The book explores the encounter of the self with situations of crisis from diverse disciplinary and cultural perspectives from antiquity to contemporary times. A crisis is at once a historically situated phenomenon and a recurring idea of endangerment or a breakdown in creaturely living. By making our choices stark and difficult, crisis opens up the possibility for genuinely fresh and unexpected beginnings. At the most fundamental level, crisis is the disintegration of relationality among creatures. In fact, crisis is a battle of attrition with and within selfhood. It has the potential to turn into a norm in everyday interaction. It then stops being an exception and becomes the very condition of our living. Through the rubrics of the assured and the restive, the volume addresses how selfhood encounters and negotiates concentric circles of crisis in life and literature. Does the idea of crisis allow us to formulate the idea of self in a particular way? How do certain sources and resources within the self – stoic or heroic, political and creative – come into being during crisis? While some essays delve into questions of repose and sensuality by highlighting specific cases and trajectories from the subcontinent, others deal with questions of mythology, politics and art in a wider sense. One essay directly addresses the core literary question of the uncanny and its relation to selfhood. While specific concerns illuminate each essay, the volume speaks with a collective, global sense of crisis that faces humanity now and tentatively offers some prospects to deal with it.

Bengal in the 1940s. Having overcome the famine and the revolt of the sharecroppers, Bengal's peasants are uniting. Work is scarce and wages are low. There is barely any food to be had. The proposal for the formation of Pakistan, the elections of 1946, and communal riots are rewriting the contours of history furiously. Amidst all this, in an unnamed village, a familiar corporeal spirit plunges into knee-deep mud. This is Tamiz's father, the man in possession of Khwabnama. At first glance, Khwabnama is the tale of a harmless young farmhand who becomes a sharecropper and dreams of a future that has everything to do with the land that he cultivates and the soil that he tills. The fabric of his dreams, though, have as much to do with the history of the land as its future, and as much to do with memories as with hope. In this magnum opus, which documents the Tebhaga movement, wherein peasants demanded two-thirds of the harvest they produced on the land owned by zamindars, Akhtaruzzaman Elias has created an extraordinary tale of magical realism, blending memory with reality, legend with history and the struggle of marginalized people with the stories of their ancestors.

From Bombay (Mumbai) and other production centres on the Indian subcontinent, Indian popular cinema has travelled globally for nearly a century, culminating in the Bollywood-inspired, Oscar-winning film Slumdog Millionaire. This volume brings together perspectives on Indian popular cinema, universally known as Bollywood now, from different disciplinary and geographical locations to look afresh at national cinemas. It shows how Bollywood cinema has always crossed borders and boundaries: from the British Malaya, Fiji, Guyana, Trinidad, Mauritius, and East and South Africa to the former USSR, West Asia, the UK, the USA, Canada, and Australia. While looking at the meanings of nation, diaspora, home, and identity in cinematic texts and contexts, the essays also examine how localities are produced in the new global process by broadly addressing nationalism, regionalism, and transnationalism, politics and aesthetics, as well as spectatorship and viewing contexts.

This book seeks to move emphasis away from the over-riding importance given to the state in existing studies of 'western' medicine in India, and locates medical practice within its cultural, social and professional milieus. Based on Bengali doctors writings this book examines how various medical problems, challenges and debates were understood and interpreted within overlapping contexts of social identities and politics on the one hand, and their function within a largely unregulated medical market on the other.

Draws together reflective and analytical essays by renowned intellectuals from around the world who critically engage with the work of one of the global South s leading scholars of African print cultures and the oceanic humanities, Isabel Hofmeyr.

This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.

Interest in Shi'i Islam is running at unprecedented levels. International tensions over Iran, where the largest number of Shi'i Muslims live, as well as the political resurgence of the Shi'i in Iraq and Lebanon, have created an urgent need to understand the background, beliefs and motivations of this dynamic vision of Islam. Abbas Amanat is one of the leading scholars of Shi'ism. And in this powerful book, a showcase for some of his most influential writing in the field, he addresses the colourful and diverse history of Shi' Islam in both premodern and contemporary times.Focusing specifically on the importance of apocalypticism in the development of modern Shi'i theology, he shows how an immersion in messianic ideas has shaped the conservative character of much Shi'i thinking, and has prevented it from taking a more progressive course. Tracing the continuity of apocalyptic trends from the Middle Ages to the present, Amanat addresses such topics as the early influence on Shi'ism of Zoroastrianism; manifestations of apocalyptic ideology during the Iranian Revolution of 1979; and the rise of the Shi'i clerical establishment during the 19th and 20th centuries. His book will be an essential resource for students and scholars of both religious studies and Middle Eastern history.

Fazlallah Astarabadi was a 14th-century Islamic religious leader who believed that the world was about to come to an end. This book is the first comprehensive study of Astarabadi's life and thought and also offer a history of his movement. It emphasizes the diversity of medieval Islam by describing an apocalyptic movement founded on the idea that the cosmos contains embedded secrets that become manifest through extraordinary human beings.

1943: As the British Empire draws to a close, the state of Bengal is just emerging from the grip of famine. Exploited mercilessly by feudal landlords, landless peasants rise in protest and launch a movement in 1946 to retain two-thirds of the grain they harvest - Tebhaga. More than 50,000 women participated in this movement: one whose history and tragic end - in the crossfire between state violence and revolutionary armed struggle - became a legend in its time. Yet in the written history of Tebhaga, the full-fledged women's movement that they forged has never featured. In this authoritative study, based on interviews and women's memories, Kavita Panjabi sets the balance right with rare sensitivity and grace. Using critical insights garnered from oral history and memory studies, Panjabi raises questions that neither social history nor left historiography ask. In doing so, she claims the past for a feminist vision of radical social change. This account of the transformation of the struggle is unique in feminist scholarship movements.

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