Since DNA has replaced blood as the medium through which we establish kinship, how do we determine with whom we are kin? Who counts among those we care for? The distinction between these categories is constantly in flux. How do we come to decide those we may kiss and those we may kill? Focusing on narratives of kinship as they are defined in contemporary film, literature, and news media, Frances Bartkowski discusses the impact of "stories of origin" on our regard for nonhuman species. She locates the role of "totems and taboos" in forming and re-forming kinship categories-groupings that enable us to tie the personal to the social-and explores the bestiary, among the oldest of literary forms. The bestiary is the realm in which we allegorize the place of humans and other species, a menagerie encompassing animals we know as well as human-animal chimeras and other beings that challenge the "natural" order of the world. Yet advances in reproductive technologies, the mapping of genomes, and the study of primates continually destabilize these categories and recast the dynamic between the natural and the cultural. Bartkowski highlights the arbitrariness of traditional kinship arrangements and asks us to rethink our notions of empathy and ethics. She shows how current dialogues concerning ethics and desire determine contemporary attitudes toward issues of care, and suggests a new framework for negotiating connection and conflict.

Poppy Amore loved her job waitressing at Good Ol' Days Family Restaurant. No one could ask for a better working environment. After all, her best friend Whitney worked there, and her boss, restaurant owner Mr. Dexter, was a kind, understanding, grandfatherly sort of man. Furthermore, the job allowed Poppy to linger in the company of Mr. Dexter's grandson Swaggart Moretti-the handsome and charismatic head cook at Good Ol' Days. Secretly, Swaggart was far more to Poppy than just a man who was easy to look at. In truth, she had harbored a secret crush on him for years-since her freshman year in high school, in fact. And although the memory of her feelings-even the lingering truth of them-haunted Poppy the way a veiled, unrequited love always haunts a heart, she had learned to simply find joy in possessing a hidden, anonymous delight in merely being associated with Swaggart. Still, Poppy had begun to wonder if her heart would ever let go of Swaggart Moretti-if any other man in the world could ever turn her head. When the dazzling, uber-fashionable Mark Lawson appeared one night at Good Ol' Days, however, Poppy began to believe that perhaps her attention and her heart would be distracted from Swaggart at last. Mark Lawson was every girl's fantasy-tall, uniquely handsome, financially well-off, and as charming as any prince ever to appear in fairy tales. He was kind, considerate, and, Poppy would find, a true, old-fashioned champion. Thus, Poppy Amore willingly allowed her heart and mind to follow Mark Lawson-to attempt to abandon the past and an unrequited love and begin to move on. But all the world knows that real love is not so easily put off, and Poppy began to wonder if even a man so wonderful as Mark Lawson could truly drive Swaggart Moretti from her heart. Would Poppy Amore miss her one chance at happiness, all for the sake of an unfulfilled adolescent's dream?

Hortense Calisher’s evocative memoir bristles with intelligence and youthful inquiry Kissing Cousins recalls the author as a teenager: peppy, earnest, and a bit self-important. Hortense Calisher documents her family’s surprising history as Southern Jews adrift in New York. Finding her new city and school boorish, the young Calisher takes solace in the enduring friendship she develops with Katie Pyle, a gregarious nurse turned “kissing cousin” fifteen years Calisher’s senior. Katie, an unmarried woman, possesses her own secret, depicted here with a novelist’s touch for the dramatic. Kissing Cousins tackles matters of aging, life, and death with the sensitivity and eloquence readers have come to expect from Hortense Calisher.

Samantha Oakleigh’s brother was missing with a questionable woman—and they were accused of theft. She turned to her cousin Edward, Lord Salverton, for help. He, trying to avoid scandal which would ruin all his plans for marriage and a cabinet position, agreed to accompany her. Their search turned out to be a merry chase involving gaming hells, lightskirts, upstarts—and more. Regency Romance by Joan Smith; originally published by Fawcett Crest

Boston freelance reporter Tilda Harper writes articles about former stage and screen stars—and where they’ve crash-landed. But when someone starts murdering the cast from the TV show Kissing Cousins, and the actress who played Tilda’s favorite character, Mercy, vanishes, Tilda must find her before a killer cancels her contract once and for all.

