This volume offers new interpretations of Katherine Mansfield's work by bringing together recent biographical and critical-theoretical approaches to her life and art in the context of Continental Europe. It features chapters on Mansfield's reception in several European countries together with her own translations of other European writers.

This volume offers new interpretations of Katherine Mansfield's work by bringing together recent biographical and critical-theoretical approaches to her life and art in the context of Continental Europe. It features chapters on Mansfield's reception in several European countries together with her own translations of other European writers.

New scholarly assessments of Katherine Mansfield's relationships with Continental Europe and the European reception of her workThe inaugural volume of Katherine Mansfield Studies illuminates Mansfield's literary and personal relationships with Continental Europe. The essays explore Mansfield's absorption of French literature and thought, highlighting affinities with Henri Bergson's interpretations of consciousness and with the writings of Marcel Proust. There are important insights into the memorable letters written by Mansfield whilst trapped in Paris under German Bombardment in 1918. Beyond France, we are offered an intriguing view of Mansfield's literary and critical afterlife in Czechoslovakia, and of the cosmopolitanism that characterised her entire life and writing. Also in this volume - appearing in the wake of the publication of the final volume of her collected letters - Mansfield's own practice as a reviewer is explored as a counter-balance to her current critical reception. With a preface by a distinguished editor and scholar of Mansfield and a rich creative writing section that includes work by several eminent New Zealand writers.

This volume offers new interpretations of Katherine Mansfield's work by bringing together recent biographical and critical-theoretical approaches to her life and art in the context of Continental Europe. It features chapters on Mansfield's reception in several European countries together with her own translations of other European writers. Katherine Mansfield and Continental Europe offers new interpretations of Katherine Mansfield's work by bringing together recent biographical and critical-theoretical approaches to her life and art. It features chapters on Mansfield's reception in Europe and her own translations of other European writers; new biographical and critical interpretations of her early 'difficult' period in Bavaria and her connections to Poland; connections with other authors both contemporary and historical; notions of identity, the self, and 'home'; and finally a reinterpretation and reassessment of her stories set in Europe. Katherine Mansfield and Continental Europe aims to fill a perceived gap in the market on Mansfield studies and will be of value for students, general readers and scholars of Mansfield alike.

New scholarly assessments of Katherine Mansfield's relationships with Continental Europe and the European reception of her work The inaugural volume of Katherine Mansfield Studies illuminates Mansfield's literary and personal relationships with Continental Europe. The essays explore Mansfield's absorption of French literature and thought, highlighting affinities with Henri Bergson's interpretations of consciousness and with the writings of Marcel Proust. There are important insights into the memorable letters written by Mansfield whilst trapped in Paris under German Bombardment in 1918. Beyond France, we are offered an intriguing view of Mansfield's literary and critical afterlife in Czechoslovakia, and of the cosmopolitanism that characterised her entire life and writing. Also in this volume appearing in the wake of the publication of the final volume of her collected letters Mansfield own practice as a reviewer is explored as a counter-balance to her current critical reception. With a preface by a distinguished editor and scholar of Mansfield and a rich creative writing section that includes work by several eminent New Zealand writers.

Reveals diverse notions of distributed cognition in the early Greek and Roman worlds

By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period.

Through her formally innovative and psychologically insightful short stories, Katherine Mansfield is increasingly recognised as one of the central figures in early 20th-century modernism. Bringing together leading and emerging scholars and covering her complete body of work, this is the most comprehensive volume to Mansfield scholarship available today. The Bloomsbury Handbook to Katherine Mansfield covers the full range of contemporary scholarly themes and approaches to the author's work, including: · New biographical insights, including into the early New Zealand years · Responses to the historical crises: the Great War, empire and orientalism · Mansfield's fiction, poetry, criticism and private writing · Mansfield and modernist culture – from Bloomsbury to the little magazines · Mansfield and her contemporaries – Woolf, Lawrence and von Arnim · Mansfield and the arts – visual culture, cinema and music The book also includes a substantial annotated bibliography of key works of Mansfield scholarship from the last 30 years.

In line with the recent surge of critical interest in early psychology, the contributors read Mansfield's work alongside figures like William James and Henri Bergson, opening up new perspectives on affect in her work. While these essays trace strands within the intellectual milieu in which Mansfield came of age, others explore the intricate interplay between Mansfield's fiction and Freudian theory, seeing her work as emblematic of the uncanny doubling of modernist literature and psychoanalysis.

Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield’s influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield’s life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.