Nick Janzek is a Boston cop with a dark, tragic past. Dark because of his father's ties with Whitey Bulger. Tragic because of what happened to his wife. But now he's starting over in Charleston. No brutal winters. No bullying despot of a boss. No staring down at stiffs on the mean streets of Beantown. As he drives into Charleston behind the wheel of a U-Haul, taking in the sweet smells of Confederate Jasmine and gardenias, he gets a call. And before he can even unpack, he's got a murder on his hands. A murder that could change the entire face of Charleston.

A horrifying incident from long ago has grisly repercussions that spread across Charleston like a deadly cancer... Then comes the payback: A brutal murder... then another... and another. Homicide cops Nick Janzek and his partner, Delvin Rhett, barely have time to sink their teeth into the first murder, when they're called to the next gruesome crime scene.. And when Janzek finally figures it all out and is about to take down the killer, the killer comes after him... with a vengeance and a very sharp knife. "It's Turner's best, you'll love it!" said one advance reader.

A NEW YORK TIMES NOTABLE BOOK OF 2019 * BARNES & NOBLE DISCOVER GREAT NEW WRITERS PICK * OPRAH MAGAZINE SUMMER 2019 READING LIST SELECTION * NEW YORK TIMES EDITOR'S CHOICE “A soul-shaking chronicle of the 2015 Charleston massacre and its aftermath... [Hawes is] a writer with the exceedingly rare ability to observe sympathetically both particular events and the horizon against which they take place without sentimentalizing her subjects. Hawes is so admirably steadfast in her commitment to bearing witness that one is compelled to consider the story she tells from every possible angle.” —The New York Times Book Review A deeply moving work of narrative nonfiction on the tragic shootings at the Mother Emanuel AME church in Charleston, South Carolina from Pulitzer Prize-winning journalist Jennifer Berry Hawes. On June 17, 2015, twelve members of the historically black Emanuel AME Church in Charleston, South Carolina welcomed a young white man to their evening Bible study. He arrived with a pistol, 88 bullets, and hopes of starting a race war. Dylann Roof’s massacre of nine innocents during their closing prayer horrified the nation. Two days later, some relatives of the dead stood at Roof’s hearing and said, “I forgive you.” That grace offered the country a hopeful ending to an awful story. But for the survivors and victims’ families, the journey had just begun. In Grace Will Lead Us Home, Pulitzer Prize-winning journalist Jennifer Berry Hawes provides a definitive account of the tragedy’s aftermath. With unprecedented access to the grieving families and other key figures, Hawes offers a nuanced and moving portrait of the events and emotions that emerged in the massacre’s wake. The two adult survivors of the shooting begin to make sense of their lives again. Rifts form between some of the victims’ families and the church. A group of relatives fights to end gun violence, capturing the attention of President Obama. And a city in the Deep South must confront its racist past. This is the story of how, beyond the headlines, a community of people begins to heal. An unforgettable and deeply human portrait of grief, faith, and forgiveness, Grace Will Lead Us Home is destined to be a classic in the finest tradition of journalism.

Regina Kendall finds her privileged Boston life superficial and empty. She hankers back to the time spent in Harden, Arizona where her anthropologist father took his family to study the Hopi Indians.

Scott C. Martin examines leisure as a “contested cultural space” in which nineteenth-century Americans articulated and developed ideas about ethnicity, class, gender, and community. This new perspective demonstrates how leisure and sociability mediated the transition from an agricultural to an industrial society. Martin argues persuasively that southwestern Pennsylvanians used leisure activities to create identities and define values in a society being transformed by market expansion. The transportation revolution brought new commercial entertainments and recreational opportunities but also fragmented and privatized customary patterns of communal leisure. By using leisure as a window on the rapid changes sweeping through the region, Martin shows how southwestern Pennsylvanians used voluntary associations, private parties, and public gatherings to construct social identities better suited to their altered circumstances. The prosperous middle class devised amusements to distinguish them from workers who, in turn, resisted reformersÆ attempts to constrain their use of free time. Ethnic and racial minorities used holiday observances and traditional celebrations to define their place in American society, while women tested the boundaries of the domestic sphere through participation in church fairs, commercial recreation, and other leisure activities. This study illuminates the cultural history of the region and offers broader insights into perceptions of free time, leisure, and community in antebellum America.

"The little-known story of a British diplomat who serves as a spy in South Carolina at the dawn of the Civil War, posing as a friend to slave-owning aristocrats when he was actually telling Britain not to support the Confederacy"--

The Charleston Conundrum cover and manuscript placed first in their respective categories in a national When Words Count Pitch Week competition.

City of Heroes: The Great Charleston Earthquake of 1886, is a riveting, heavily illustrated non-fiction book filled with gripping, first-hand accounts of the earthquake, drawn directly from newspapers, personal diaries, journals, and letters of the earthquake survivors. It will also follow the earthquake sleuths who descended upon Charleston to discover what caused the disaster. But above all, it identifies the noble and heartwarming acts of numerous unsung heroes, black and white, inspired and led by Charleston's extraordinary mayor, William A. Courtenay. Working together, they saved numerous lives, nursed the wounded, fed the hungry, sheltered the homeless and enabled Charleston to make a full recovery from the massive disaster within eighteen months.

The author searches for answers to spiritual quandaries in this collection of poems. Her poems form a lyrical conversation with an ominous and omnipotent deity, one who controls all matters of the living earth, including death and destruction. Her acknowledgement of the breadth of this power under divine jurisdiction moves her by turns to anger, grief, celebration, and even joy. From personal to collective to imagined histories, these poems explore essential, perennial questions emblemized by natural disasters, family struggles, racism, and the experiences of travel abroad.

Burned out New York homicide cop Charlie Crawford goes south to take it slow. But after six months in steamy Palm Beach, Florida, he's bored out of his mind and desperate for a face-down stiff with a little rigor setting in. One Halloween night, Crawford is first on the scene and finds a twenty-year-old male swinging from a stately banyan tree. This sets in motion colliding plots involving a billionaire with a thing for young girls, a far-reaching art scam with Crawford's girlfriend playing a starring role, and a ruthless hustler passing himself off as the long lost son of one of the richest men in town.