One might be surprised, astonished or indignant seeing men and women prostrating themselves in front of other men and other women. Or one might feel it is right to bow down before God, Allah, the saints, the Holy Virgin or the gods. Kings into Gods: How Prostration Shaped Eurasian Civilizations investigates the reasons why men prostrate themselves before deities or before powerful men. Through an in-depth historical and cultural analysis, this book highlights the connection between rituality and royalty within the Eurasian civilizations. The narrative and iconic documentation gathered and analyzed concerns the Greek and Roman world, the Mongolian civilization during the Middle Ages, the Hindu and Chinese civilizations, the Islamic civilization in India in the fourteenth century, the Mughal civilization and European civilization in the late Middle Ages. The different forms of the rituals in the courts of kings and emperors are tightly connected with the concept of royalty. The prostration is an act of humiliation of defeated enemies, a means to establish a abysmal distance between powerful elite and the people, a way of creating hierarchies within the elite itself.

More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.

The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.

From the eighth to second centuries BCE, ancient Israel and Judah were threatened and dominated by a series of foreign empires. This traumatic history prompted serious theological reflection and recalibration, specifically to address the relationship between God and foreign kings. This relationship provided a crucial locus for thinking theologically about empire, for if the rival sovereignty possessed and expressed by kings such as Sennacherib of Assyria, Nebuchadnezzar of Babylon, Cyrus of Persia, and Antiochus IV Epiphanes was to be rendered meaningful, it somehow had to be assimilated into a Yahwistic theological framework. In King of Kings, Justin Pannkuk tells the stories of how the biblical texts modeled the relationship between God and foreign kings at critical junctures in the history of Judah and the development of this discourse across nearly six centuries. Pannkuk finds that the biblical authors consistently assimilated the power and activities of the foreign kings into exclusively Yahwistic interpretive frameworks by constructing hierarchies of agency and sovereignty that reaffirmed YHWH's position of ultimate supremacy over the kings. These acts of assimilation performed powerful symbolic work on the problems presented by empire by framing them as expressions of YHWH's own power and activity. This strategy had the capacity to render imperial domination theologically meaningful, but it also came with theological consequences: with each imperial encounter, the ideologies of rule and political aggression to which the biblical texts responded actually shaped the biblical discourse about YHWH. With its broad historical sweep, engagement with important theological themes, and accessible prose, King of Kings provides a rich resource for students and scholars working in biblical studies, theology, and ancient history. It is an important resource for understanding how the vagaries of history inform our ongoing negotiations with concepts of the divine.

This best-selling tale is based on the biblical figures of David, Saul, and Absalom. For the many Christians who have experienced pain, loss, and heartache at the hands of other believers, this compelling story offers comfort, healing, and hope. Christian leaders and directors of religious movements throughout the world have recommended this simple, powerful, and beautiful story to their members and staff. You will want to join the thousands who have been profoundly touched by this incomparable story.

The church in the West is rediscovering the fact that God cares deeply for the poor. More and more, churches and individual Christians are looking for ways to practice economic discipleship, but it's hard to make progress when we are blind to our own entanglement in our culture's idolatrous economic beliefs and practices. Practicing the King's Economy cuts through much confusion and invites Christians to take their place within the biblical story of the "King Jesus Economy." Through eye-opening true stories of economic discipleship in action, and with a solid exploration of six key biblical themes, the authors offer practical ways for God's people to earn, invest, spend, compensate, save, share, and give in ways that embody God's love and provision for the world. Foreword by Christopher J. H. Wright.

The book covers ancient history of the world between 3000 and 1500 BC.

"Gods, Sages and Kings presents a remarkable accumulation of evidence pointing to the existence of a common spiritual culture in the ancient world from which present civilization may be more of a decline than an advance. The book is based upon new interpretation of the ancient Vedic teachings of India, and brings out many new insights from this unique source often neglected and misinterpreted in the West. In addition, it dicussses recent archaeological discoveries in India whose implications are now only beginning to emerge."--Publisher.

Rice's commentary on I Kings is part of the International Theological Commentary which has as its goal bringing the Old Testament alive in the worldwide church and moving beyond the usual critical-historical approach to the Bible. It is particularly sensitive to issues of special concern to those who live outside the "Christian" West.

This is that story as told through the eyes of a boy raised in the faith of God, yet-through drug and alcohol use, along with a wayward rock and roll dream-falls away from the man he wanted to be. When a tragic loss strikes, he loses himself and his sanity. Eventually, the legal system condemns him as a man not fit to be among others. As he hits bottom, he wants it back: his sanity, his life, his dreams, and his faith in a God to which he still clings. Of Gods, Angels, and Kings is a story of a man who emerges from substance abuse issues and an incurable mental illness. At long last, he perceives God's hand in his life and that-as long as he continues to challenge himself to improve daily and grow in the Spirit-his life will bear the fruits.