A secret grave is unearthed in the desert revealing the bodies of 19 women and the shocking truth that a serial killer has been operating undetected in Jeddah for more than a decade. However, lead inspector Ibrahim Zahrani is distracted by a mystery closer to home. His mistress has suddenly disappeared, but he cannot report her missing since adultery is punishable by death. With nowhere to turn, Ibrahim brings the case to Katya, one of the few women in the police department. Drawn into both investigations, she must be increasingly careful to hide a secret of her own. Portraying the lives of women in one of the most closed cultures in the world, award-winning author Zov ́ Ferraris weaves a tale of psychological suspense around an elusive serial killer and the sinister forces trafficking in human lives in Saudi Arabia.

Finding Nouf's Katya Hijazi and Nayir Sharqi return for another thrilling, fast-paced mystery that provides a rare and intimate look into women's lives in the Middle East. Women in Saudi Arabia are expected to lead quiet lives circumscribed by Islamic law and tradition. But Katya, one of the few women in the medical examiner's office, is determined to make her work mean something. When the body of a brutally beaten woman is found on the beach in Jeddah, the city's detectives are ready to dismiss the case as another unsolvable murder-chillingly common in a city where the veils of conservative Islam keep women as anonymous in life as this victim is in death. If this is another housemaid killed by her employer, finding the culprit will be all but impossible. Only Katya is convinced that the victim can be identified and her killer found. She calls upon her friend Nayir for help, and soon discovers that the dead girl was a young filmmaker named Leila, whose controversial documentaries earned her many enemies. With only the woman's clandestine footage as a guide, Katya and Nayir must confront the dark side of Jeddah that Leila struggled to expose: an underworld of prostitution, violence, exploitation, and jealously guarded secrets. Along the way, they form an unlikely alliance with an American woman whose husband has disappeared. Their growing search takes them from the city's car-clogged streets to the deadly vastness of the desert beyond.!--EndFragment--

“A moving novel” of a family’s struggle with trauma written in “clear prose” that lends “a luminous quality to [a] story of thriving against the odds”(People magazine). Sarah Laden, a young widow and mother of two, struggles to keep her family together. Since the death of her husband, her teenage son, Nate, has developed a rebellious streak. Her kindhearted younger son, Danny, struggles to pass his remedial classes. All the while, Sarah must make ends meet by running a catering business out of her home. But when a shocking and unbelievable revelation rips apart the family of her closest friend, Sarah finds herself welcoming yet another young boy into her already tumultuous life. Jordan, a quiet and reclusive elementary-school boy and classmate of Danny's, has survived a terrible tragedy, leaving him without a family. When Sarah becomes Jordan's foster mother, a relationship develops that will force her to question the things of which she thought she was so sure. Yet Sarah is not the only one changed by this young boy, and as the delicate balance that holds her family together begins to falter, the Ladens will all face truths about themselves and one another—and discover the power of love to forgive and to heal. Powerful and poignant, The Kindness of Strangers is a shocking look at how the tragedy of a single family in a small suburban town can affect so many. Katrina Kittle has created a haunting vision of the secret lives of the people we think we know best, and with heartrending storytelling, reveals that redemption is always possible. “Kittle crafts a disturbing but compelling story line. . . . [A] gripping read.” —Publishers Weekly “Utterly compelling. . . . [A] heartbreaking story.” —Kirkus Reviews

Today’s refugee crisis has engulfed public policy and politics in countries around the world, deeply dividing communities. With increased migration many fear terrorism, crime and a dilution of their perceived national identity, while others embrace it as an inevitable reality of the globalized world in which we live. But what does the Bible have to say about migration and displacement and how refugees, migrants, and the stateless should be treated? Strangers in the Kingdom asks why God cares for the displaced, presenting biblical, theological, and missiological foundations for ministries to those who have been uprooted from their homes and all that is familiar. Rupen Das and Brent Hamoud apply their experience and expertise to provide timely answers that the Christian community is waiting to hear. Addressing the humanitarian and legal needs of the displaced is the starting point, but relief, repatriation, and resettlement programs need to help the stranger find a place to belong, a place to call home.

