This collection of newspaper columns and articles mostly written in the 1970s and 1980s perhaps provides the best overview of Saro-Wiwa's political and environmental concerns. The articles document his concerns about the fate of the Ogoni people and their mistreatment by multinational oil companies and collaborating Nigerian government. Saro-Wiwa argues that the Ogoni are a minority in Nigeria, exploited by the ruling ethnic majority, and that the Federal Government of Nigeria was threatening the Ogoni with genocide. At the time, this was a key publication in bringing the Ogoni tragedy to the attention of the international community. Nowadays, it is of continual relevance to present day concerns about the actions of the oil companies, indigenous and environmental rights in the Delta region.

A “remarkable chronicle” of a journey back to this West African nation after years of exile (The New York Times Book Review). Noo Saro-Wiwa was brought up in England, but every summer she was dragged back to visit her father in Nigeria—a country she viewed as an annoying parallel universe where she had to relinquish all her creature comforts and sense of individuality. After her father, activist Ken Saro-Wiwa, was killed there, she didn’t return for several years. Then she decided to come to terms with the country her father given his life for. Traveling from the exuberant chaos of Lagos to the calm beauty of the eastern mountains; from the eccentricity of a Nigerian dog show to the decrepit kitsch of the Transwonderland Amusement Park, she explores Nigerian Christianity, delves into the country’s history of slavery, examines the corrupting effect of oil, and ponders the huge success of Nollywood. She finds the country as exasperating as ever, and frequently despairs at the corruption and inefficiency she encounters. But she also discovers that it is far more beautiful and varied than she had ever imagined, with its captivating thick tropical rain forest and ancient palaces and monuments—and most engagingly and entertainingly, its unforgettable people. “The author allows her love-hate relationship with Nigeria to flavor this thoughtful travel journal, lending it irony, wit and frankness.” —Kirkus Reviews

The moving last memoir of the outspoken critic of the Nigerian regime and international oil companies he held responsible for the destruction of his homeland-who lost his life in the campaign for the basic rights fo the Ogoni people of Nigeria.

The Niger Delta region of Nigeria had a long standing history of crises even before the late Ken Saro-Wiwa helped to bring these crises to the attention of the world. The international community increasingly needs Nigerian oil largely because of the political dislocations and uncertainties in some of the major oil-producing regions of the world. But unfortunately the crises in the Niger Delta, which produces most of Nigeria's oil, have also been escalating to alarming proportions, often turning the region into a site of seemingly unending uncertainty and conflicts. The book focuses on Ogoniland - one of the oil-producing communities that make up the Niger Delta. It examines the colonial origins of these crises and their links to the dynamics of petroleum exploitation in the region as well as to the structure of Nigeria's contemporary political economy. It relates the ways in which the crises in Ogoniland are connected to the generalised turmoil in the Niger Delta and argues that they are often exacerbated - rather than attenuated - by the Nigerian federal process and its unique combination of militarism, ethnicity and religion.

Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and human rights activists, and a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation. Though he is rightly known for his human rights and environmental activism, he wore many hats: writer, television producer, businessman, and civil servant, among others. While the book sheds light on his many legacies, it is above all about Saro-Wiwa the man, not just Saro-Wiwa the symbol. Roy Doron and Toyin Falola portray a man who not only was formed by the complex forces of ethnicity, race, class, and politics in Nigeria, but who drove change in those same processes. Like others in the Ohio Short Histories of Africa series, Ken Saro-Wiwa is written to be accessible to the casual reader and student, yet indispensable to scholars.

This is an extensive study of Kenule Saro-Wiwa, the Ogoni Minority and Human Rights activist who was judicially murdered in 1995. Questions of nationhood, ethnic minority and power politics in Nigeria are discussed in a collection of essays that examine the corpus of his literary and political ideas, pointing out the direction of his thought and the enduring contribution that Sara-Wiwa made to Nigeria's literary and political arenas.

This book marks the 25th anniversary of the execution of Nigerian activist and written Ken Saro-Wiwa. The 21 essays, by international contributors, and 42 poems by new and established poets, are inspired by his ideals and activism. The volume includes contributions by people intimately connected with Saro-Wiwa. His brother Dr Owens Wiwa recounts how his older brother awakened and nurtured his awareness of the tremendous damage Royal Dutch Shell was doing to their homeland, in collaboration with the then Nigerian military government. His firsthand account of the brutality of the military government and its impact; his unsuccessful efforts to save the life of his brother; his time in hiding and subsequent escape, with his family, from Nigeria and his efforts to retrieve the remains of his brother for burial, makes for very moving reading. Likewise, Noo Saro-Wiwa shares her story of growing up in England with strong links to family in Nigeria, and the trauma of hearing of her father's execution while at University. Maynooth University, where the editor works as Deputy Librarian, holds the death row correspondence from Ken Saro-Wiwa to Sister Majella McCarron. McCarron provides two personal essays. One, a reflection on the events that shaped her work with Saro-Wiwa in Nigeria and her subsequent efforts to save the lives of the Ogoni 9: the second essay explores her experience as a table observer of the Shell to Sea campaign, which strove to have gas, discovered off the west coast of Ireland, refined at sea rather than inland. The damage that Shell has caused in Ogoni and the issue of redress are topics addressed in essays by experts including Mark Dummett, of Amnesty International, who investigated how Shell and other oil companies have caused or contributed to human rights abuses through their operations in the Niger Delta. Daniel Leader, a barrister and partner at Leigh Day's international law department, the firm who have led a number of ground breaking human rights cases, including a series of cases against Shell on behalf of Nigerian communities, explores the issue of legal redress. Architect, environmental activist, author and poet Nnimmo Bassesy's wide ranging essay presents Saro-Wiwa as activist and writer and creator of the Ogoni Bill of Rights, against the backdrop of the UNEP report of the Environmental Assessment of Ogoniland, which recorded that drinking water in Ogoni had benzene, a carcinogen, at over 900 times the level permitted, and the i

Ken Saro-Wiwa, a Nigerian writer, television producer, environmental activist, and winner of the Right Livelihood Award and the Goldman Environmental Prize, was President of the Movement for the Survival of the Ogoni People (MOSOP), and led a nonviolent campaign against the environmental degradation of land and waters by the operations of the multinational petroleum industry, especially Royal Dutch Shell. He was an outspoken critic of the Nigerian military government. His execution on 10 November 1995 by the Abacha regime provoked international outrage and resulted in Nigeria's suspension from the Commonwealth for over three years.

Basi and Company was the first book of the hugely successful Nigerian comedy television series, which at its peak was watched by an estimated 30 million Nigerians. The New York Times described the show as 'Nigeria's hottest comedy show, [that] seems to have struck a chord because it lampoons modern Nigeria's get-rich-quick mentality'. Basi is an exceptional man, in keeping with the best traditions of tricksters in Yoruba folklore, satirising the get-rich-quick mentality. The author translated the folktale into a contemporary idiom, believing that this format accorded better with African narrative methods.