Since its publication in 2000, hundreds of thousands of children all over the world have read and loved The Breadwinner, the fictional story of eleven-year-old Parvana living in Kabul under the terror of the Taliban. But what happened to Afghanistan’s children after the fall of the Taliban in 2001? In 2011, Deborah Ellis went to Kabul to find out. The twenty-six boys and girls featured in this book range in age from ten to seventeen, and they speak candidly about their lives now. They are still living in a country at war. Violence and oppression exist all around them. The situation for girls has improved, but it is still difficult and dangerous. And many children — boys and girls — are still supporting their families by selling items like pencils and matches on the street. Yet these kids are weathering their lives with remarkable courage and hope, getting as much education and life experience and fun as they can. All royalties from the sale of Kids of Kabul will go to Right to Learn Afghanistan. Key Text Features photographs maps glossary introduction historical context additional information Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RI.5.6 Analyze multiple accounts of the same event or topic, noting important similarities and differences in the point of view they represent. CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text. CCSS.ELA-LITERACY.RI.6.9 Compare and contrast one author's presentation of events with that of another (e.g., a memoir written by and a biography on the same person).

Because the Taliban rulers of Kabul, Afghanistan impose strict limitations on women's freedom and behavior, eleven-year-old Parvana must disguise herself as a boy so that her family can survive after her father's arrest.

An award-winning foreign correspondent who contributed to a Pulitzer Prize-winning New York Times series reveals the secret Afghan custom of disguising girls as boys to improve their prospects, discussing its political and social significance as well as the experiences of its practitioners.

"Soon after the bombing of Kabul ceased, award-winning journalist and women's rights activist Ann Jones set out for the shattered city, determined to bring help where her country had brought destruction. Here is her trenchant report from inside a city struggling to rise from the ruins. Working among the multitude of impoverished war widows, retraining Kabul's long-silenced English teachers, and investigating the city's prison for women, Jones enters a large community of female outcasts: runaway child brides, pariah prostitutes, cast-off wives, victims of rape. In the streets and markets, she hears the Afghan view of the supposed benefits brought by the fall of the Taliban, and learns that regarding women as less than human is the norm, not the aberration of one conspicuously repressive regime. Jones confronts the ways in which Afghan education, culture, and politics have repeatedly been hijacked?by Communists, Islamic fundamentalists, and the Western free marketeers?always with disastrous results. And she reveals, through small events, the big disjunctions: between U.S promises and performance, between the new "democracy' and the still-entrenched warlords, between what's boasted of and what is. At once angry, profound, and starkly beautiful, Kabul in Winter brings alive the people and day-to-day life of a place whose future depends so much upon our own"--

Escaping from Taliban-controlled Afghanistan in the summer of 2001, eleven-year-old Fadi and his family emigrate to the San Francisco Bay Area, where Fadi schemes to return to the Pakistani refugee camp where his little sister was accidentally left behind.

Three stories detail the lives of Parvana, who dresses as a boy in order to provide for her family, and Shauzia, who lives in a widow's compound and dreams of moving to France.

Neha Was the Smallest Infant to Ever be Treated and Survive in Afghanistan. An unusual partnership created the French Medical Institute for Children - two private, non-governmental organizations - the Aga Khan Development Network and the France-based humanitarian entity, La Chaine de l'Espoir, and two governments - the Islamic Republic of Afghanistan and France. The result is an institution that has enabled children's lives to be saved that might have otherwise been lost. Nearly 1,600 children have been treated for congenital and acquired heart diseases, almost half of which had open-heart surgery. Arising during a time of seemingly never-ending war, FMIC is one of Afghanistan's most remarkable success stories. It has become the enabling catalyst for lives to be changed and dreams to be realized - a place where people have succeeded and survived against overwhelming obstacles and odds. As the U.S. and its allies prepare to shift their missions in Afghanistan from military and combat to aid and development, the general consensus is that nothing done in that war-torn country has been successful. FMIC is one of Afghanistan's most remarkable reconstruction success stories. It is a model that can be emulated as the U.S. and others strive to complete their development missions there. "FMIC has achieved many successes and achieved excellence in many fields in healthcare in Afghanistan. This Institute is a true example of a successful public-private partnership." Dr. Suraya Dalil, Afghanistan's Minister of Public Health, speaking at FMIC's 2nd International Pediatric Conference, December 2012. "When we have international societies with us and partnerships like FMIC, we can have hope for the future. This hope gives me energy to go ahead." Dr. Jalil Wardak, Head of Pediatric General Surgery at FMIC

Soon after the fall of the Taliban, in 2001, Deborah Rodriguez went to Afghanistan as part of a group offering humanitarian aid to this war-torn nation. Surrounded by men and women whose skills–as doctors, nurses, and therapists–seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup. Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style. With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.

THE INTERNATIONAL BESTSELLER 'An intimate portrait of Afghani people quite unlike any other . . . compelling' CHRISTINA LAMB, SUNDAY TIMES For more than twenty years Sultan Khan, a bookseller in Kabul, defied the authorities - be they communist or Taliban - to supply books to the people of Kabul. He was arrested, interrogated and imprisoned by the communists and watched illiterate Taliban soldiers burn piles of his books in the street. A committed Muslim, Khan is passionate in his love of books and hatred of censorship. Two weeks after September 11th, award-winning journalist Åsne Seierstad went to Afghanistan to report on the conflict there and the year after she lived with an Afghan family for several months. We learn of proposals and marriages, suppression and abuse of power, crime and punishment. The result is a gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history. 'Fascinating . . . A portrait of people struggling to survive in the most brutal circumstances' DAILY MAIL

Razia dreams of getting an education, but in her small village in Afghanistan, girls haven’t been allowed to attend school for many years. When a new girls’ school opens in the village, a determined Razia must convince her father and oldest brother that educating her would be best for her, their family and their community.