A young writer hits the dusty Texas highway for the California coast in this “brilliant . . . funny and dangerously tender” (Time) tale of art and sacrifice. Hailed as one of “the best novels ever set in America’s fourth largest city” (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry’s “comic genius, his ability to render a sense of landscape, and interior intellection tension” (Jim Harrison, New York Times Book Review). Desperate to break from the “mundane happiness” of Houston, budding writer Danny Deck hops in his car, “El Chevy,” bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naïve troubadour’s pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully “normal” friend. Since the novel’s publication in 1972, Danny Deck has “been far more successful at getting loved by readers than he ever was at getting loved by the women in his life” (McMurtry), a testament to the author’s incomparable talent for capturing the essential tragicomedy of the human experience.

Sometime in the future the head librarian at a great center of learning suddenly disappears, leaving behind a journal that describes his weariness with a world "where people teach but know nothing, where the sentences flow on endlessly but lead nowhere." His successor in the post becomes more and more intrigued by the vanished man's fate, until a series of mysterious clues lead him on a journey both inward and outward, to a world that begins where language ends. Within a matter of weeks he finds himself in the company of powerful dervishes, God-intoxicated nomads whose eyes blaze with love, and ragged beggars with the smile of the Pure One. These men, the followers of an enlightened Shaykh, speak little, but simply to be in their company fills him with ecstasy and knowledge.

When Nouf ash-Shrawi, the sixteen-year-old daughter of a wealthy Saudi dynasty, disappears from her home in Jeddah just days before her arranged marriage, desert guide Nayir is asked to bring her home. But when her battered body is found, Nayir feels compelled to uncover the disturbing truth, travelling away from the endless desert to the vast city of Jeddah, where, most troubling of all, Nayir finds himself having to work closely with Katya Hijazi, a forensic scientist. The further into the investigation he goes, the more Nayir finds himself questioning his loyalties: to his friends, faith and culture.

This title shows how a reconception of family and kinship underlies the revolutionary experiments of the modernist novel. While stories of marriage and long-lost relatives were a mainstay of classic Victorian fiction, the book suggests that rival countercurrents within these family plots set the stage for the formal innovations of Joyce and Proust. By investigating how the question of family is a hidden key to modernist structure and style, the book explores the formal narrative potential of queerness and in doing so rewrites the history of the modern novel.

A memoir about showbiz in the early 20th century that travels from the theaters of Vienna, Prague, and Berlin, to Hollywood during the golden age, complete with encounters with Franz Kafka, Albert Einstein, and Greta Garbo along the way. Salka Viertel’s autobiography tells of a brilliant, creative, and well-connected woman’s pilgrimage through the darkest years of the twentieth century, a journey that would take her from a remote province of the Austro-Hungarian Empire to Hollywood. The Kindness of Strangers is, to quote the New Yorker writer S. N. Behrman, “a very rich book. It provides a panorama of the dissolving civilizations of the twentieth century. In all of them the author lived at the apex of their culture and artistic aristocracies. Her childhood . . . is an entrancing idyll. In Berlin, in Prague, in Vienna, there appears Karl Kraus, Kafka, Rilke, Robert Musil, Schoenberg, Einstein, Alban Berg. There is the suffering and disruption of the First World War and the suffering and agony after it, which is described with such intimacy and vividness that you endure these terrible years with the author. Then comes the migration to Hollywood, where Salka’s house on Maybery Road becomes a kind of Pantheon for the gathered artists, musicians, and writers. It seems to me that no one has ever described Hollywood and the life of writers there with such verve.”

This novel of murder and its aftermath in a small Vermont town in the 1950s is “reminiscent of To Kill a Mockingbird . . . Absorbing” (The New York Times). In Kingdom County, Vermont, the town’s new Presbyterian minister is a black man, an unsettling fact for some of the locals. When a French-Canadian woman takes refuge in his parsonage—and is subsequently murdered—suspicion immediately falls on the clergyman. While his thirteen-year-old son struggles in the shadow of the town’s accusations, and his older son, a lawyer, fights to defend him, a father finds himself on trial more for who he is than for what he might have done. “Set in northern Vermont in 1952, Mosher’s tale of racism and murder is powerful, viscerally affecting and totally contemporary in its exposure of deep-seated prejudice and intolerance . . . [A] big, old-fashioned novel.” —Publishers Weekly “A real mystery in the best and truest sense.”—Lee Smith, The New York Times Book Review A Winner of the New England Book Award