazing, arresting prose and gorgeous, haunting imagery. “Brilliant” (Entertainment Weekly), “grotesque and lovely” (The New York Times Book Review, Editor’s Choice), and “wildly captivating” (O, The Oprah Magazine), The Need is a glorious celebration of the bizarre and beautiful nature of our everyday lives and “showcases an extraordinary writer at her electrifying best” (Publishers Weekly, starred review).

God wants you to learn to rely on Him more than on yourself. Being a God-dependent woman will make you stronger and more effective in life than you could ever be on your own. The key to being a God-dependent woman is dependent living. Paul teaches you how to do that in 2nd Corinthians. Start living this way today!

“Pathbreaking. Approaches the transcultural and religious encounters of Korean and American women with a remarkable degree of sensitivity and nuance, as well as with judicious use of feminist and postcolonial theory. Its rich and diverse historical examples and illustrations are both engaging to read and meticulously documented.”—Namhee Lee, UCLA