'There is no poetry or romance in war, it is brutal and ugly and terrifying and it turns men into animals - shrieking, screaming and running while destroying all in their path. It is survival' Visari, the vicious Helghast dictator, is vanquished, lying dead at the feet of ISA forces soldiers Sev and Rico. Yet the battle is far from over. Visari's death has wreaked havoc in the Helghast Empire, leaving a legacy of destruction. His last act of violence - a nuclear bomb - has decimated the Special Forces. Sev and Rico must complete their mission alone. They will fight to the death to keep the ruthless Helghast troops at bay. Based on Sony's bestselling game Killzone 3

An American general is captured in the Middle East by terrorists who threaten to behead him within days. One strange fact: moments before he is rendered unconscious during the attack, the general notices that his captors speak American English. What's going on? Gunnery Sgt. Kyle Swanson, a top Marine sniper, is vacationing on a yacht in the Mediterranean when he receives orders to mount a top secret mission to rescue the general. But as the Marines prepare to land in the Syrian desert, they fall victim to a terrible accident. Swanson, the only survivor, then discovers they were also flying into an ambush. How did the enemy have details of a mission known only to a few top American government officials? Swanson takes off across the desert alone to find the captured general and realizes he is fighting a particularly ruthless and dangerous enemy: American mercenaries working for a very-high-level group of U.S. officials with ties to the White House itself, part of a clandestine conspiracy whose hidden goal is nothing less than total control of the American military. Their sworn enemy is the captured general whose fate now rests in Swanson's hands. Filled with the kind of action that author Jack Coughlin lived during his career as a Marine sniper, Kill Zone marks the debut of an extraordinary new series.

In 1997, former U.S. Marie sniper Craig Robers, a seasoned veteran of the Vietnam war, stood for the first time at the 6th floor "sniper's nest" window of the Texas School Book Depository. As he looked down into what the U.S. Government maintains was the kill zone used by Lee Harvey Oswald, he immediately knew that the Warran Commission's verdict--that Lee Harvey Oswald, acting alone from that position, fired three shots in 5.6 seconds from a bolt-action rifle, with the fatal head shot being the last fired--was a lie. Why? Because Roberts, a combat experienced marksman, knew that he could not have duplicated Oswald's supposed feat--even if armed with the much more modern sniper rifle he used with devastating accuracy in Vietnam. At that moment, Roberts, a 20 year veteran police officer, investigator, and recognized authority on sniping, began an investigation that would last six years, take him into the shadow world of clandestine intelligence operations--and beyond--to discover the existence of a sinister organization that resides far above the CIA, KGB, the Mafia, and even government itself. An entity so powerful that, the elimination of a country's leader was little more than business as usual.

In Expect Us, Beyer looks at political consciousness and action in four communities, each born out of chaotic online social spaces that millions of individuals enter, spend time in, and exit moment by moment: Anonymous (4chan.org), IGN.com, World of Warcraft, and The Pirate Bay. Using a comparative ethnographic framework, she demonstrates that the technological organization of space itself has a strong role in determining the possibility for political mobilization.

Incontestably, Future Narratives are most conspicuous in video games: they combine narrative with the major element of all games: agency. The persons who perceive these narratives are not simply readers or spectators but active agents with a range of choices at their disposal that will influence the very narrative they are experiencing: they are players. The narratives thus created are realizations of the multiple possibilities contained in the present of any given gameplay situation. Surveying the latest trends in the field, the volume discusses the complex relationship of narrative and gameplay.

