King Ranch. The name is embroidered in the tapestry of Texas, rising from the sunbaked coastal plains in the infancy of the state itself. King Ranch is the inspiration of legends and speculation, tradition and history. Rawhide-tough through drought, Indian attacks, Civil War, and the Great Depression, among other trials, King Ranch is the star of Texas. Now the memoirs of Helen King Kleberg Alexander-Groves, the only child of Bob and Helen Kleberg, give a personal glimpse of life on the storied ranch of the Kings and the Klebergs. This intimate and compelling book chronicles not only the history of the ranch but also the life of Bob and Helen Kleberg, the first family of cattle ranching. From the Santa Gertrudis, the first cattle breed developed in America and the first breed recognized worldwide in over a century, to the Triple Crown–winning Thoroughbred Assault, Bob and Helen Kleberg changed the ranching industry. The memoirs of “Helenita” open the door to the romance of Southwest cattle ranching, as well as the grit, glory, and inner workings of King Ranch in Texas and its ranches around the world. With over 200 photographs, some by Toni Frissell and many by her close friend and fellow photographer Helen Kleberg herself, this lavishly illustrated portrait includes accounts of the Klebergs’ famous hospitality, extended not only to the celebrities who were entertained regularly but also to the Kineños, the loyal ranch hands first brought to King Ranch by Captain King. Hemingwayesque photos depict hunting adventures in the Texas brush country—for which the ranch is still famous. Bob and Helen Kleberg of King Ranch is a view from the center of the King Ranch legacy, perpetuated now for some 150 years. Bob and Helen Kleberg of King Ranch is a requisite addition to the library of any ranching, history, or Texana aficionado.

The golondrina is a small and undistinguished swallow. But in Spanish, the word has evoked a thousand poems and songs dedicated to the migrant's departure and hoped-for return. As such, the migrant becomes like the swallow, a dream-seeker whose real home is nowhere, everywhere, and especially in the heart of the person left behind. The swallow in this story is Amada García, a young Mexican woman in a brutal marriage, who makes a heart-wrenching decision—to leave her young daughter behind in Mexico as she escapes to el Norte searching for love, which she believes must reside in the country of freedom. However, she falls in love with the man who brings her to the Texas border, and the memories of those three passionate days forever sustain and define her journey in Texas. She meets and marries Lázaro Mistral, who is on his own journey—to reclaim the land his family lost after the U.S.-Mexican War. Their opposing narratives about love and war become the legacy of their first-born daughter, Lucero, who must reconcile their stories into her struggle to find "home," as her mother, Amada, finally discovers the country where love beats its infinite wings. Bárbara Renaud González, a native-born Tejana and acclaimed journalist, has written a lyrical story of land, love, and loss, bringing us the first novel of a working-class Tejano family set in the cruelest beauty of the Texas panhandle. Her story exposes the brutality, tragedy, and hope of her homeland and helps to fill a dearth of scholarly and literary works on Mexican and Mexican American women in post–World War II Texas.

This absorbing biography, written by Kleberg's top assistant of many years, captures both the life of the man and the spirit of the kingdom he ruled, offering a rare, insider's view of life on a fabled Texas ranch.

"Centennial series of the Association of Former Students, Texas A & M University ; no. 49." The story about America's largest and most progressive cattle ranch.

"Covering 825,000 acres in the Coastal Plain and Brush Country of South Texas, King Ranch, established in 1853, looms large in Texas and American history. Since its founding by the energetic and visionary Richard King, it has indelibly captured for generations the essence of the American West. As Tom Lea asserted in his epic 1953 history, the spirit of the place "is alive in the land itself, in the far quietness of growing grass and grazing herds." In King Ranch: A Legacy in Art, editors Bob Kinnan, William E. Reaves, and Linda J. Reaves have assembled a team of collaborators to present a beautiful, informative account of the ranch and its place in the artistic heritage of the region. Pairing original paintings by artist Noe Perez with insightful essays from curators Bruce Shackelford and Ron Tyler, this book celebrates the many ways 'King Ranch culture' has enriched appreciation for the decorative, practical, and fine arts in Texas and the greater American West. Opening with a foreword by Jamey Clement, current chair of the board for King Ranch, Inc., and continuing with a brief introduction to the ranch's history by Bob Kinnan, King Ranch: A Legacy in Art will heighten appreciation of the natural beauty and artistic influence of this legendary place. BOB KINNAN previously managed the Santa Gertrudis Heritage Society and King Ranch Archives and has been King Ranch Historian since 2016. WILLIAM E. REAVES is the author of Texas Art and a Wildcatter's Dream, coauthor for Of Texas Rivers and Texas Art, and coeditor of Sense of Home: The Art of Richard Stout. LINDA J. REAVES is coeditor of Sense of Home: The Art of Richard Stout and coauthor of A Book Maker's Art: The Bond of Arts and Letters at Texas A&M University Press"--

The King Ranch has been the subject of international fascination for over a century. Author Mona Sizer brings the great ranch's history to life in this warm-hearted story of love, passion, and power never before seen on this continent. Added to the story are terrifying tales of ancient ghosts that still imbue many of the secret places on the ranch with a sense of mystery and fear.

