An Irish farce on the inhabitants of a provincial town. They include a poet who is working as a headwaiter, a former pin-up girl who is a magazine editor, and a man who only reads books about God and who makes anonymous phone calls to convince people to believe in God. A first novel.

The hapless inhabitants of Killoyle, Ireland, face all manner of chaos in this comic novel from an author “capable of spinning a fabulous yarn” (Minnesota Daily). After local lush Mick McCreek gets into a car crash with a cross-dressing church sexton, he enlists the help of a lawyer, Tom O’Mallet. As it turns out, the lawyer’s real gig is selling missiles to an IRA splinter group, and he plans to use his clueless client as a patsy. O’Mallet also hoodwinks Anil, an Indian waiter who has found himself the unlikely target of a manhunt. What Tom doesn’t know is that his lucrative weapons are destined for a massive terrorist attack on the Pint-Pulling Olympiad, and that Anil’s sexy cousin Rashmi—a sweatshop worker turned intelligence operative—is hot on the bombers’ trail. With a wink and a nudge, Roger Boylan’s pyrotechnic prose brings to life Ireland at its manic extremes, proving the author a dazzling and distinctive talent in American fiction.

Readers often have regarded with curiosity the creative life of the poet. In this study, David Bethea illustrates the relation between the art and life of 19th-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of this 200th anniversary, still speaks to our time. He indicates how we, as modern readers, might realize the promethean metaphors central to the poet's intensely sculpted life. The Pushkin who emerges from Bethea's portrait is one who, long unknown to English-language readers, closely resembles the original both psychologically and artistically.

Influential accounts of European cultural history variously suggest that the rise of nominalism and its ultimate victory over realist orientations were highly implemental factors in the formation of Modern Europe since the later Middle Ages, but particularly the Reformation. Quite probably, this is a simplification of a state of affairs that is in fact more complex, indeed ambiguous. However, if there is any truth in such propositions - which have, after all, been made by many prominent commentators, such as Panofsky, Heer, Blumenberg, Foucault, Eco, Kristeva - we may no doubt assume that literary texts will have responded and in turn contributed, in a variety of ways, to these processes of cultural transformation. It seems of considerable interest, therefore, to take a close look at the complex, precarious position which literature, as basically a symbolic mode of signification, held in the perennial struggles and discursive negotiations between the semiotic 'twin paradigms' of nominalism and realism. This collection of essays (many of them by leading scholars in the field) is a first comprehensive attempt to tackle such issues - by analyzing representative literary texts in terms of their underlying semiotic orientations, specifically of nominalism, but also by studying pertinent historical, theoretical and discursive co(n)texts of such developments in their relation to literary discourse. At the same time, since 'literary nominalism' and 'realism' are conceived as fundamentally aesthetic phenomena instantiating a genuinely 'literary debate over universals', consistent emphasis is placed on the discursive dimension of the texts scrutinized, in an endeavour to re-orient and consolidate an emergent research paradigm which promises to open up entirely new perspectives for the study of literary semiotics, as well as of aesthetics in general. Historical focus is provided by concentrating on the English situation in the era of transition from late medieval to early modern (c. 1350-1650), but readers will also find contributions on Chrétien de Troyes and Rabelais, as well as on the 'aftermath' of the earlier debates - as exemplified in studies of Locke and (post)modern critical altercations, respectively, which serve to point up the continuing relevance of the issues involved. A substantial introductory essay seeks to develop an overarching theoretical framework for the study of nominalism and literary discourse, in addition to offering an in-depth exploration of the 'nominalism/realism-complex' in its relation to literature. An extensive bibliography and index are further features of interest to both specialists and general readers.

Seventeen-year-old Fay flees her abusive father and the migrant labor camps of her childhood and hitchhikes through Mississippi.

In the magnanimous tradition of Henry James's Hawthorn, Charles Olson's Call Me Ishmael and Susan Howe's My Emily Dickinson, our fall issue will present innovative homages by a diverse group of important contemporary American writers in honor of our great forebears and predecessors. In these iconoclastic (break the icons) and post-canonical (quash the canon) times, what better way to review the directions in which literature may now be headed, than to rethink where it has been?