Steve Rabin’s Game AI Pro 360: Guide to Tactics and Strategy gathers all the cutting-edge information from his previous three Game AI Pro volumes into a convenient single source anthology that covers game AI strategy and tactics. This volume is complete with articles by leading game AI programmers that focus largely on combat decisions made in a wide variety of genres such as RTS, RPG, MOBA, strategy and tower defense games. Key Features Provides real-life case studies of game AI in published commercial games Material by top developers and researchers in Game AI Downloadable demos and/or source code available online

Known for their visibility and tendency to generate controversy, first-person shooter (FPS) games are cultural icons and powder-kegs in American society. Contributors will examine a range of FPS games such as the Doom, Half-Life, System Shock, Deus Ex, Halo, Medal of Honor and Call of Duty franchises. By applying and enriching a broad range of perspectives, this volume will address the cultural relevance and place of the genre in game studies, game theory and the cultures of game players. Guns, Grenades, and Grunts gathers scholars from all disciplines to bring the weight of contemporary social theory and media criticism to bear on the public controversy and intellectual investigation of first-person shooter games. As a genre, FPS games have helped shepherd the game industry from the early days of shareware distribution and underground gaming clans to contemporary multimillion dollar production budgets, Hollywood-style launches, downloadable content and worldwide professional gaming leagues. The FPS has been and will continue to be a staple of the game market.

Game AI Uncovered: Volume Two continues the series with the collected wisdom, ideas, tricks and cutting‐edge techniques from 22 of the top game AI professionals and researchers from around the world. The techniques discussed in these pages cover the underlying development of a wide array of published titles, including The Survivalists, Wheelman, Plants vs. Zombies: Battle for Neighborville, Dead Space, Zombie Army 4, Evil Genius 2, Sniper Elite 5, Sonic & All‐Stars Racing Transformed, DiRT: Showdown, and more. Contained within this volume are overviews and insights covering a host of different areas within game AI, including generalised planners, player imitation, awareness, dynamic behaviour trees, decision‐making architectures, agent learning for automated playthroughs, utility systems, machine learning for cinematography, directed acyclic graphs, environment steering, difficulty scenarios, environmental cues through voxels, automated testing approaches, dumbing down your AI, synchronized path following, and much more. Beginners to the area of game AI, along with professional developers, will find a wealth of knowledge that will not only help in the development of your own games but also spark ideas for new approaches. This volume includes chapters written by Nuno Vicente Barreto, Steve Bilton, Andy Brown, Dr Allan Bruce, Richard Bull, Phil Carlisle, Sarah Cook, Michele Condò, Steven Dalton, Rodolfo Fava, Jonas Gillberg, Dominik Gotojuch, Dale Green, Tobias Karlsson, Jonathan Keslake, Fernando Penousal Machado, Ivan Mateev, Dr Nic Melder, Dr Bram Ridder, Paul Roberts, Licínio Roque, and Andrea Schiel.

While organizations such as the American Psychological Association release statements that research supports a link between violent video game use and an increase in aggressive behavior, independent studies (such as one by Whitney DeCamp), show little or no relationship between the two. Those who believe that there are no significant links, caution researchers to avoid compiling evidence 'in a vacuum.' This sets the stage for a very hot debate, especially amongst any of your readers who love violent video games. A variety of narratives are compiled through eyewitness accounts, governmental views, scientific analysis, and newspaper accounts, so readers can decide for themselves how they feel about this issue. Important facts are pulled out from the main text and highlighted so that readers can isolate details for their research or report writing.

In this fascinating volume, Nicholas O’Shaughnessy elucidates the phenomenon of the Nazi propaganda machine via the perspective of consumer marketing, conceptualising the Reich as a product campaign. Building on his acclaimed Selling Hitler (2016), he uses marketing scholarship to show how propaganda and political marketing existed not merely as an instrument of government in Nazi Germany, but as the very medium of government itself. Marketing the Third Reich explores the insidious connection between a mass culture and a political movement, and how the cultures of consumption and politics influence and infect each other – consumerised politics and politicised consumption. Ultimately its concern is with the ‘engineering of consent’ – the troubling matter of how public opinion can be manufactured, and governments elected, via sophisticated methodologies of persuasion developed in the consumer economy. Nazism functioned as a brand, packaging almost everything with persuasive purpose. Revealing obvious parallels between Adolf Hitler’s use of the living theatre of politics, and our present public–political dramaturgy, between Nazi lies and our post-truth, the book raises the chilling question: was Hitler ahead of his time? This radical, original, in-depth study will be an invaluable resource for all scholars of marketing history, political marketing, propaganda and history.