A moving true life saga, spanning over forty years, from the poor neighbourhoods of the East End of London, to the affluent neighbourhoods of Croyded London in its times. As children, teenagers and adults, their love never ceased. They traveled different paths and crossed wide oceans and during these years never gave their love to anyone else, indeed they were true soul mates. She held onto a scrap of paper, he clung to a well faded black and white photograph and both had something that were identical that they were not aware of. How different their lives may have turned, if it had not have been for a very religious woman of strong convictions whom they both adored, a vindictive mother who did not know the meaning of the word, a young woman who married for all the wrong reason and a young man who did the same. The gamble that they took in the name of love. Hurting family members along the way and in return, they were persecuted for their actions by the very ones that claimed to love them. The emotional roller-coaster that ignored her finger on the stop button, another pain suffered with each plunge of the carriage, would it ever end she wondered? Her faith in God challenged every step of the way, asking Him if she really did deserve what was happening around her and why didn’t He hear her cries for help, what did she have to do to find a glimpse of happiness? From the days of laying under the pear tree to the day sitting in an empty room surrounded by boxes, she was convinced that God had turned His back on her and in a quiet moment she told God, “He had Won.”

Alexander McKenzie is one of the quieter cousins, which is why he suffers in silence over his secret love for his beautiful cousin, Rachel. He needs her but knows he can’t have her. So out of his love for his family, he pushes her away, breaking both of their hearts in the process. Rachel McKenzie wasn’t born into the McKenzie family; she was adopted into it. She’s strong willed and doesn’t see why she can’t spend the rest of her life with Alexander. Except the constant distance that Alexander has been creating is starting to get to her, so she runs back to college nursing a broken heart. Nothing feels right with the distance between them, and eventually, they’re forced back together for Charlotte & Tanner’s wedding, where their love turns into something that neither can stop…they’re on borrowed time, the clock is ticking down the seconds until their families find out they’re Kissing Cousins.

When someone says, at a holiday dinner table, “Oh, those Lawrence cousins lose control all the time,” or the Davises always had more talent than luck,” you can be sure there's a lesson being passed along, from one generation to another. Who tells stories to whom and about what is never a random matter. Our family stories have a secret power: they play a unique role in shaping our identity and our sense of our place in the world. They give us values, inspirations, warnings, and incentives. We need them. We use them. We keep them. They reverberate throughout our lives, affecting our choices in love, work, friendship, and lifestyle. Elizabeth Stone, whose grandparents came from Italy to Brooklyn, artfully weaves her own family stories among the stories of more than a hundred people of all backgrounds, ages, and regions—clarifying for us predictable types of family legends, providing ways to interpret our own stories and their roles in our lives. She examines stories of birth, death, work, money, and romantic adventure—all in the context of the family storytelling ritual. And she shows how stories about our most ancient ancestors may provide answers at milestone moments in our lives, as well as how stories about our newest family members carve out places for them so that they will fit into their families, comfortably or otherwise. Upon its initial publication in 1988, Studs Terkel said that the book is “A wholly original approach to an ancient theme: family storytelling and its lasting mark on the individual.” Judy Collins noted that “Elizabeth Stone's marvelous book on family myths and fables is irresistible. It lets us in on our own secrets in a provocative and exciting way.” And Maggie Scarf wrote, “What a clever topic, and how beautifully Elizabeth Stone has written about it! I recommend Black Sheep and Kissing Cousins for everyone who has ever been raised in a family.”

Simon has agreed to help Cassandra Markham find a husband. But he never expected that he would fall for the lovely Cassie himself.

Plucked from his Texas ranch to become the reigning Earl of St. Keverne in Co rnwall, Prescott Trefarrow has a difficult time fitting into proper English society. But when the big-hearted Texan meets the spirited, raven-haired beauty of his dreams, drizzly England takes on a bright new glow. Author Carole Jerina also wrote The Bridegroom and A Golden Dream.