Frederick Klaeber's Beowulf has long been the standard edition for study by students and advanced scholars alike. Its wide-ranging coverage of scholarship, its comprehensive philological aids, and its exceptionally thorough notes and glossary have ensured its continued use in spite of the fact that the book has remained largely unaltered since 1936. The fourth edition has been prepared with the aim of updating the scholarship while preserving the aspects of Klaeber's work that have made it useful to students of literature, linguists, historians, folklorists, manuscript specialists, archaeologists, and theorists of culture. A revised Introduction and Commentary incorporates the vast store of scholarship on Beowulf that has appeared since 1950. It brings readers up to date on areas of scholarship that have been controversial since the last edition, including the construction of the unique manuscript and views on the poem's date and unity of composition. The lightly revised text incorporates the best textual criticism of the intervening years, and the expanded Commentary furnishes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. Aids to pronunciation have been added to the text, and advances in the study of the poem's language are addressed throughout. Readers will find that the book remains recognizably Klaeber's work, but with altered and added features designed to render it as useful today as it has ever been.

Features an introduction and a commentary that incorporates the scholarship on "Beowulf" that has appeared since 1950. This work includes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. It also addresses aids to pronunciation and advances in the study of the poem's language.

This is a complete guide to the text and context of the most famous Old English poem. In this book, the specific roles of selcted individual characters, both major and minor, are assessed.

R.D. Fulk is Chancellor's Professor of English at Indiana University, Bloomington. --Book Jacket.

Featuring numerous updates and additional anthology selections, the 3rd edition of Introduction to Old English confirms its reputation as a leading text designed to help students engage with Old English literature for the first time. A new edition of one of the most popular introductions to Old English Assumes no expertise in other languages or in traditional grammar Includes basic grammar reviews at the beginning of each major chapter and a “minitext” feature to aid students in practicing reading Old English Features updates and several new anthology readings, including King Alfred’s Preface to Gregory’s Pastoral Care

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

A modern, illustrated retelling of the Anglo-Saxon epic about the heroic efforts of Beowulf, son of Ecgtheow, to save the people of Heorot Hall from the terrible monster, Grendel.

The best-known literary achievement of Anglo-Saxon England, Beowulf is a poem concerned with monsters and heroes, treasure and transience, feuds and fidelity. Composed sometime between 500 and 1000 C.E. and surviving in a single manuscript, it is at once immediately accessible and forever mysterious. And in Craig Williamson's splendid new version, this often translated work may well have found its most compelling modern English interpreter. Williamson's Beowulf appears alongside his translations of many of the major works written by Anglo-Saxon poets, including the elegies "The Wanderer" and "The Seafarer," the heroic "Battle of Maldon," the visionary "Dream of the Rood," the mysterious and heart-breaking "Wulf and Eadwacer," and a generous sampling of the Exeter Book riddles. Accompanied by a foreword by noted medievalist Tom Shippey on Anglo-Saxon history, culture, and archaeology, and Williamson's introductions to the individual poems as well as his essay on translating Old English, the texts transport us back to the medieval scriptorium or ancient mead hall to share an exile's lament or herdsman's recounting of the story of the world's creation. From the riddling song of a bawdy onion that moves between kitchen and bedroom, to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, the world becomes a place of rare wonder in Williamson's lines. Were his idiom not so modern, we might almost think the Anglo-Saxon poets had taken up the lyre again and begun to sing after a silence of a thousand years.

Two original essays and 16 published since 1950 offer a comprehensive view of Cynewulf, his language, and his poetry. The collection contains important new statements on dates, provenance, and canon by R.D. Fulk and Patrick W. Conner, four influential essays that thoroughly explore Cynewulf's runic signature and poetic style, and major contributions to our understanding of the four signed poems of Cynewulf, "Fates of the Apostles, Christ II, Juliana, and Elene." Three essays are devoted to each of these poems, and the essays themselves exemplify a broad range of approaches to this highly elusive Anglo-Saxon poet. Representative essays include J.E. Cross, "Cynewulf's Traditions about the Apostles in The Fates of the Apostles," George Hardin Brown, "The Descent-Ascent Motif in "Christ II" of Cynewulf," Donald G. Bzdyl, "Juliana: Cynewulf's Dispeller of Delusion," Catharine A. Regan, "Evangelicism as the Informing Principle of Cynewulf's "Elene,"" and Dolores Warwick Frese, "The Art of Cynewulf's Runic Signatures." The volume complements existing book-length treatments of the subject and will be welcome to scholars and students who need the foundations of Cynewulf scholarship at their fingertips. Index.

The final volume in a famed trilogy of historical (Viking) novels by Swedish author Friedegard (1897-1968), originally published in 1949 and translated, with a foreword and notes, by Robert E. Bjork. Annotation copyrighted by Book News, Inc., Portland, OR