A striking and emotive graphic novel from debut trans creator, Joris Bas Backer about coming to terms with his gender before the age of the internet. For fans of Gender Queer and The Black Flamingo. “A nuanced look into the life of a trans teen by a trans author and illustrator. The black, white, and grayish-blue illustrations powerfully capture Jet’s complicated emotions." –BuzzFeed "Jet’s earnest questioning and relationship with gender and adolescence illustrates the conflict between becoming who the world wants them to be and who they are, conveyed in a raw, personal-feeling portrayal of transition in a pre-internet era." – Publishers Weekly "I love that this graphic novel exists for generations who may be feeling these same insecurities, anxieties, and challenges that Jet experiences." —Utopian State of Mind "A warm, funny, lived-in book that captures exactly the feeling of having a desire you just can’t place, and the relief when you manage to crack it wide open." — Mattie Lubchansky, The Nib "Exciting from the first to the last page! I say, this book is already a classic." — Ulli Lust, author of Today is the Last Day of the Rest of Your Life “Kisses for Jet is a sensitively written, beautifully-illustrated depiction of a trans-masculine experience so rarely shown in media…a huge step forward for trans representation.” — Jake Hall, Author of The Art of Drag Featured in Xtra Magazine with Interview by Gender Queer author, Maia Kobabe In 1999, when most people think that the world is about to end with the Y2K crash on the eve of the new Millennium, Jet is just trying to get through high school. When their Mom moves to another country to work on fixing the Millennium bug, Jet is forced to stay at a boarding house while they finish the school year, and they’re not pleased about it. But something’s not quite right, and it’s not just the out-of-control kids that Jet has to live with, or the staff who look after the boarding house who act super suspiciously. As Jet slowly starts to feel overwhelmed by their peers, they begin to notice that they don’t feel like the other girls in their class. As new feelings start to emerge, Jet slowly begins to realise that they may be more of a boy than a girl. Is that even possible? And who do they talk to about these feelings when there’s not even any internet around, and cell phones are barely used? This coming-of-gender graphic novel debut from trans creator Joris Bas Backer is an enlightening and often hilarious tale that casts light on what it was like to be transgender before information and help was more accessible and widespread.

Katie was a normal American teenager when she decided to explore the possibility of voluntary work overseas. She temporarily 'quit life' to serve in Uganda for a year before going to college. However, returning to 'normal' became impossible and Katie 'quit life' - college, designer clothes, her little yellow convertible and her boyfriend - for good, remaining in Uganda. In the early days she felt as though she were trying to empty the ocean with an eyedropper, but has learnt that she is not called to change the world in itself, but to change the world for one person at a time. By the age of 22 Katie had adopted 14 girls and founded Amizima Ministries which currently has sponsors for over 600 children and a feeding program for Uganda's poorest citizens - so it is no wonder she feels Jesus wrecked her life, shattered it to pieces, and put it back together making it more beautiful than it was before.

While cleaning a jet for entrepreneur Seth Jansen, Alexa Randall finds the strangest items: his one-year-old twins Seth needs a temporary nanny; Alexa needs time for a one-on-one business pitch. So she says yes to an intimate stay on a lush Florida island--and yes to the man whose passion makes her question the choices she's made. Living in luxury brings back memories of the world she left behind. The babies remind her of the family she once wanted. And the nights with Seth are...incomparable. This billionaire could be the man of her dreams--if he's not out of her league.

From the lost generation of Andy Warhol's New York to the cocaine-fuelled runways of the top fashion houses of Paris and Milan, Scary Kisses captures the tenderness and cruelty of the beautiful people circa 1980. As a menage a trois drifts listlessly into a spiral of cynicism and nihilistic gratification, Gooch's raw, voyeuristic eye for detail and precise, snapshot prose recreates a time unlike any other, and characters that flash with stark, bright realism. On a par with The Bonfire of the Vanities, this is a classic portrait of Manhattan nightlife and decadence.

At Hanukkah, 8 is especially great! Use this fun board book to count party guests, candles, latkes, and more!

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

Count down from ten with this loveable book featuring baby farm animals and moulded heart shapes.

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In the winter of 2004, a shy woman named Emma sits in Toby’s office. She wants to share this wonderful new book she’s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these other two people. And then Toby asks about her childhood . . . As the story unfolds, we discover clues to Emma’s troubled past and how and why these other two people may have come into existence. As Toby juggles treating three separate people, each with their own unique personalities and memories, he begins to wonder if Emma is merely acting out to get attention, or if she actually has Dissociative Identity Disorder. Is she just a troubled woman in need of help? And is “the third person” in her brain protecting her, or derailing her chances of ever finding peace? The Third Person is a riveting memoir from newcomer Emma Grove. Drawn in thick, emotive lines, with the refined style of a comics vet, Grove has created a singular, gripping depiction of the intersection of identities and trauma. The Third Person is a testament to the importance of having the space to heal and live authentically.

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