No retelling of Kassandra and the Wolf can explain its charm, or its riddles. [It] is one of those rare creations that come alive mysteriously, without any antecedents. The book is original, terrifying, complete. It invents its own history, eases in and out of nightmare as it mingles dream and fact. Kassandra and the Wolf is a short, muscular novel with an absolute sense of craft. The language throughout is merciless and crisp. [A] stunning achievement: a lovely, sinister book.New York Times

Preternatural Private Investigator and Paranormal Huntress Kassandra Lyall is used to working alone. Whenever there’s a murder or a mystery to solve that involves the preternatural—she’s the witch they call. When she’s called in to help the local cops work on a mysterious murder case, she finds herself needing all the help she can get. A bloodthirsty werewolf is loose in the city and on a killing spree. As if her plate weren’t full enough, a strange she-wolf seeks Kassandra’s aid, asking her to help find her missing brother. Kassandra soon learns that the strange she-wolf serves two masters, and one of those masters has taken quite an interest in her. In a world where vampires have charmed their way into modern society, where werewolves walk the streets with their beasts disguised by human skin, Kassandra Lyall has a secret of her own to protect. She’s one of them. The First Book in the Kassandra Lyall Preternatural Investigator Series.

**In efforts to unearth his secrets, Kassandra drugs alpha wolf shifter Damien. But when she falls into his trap, he gives her an ultimatum: Spend two nights with him or he turns her in… Will she be able to resist their primal desires?** She drugged him because she had to. He won’t soon forgive that. Kassandra serves in the Dragon Guard and is the only one who knows how to mask her scent. That makes her deadly and dangerous. When the exiled Dragon Prince, Dmitri, starts sniffing around Damien, a known wolf shifter, she knows something is amiss. She intends to know what that is. So, she seduces Damien, and drugs him to search his bar for the evidence she needs. Only to discover there is none. Damien knows she’ll be back. She was obviously looking for something. So, he sets a trap. He’s only too happy when she falls into it. He gives her an ultimatum: spend two days and nights with him, or he turns her in to every authority he can and post her pictures all over the internet. She has two days to find out what the Prince is trying to gain with Damien. She has to hurry. She has a job to do and Damien is proofing himself to be a distraction she just can’t afford

"Retells the story of the fall of Troy ... from the point of view of the woman whose visionary powers earned her contempt and scorn. Written as a result of the author's Greek travels and studies, Cassandra speaks to us in a pressing monologue whose inner focal points are patriarchy and war. In the four accompanying pieces, which take the form of travel reports, journal entries, and a letter, Wolf describes the novel's genesis."--Cover p. [4].

“I stared down at the lifeless body of a boy whose face was all too familiar…” Following the execution of Lukas Morris, Preternatural Private Investigator Kassandra Lyall told herself that she’d learn more about the local werewolf pack’s Alpha female. Just as she begins her investigation, she’s interrupted by a phone call from friend and ex-colleague, Detective Arthur Kingfisher. The body of a sixteen-year-old boy has been found. It’s not just any sixteen-year-old boy, it’s Timothy Nelson, a boy Kassandra knew was curious about the preternatural. Kassandra soon realizes that Timothy’s death serves as a challenge, but it’s not a challenge directed at her. It’s aimed at her lover, the Countess vampire of Oklahoma, Lenorre. While Kassandra tries to figure out if Timothy’s curiosity was his undoing, the biggest question of all remains unanswered. Is Timothy Nelson dead or undead? The Second Book in the Kassandra Lyall Preternatural Investigator Series.

Interest in Christa Wolf continues to grow. Her classics are being reprinted and new titles are appearing posthumously, becoming bestsellers, and being translated. Energetic scholarly debates engage well-known aesthetic and political issues that the public intellectual herself fore-fronted. This broad-ranging introduction to the author, her work and times builds upon and moves beyond such foundational interpretative frameworks by articulating the global relevance of Wolf’s oeuvre today, also for non-German readers. Thus, it brings East German culture alive to students, teachers, scholars and the general public by connecting the socialist German Democratic Republic (GDR) and the lived experiences of its citizens to nations and cultures around the world. The collection focuses on topical matters including the search for authenticity, agency, race, cosmopolitanism, gender, environmentalism, geopolitics, war, and memory debates, as well as movie adaptations and Wolf’s film work with DEFA, marketing, and international reception. Our contributions – by senior and emerging scholars from across the globe – emphasize Wolf’s position as an author of world literature and an important critical voice in the 21st century.

Spanning the past three decades, these essays focus on the roles of the writer and literature today. In the first half of this series of witty, probing essays on reading and writing, Wolf examines the individual's, in particular the writer's, relationship to society. The final sections, "On War and Peace and Politics" and "The End of the German Democratic Republic," demonstrate the ways in which Wolf's political thinking has evolved and cast light on the political situation in East Germany prior to reunification. "An important publication, ably served by the editing of Alexander Stephan; the knowledgeable translation by Jan Van Heurck; and Grace Paley's sisterly introduction, which . . . claims at least the later Christa Wolf for a pacifist feminism."—Peter Demetz, New York Times

When The Quest for Christa T. was first published in East Germany ten years ago, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing eplicity to do with politics.

The stunning final novel from East Germany's most acclaimed writer Three years after the fall of the Berlin Wall, the writer Christa Wolf was granted access to her newly declassified Stasi files. Known for her defiance and outspokenness, Wolf was not especially surprised to discover forty-two volumes of documents produced by the East German secret police. But what was surprising was a thin green folder whose contents told an unfamiliar—and disturbing—story: in the early 1960s, Wolf herself had been an informant for the Communist government. And yet, thirty years on, she had absolutely no recollection of it. Wolf's extraordinary autobiographical final novel is an account of what it was like to reckon with such a shocking discovery. Based on the year she spent in Los Angeles after these explosive revelations, City of Angels is at once a powerful examination of memory and a surprisingly funny and touching exploration of L.A., a city strikingly different from any Wolf had ever visited. Even as she reflects on the burdens of twentieth-century history, Wolf describes the pleasures of driving a Geo Metro down Wilshire Boulevard and watching episodes of Star Trek late at night. Rich with philosophical insights, personal revelations, and vivid descriptions of a diverse city and its citizens, City of Angels is a profoundly humane and disarmingly honest novel—and a powerful conclusion to a remarkable career in letters.

Yule is a time to celebrate the rebirth of the light, but for Preternatural Private Investigator and Paranormal Huntress Kassandra Lyall, it's about solving yet another series of crimes. When a couple disappears from their quiet neighborhood home, Detective Arthur Kingfisher brings Kassandra in on the case. Faced with a bloody symbol painted on the couple's bedroom wall, the cops are stumped. That is, until they find a body and their missing person's report becomes a full-blown murder investigation. Kassandra realizes that someone is targeting the pagan community. The investigation brings up some heavy emotions, making it harder for her to play human in front of the law enforcement officers she works with. In the midst of aiding the police, Kassandra finally finds herself at serious odds with Sheila Morris, the local werewolf pack's Alpha female, when Sheila decides to abuse someone very dear to Kassandra. A certain Alpha has a bone to pick. The question is: Who's going to pick it first? The Third Book in the Kassandra Lyall Preternatural Investigator Series.