Winner, San Antonio Conservation Society Citation, 2011 Texas's King Ranch has become legendary for a long list of innovations, the most enduring of which is the development of the first official cattle breed in the Americas, the Santa Gertrudis. Among those who played a crucial role in the breed's success were Librado and Alberto "Beto" Maldonado, master showmen of the King Ranch. A true "bull whisperer," Librado Maldonado developed a method for gentling and training cattle that allowed him and his son Beto to show the Santa Gertrudis to their best advantage at venues ranging from the famous King Ranch auctions to a Chicago television studio to the Dallas–Fort Worth airport. They even boarded a plane with the cattle en route to the International Fair in Casablanca, Morocco, where they introduced the Santa Gertrudis to the African continent. In The Master Showmen of King Ranch, Beto Maldonado recalls an eventful life of training and showing King Ranch Santa Gertrudis. He engagingly describes the process of teaching two-thousand-pound bulls to behave "like gentlemen" in the show ring, as well as the significant logistical challenges of transporting them to various high-profile venues around the world. His reminiscences, which span more than seventy years of King Ranch history, combine with quotes from other Maldonado family members, co-workers, and ranch owners to shed light on many aspects of ranch life, including day-to-day work routines, family relations, women's roles, annual celebrations, and the enduring ties between King Ranch owners and the vaquero families who worked on the ranch through several generations.

Praise for KINGS OF TEXAS "Kings of Texas is a fresh and very welcome history of the great King Ranch. It's concise but thorough, crisply written, meticulous, and very readable. It should find a wide audience." -Larry McMurtry, author of Sin Killer and the Pulitzer Prize--winning Lonesome Dove "This book is about the King Ranch, but it is about much more than that. A compelling chronicle of war, peace, love, betrayal, birth, and death in the region where the Texas-Mexico border blurs in the haze of the Wild Horse Desert, it is also an intriguing detective story with links to the present-and a first-rate read." -H.W. Brands, author of The Age of Gold and the bestselling Pulitzer Prize finalist The First American

The enduring fascination of the American West marks this collection of essays by distinguished historians, investigative reporters, a novelist, and a celebrated screenwriter. All of these articles have won Wrangler Awards—the western equivalent of the Oscars—presented annually by the National Cowboy & Western Heritage Museum in Oklahoma City. Exciting storytelling, a hallmark of western writing, shapes every selection. C. L. Sonnichsen's 1986 revisionist account of Geronimo's life foreshadows the work of younger historians who continue to deepen our understanding of American Indian history. Jeffrey Pearson's story of the death of Crazy Horse and Greg Michno's novelistic rendering of the Lakota view of the Battle of the Little Bighorn represent history as practiced by scholars who are also powerful writers. Journalist-screenwriter William Broyles's narrative of the King family and ranch is a Texas saga as captivating as anything by Larry McMurtry. The renowned novelist Oakley Hall writes with a historian's precision about Wyoming, setting for The Virginian and site of the Teapot Dome scandal and the Johnson County range war. Focusing on Charles M. Russell, Raphael Cristy establishes the western artist's importance as a writer who overturned stereotypes about American Indians. Environmental studies are showcased in Dan Flores's essays on the demise of the great buffalo herds and the history of the horse trade. And no overview of the West would be complete without military and law enforcement history, amply represented by Robert M. Utley's work on the Texas Rangers, Paul Hutton's panoramic recounting of the Alamo, and Sally Denton's new look at the controversial Mountain Meadows Massacre, incorporating the latest forensic evidence. In what serves as a fitting coda to the violent yet inspiring history of the American West, Hutton offers a stirring account of Teddy Roosevelt's leadership at the Battle of San Juan Hill. This is a collection as pleasurable to read as it is rich with great and significant stories about one of the most enduring national epochs—the history of the great American West.

“A benchmark publication . . . A meticulously documented work that provides an alternative interpretation and revisionist view of Mexican-Anglo relations.” –IMR (International Migration Review) Winner, Frederick Jackson Turner Award, Organization of American Historians American Historical Association, Pacific Branch Book Award Texas Institute of Letters Friends of The Dallas Public Library Award Texas Historical Commission T. R. Fehrenbach Award, Best Ethnic, Minority, and Women’s History Publication Here is a different kind of history, an interpretive history that outlines the connections between the past and the present while maintaining a focus on Mexican-Anglo relations. This book reconstructs a history of Mexican-Anglo relations in Texas “since the Alamo,” while asking this history some sociology questions about ethnicity, social change, and society itself. In one sense, it can be described as a southwestern history about nation building, economic development, and ethnic relations. In a more comparative manner, the history points to the familiar experience of conflict and accommodation between distinct societies and peoples throughout the world. Organized to describe the sequence of class orders and the corresponding change in Mexican-Anglo relations, it is divided into four periods, which are referred to as incorporation, reconstruction, segregation, and integration. “The success of this award-winning book is in its honesty, scholarly objectivity, and daring, in the sense that it debunks the old Texas nationalism that sought to create anti-Mexican attitudes both in Texas and the Greater Southwest.” —Colonial Latin American Historical Review “An outstanding contribution to U.S. Southwest studies, Chicano history, and race relations . . . A seminal book.” –Hispanic American Historical Review