Keith Tyson's work can be seen as an ongoing investigation into the question of how things come into being. Many of them investigate the physical forms and systems found within the natural world; others examine the effects of mankind on the environment, and the ensuing man-made forms and systems. In other works, Tyson questions the creation of the artwork itself, positing it as something which can be randomly generated by systems, but simultaneously making us aware that these systems are generated by the artist. For the first time in a publication, Tyson's work is examined simultaneously from both an artistic, mathematical and spiritual position, providing a new insight into the artist's approach. Keith Tyson was born in 1969 in Ulverston (UK). He lives and works in Brighton and London, England.

Introduction by Adrian Shaughnessy. Text by Simon Worthington, Damian Jaques, Pauline van Mourik Broekman.

Black holes, dark matter, gravity, time, motion--these phenomena fascinate physicists and artists alike. Both strive to discover how they shape our world. The connection between art and science is gaining increasing significance in contemporary art.Now, the influence of physics on today's art, design, and architecture is being more closely examined. Curated by Ariane Koek, the founder of the arts program Arts at CERN, the exhibition Entangle - Physics and the Artistic Imagination and its companion catalog present the works of thirteen contemporary artists who are inspired by physics and its investigation of natural phenomena. Besides their works, this ground-breaking publication also contains interviews with the artists and physicists who share their different ways of seeing.Featuring interviews with and works of art by Sarah Sze, Julius von Bismarck, Julian Charrière, Sou Fujumoto, Iris van Herpen, Ryoji Ikeda, William Kentridge, Rafael Lozano-Hemmer, Goshka Macuga, Davide Quayola, Solveig Settemsda, Keith Tyson, Jorinde Voigt, and Carey Young. Exhibition:16.11.2018--14.04.2019, BIldmuseet Umeå

Examines the studio process of Doug Aitken, Jake and Dinos Chapman, Damien Hirst, Mona Hatoum, Rachel Whiteread and 15 other prominent contemporary artists as they worked with the Mike Smith Studio, a production facility in London that collaborates with artists in realizing various complex and large-scale works.

Includes profiles and interviews of the following artists: Cornelia Parker, Jeff Koons, Julie Mehretu, Claude Heath, Martin Wilner, Charles Avery, Gemma Anderson, Tim Knowles, Mick Maslen, Jeanette Barnes, Kate Atkin, Benedict Carpenter, Dryden Goodwin, Shahzia Sikander, William Kentridge, Keith Tyson, Franziska Furter, Jake & Dinos Chapman.

Iron Mike collects the best writing on the tumultuous fifteen-year career of the most reviled and idolized athlete in the world, Michael Gerard Tyson. Since becoming, at age nineteen, the youngest heavyweight champion in history, Tyson's dramatic rise, fall, and continuing struggle has provoked more passionate writing, both in and out of the sports pages, than that of any other boxer since Muhammad Ali. Iron Mike is about more than boxing. Like no other athlete, Mike Tyson is at the nexus of America's cultural anxieties about race, class, masculinity, violence, and celebrity; like no other athlete his story of high drama and low comedy inspires writers to wrestle with these themes, with Tyson often no more than the occasion for the writer's own preoccupations. And Tyson has provided many such occasions: his rise to the Undisputed World Heavyweight Championship at age twenty-one; his rocky marriage to Robin Givens; his controversial conviction for the rape of Desiree Washington; his return to boxing and reclamation of the WBC and WBA belts; his biting of Evander Holyfield. Iron Mike is a kaleidoscopic portrait of a man who, for better and worse, is one of the most recognizable, popular, and defining icons of our time. The book includes selections from Joyce Carol Oates, Pete Hamill, Jose Torres, Pete Dexter, Phil Berger, Christopher Hitchens, Robert Lipsyte, Dave Anderson, Jonathan Yardley, Richard Rodriguez, Katherine Dunn, Budd Schulberg, William Plummer, David Remnick, Keith Botsworth, and others.

The final in a series of three collectable books rediscovering the archives of AnOther Magazine, one of the world's most influential fashion magazines. Another Art Book looks back on the ambitious artistic projects commissioned exclusively for the magazine's pages since 2001, bringing together some of the most iconic names in modern art including Jake & Dinos Chapman, Yayoi Kusama, Hans Peter Feldmann, Yoshitomo Nara, Ernesto Caivano, Keith Tyson, Urs Fischer and Damien Hirst. Opening an early copy of AnOther Magazine, readers were immediately confronted with ten pages filled with nothing but art - be it Jake and Dinos Chapman's twisted vision of the Holy Land Experience, a hypnotic sea of dots penned by Yoyoi Kusama, or Damien Hirst's bloody skulls and severed heads shot by David Bailey (deemed so shocking the pages were sealed with glue). AnOther Magazine thereby subverted the expectations of readers accustomed to finding a bank of advertising at the front of magazines. Over the years the format has evolved, but AnOther Magazine's unique connection with the art word continues. In 2007 Dress Art paired fifteen artists including Jeff Koons, Annie Morris and John Isaacs with fifteen designers from Stella McCartney to Dolce & Gabbana, and challenged them to create fifteen unique dresses. The results brought together the fields of fashion and art as never before - worlds which have since become inextricably linked.

This work includes an essay by Gabriel Ramin Schor. Detailing a major new series of work, Nature Paintings, Tyson departs from traditional methods of representing nature in art by allowing nature itself, rather than the artist's subjectivity, to guide the development of the work. After being poured at different angles and at different temperatures, the chemicals and other materials used to make the work are left to take their own form. These are reminiscent of forms in nature because they have been shaped by natural forces. With these works, Tyson continues to explore the flux and potential inherent in making art in order to communicate the complex and interdependent nature of the world. He challenges the status of the art object as a relic, and tries to preserve the dynamic potential in the act of artistic creation. Keith Tyson won the Turner Prize in 2002.

Selling Is an Away Game is a comprehensive guide designed to challenge traditional sales methods and transform how salespeople approach sales in today's dog-eat-dog world. There are few professions as competitive and cutthroat as sales. Faced with daily rejections and the pressure of impending quotas, successful salespeople are those who have the proper strength, grit, and knowledgeable strategies to rise above the competition. Lance Tyson's Selling Is an Away Game will immerse sales professionals in the mindset of the buyer and foster new strategies and tactics to help them become stronger and more effective salespeople. With over twenty years of sales experience, Lance knows what it takes to succeed in the industry and has compiled his knowledge into this definitive handbook to help companies and individuals increase sales production, shorten sales cycle time, reduce cost of sale, and develop talent.

A dazzling look at the artists working on the frontiers of science. In recent decades, an exciting new art movement has emerged in which artists utilize and illuminate the latest advances in science. Some of their provocative creations—a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang (pictured on the cover)—can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google’s Creative Lab, and the MIT Media Lab. In Colliding Worlds, Arthur I. Miller takes readers on a wild journey to explore this new frontier. Miller, the author of Einstein, Picasso and other celebrated books on science and creativity, traces the movement from its seeds a century ago—when Einstein’s theory of relativity helped shape the thinking of the Cubists—to its flowering today. Through interviews with innovative thinkers and artists across disciplines, Miller shows with verve and clarity how discoveries in biotechnology, cosmology, quantum physics, and beyond are animating the work of designers like Neri Oxman, musicians like David Toop, and the artists-in-residence at CERN’s Large Hadron Collider. From NanoArt to Big Data, Miller reveals the extraordinary possibilities when art and science collide.