In the mid-eighteenth century metaphysics was broadly understood as the study of three areas of philosophical thought: theology, psychology and cosmology. This book examines the fortunes of the third of these formidable metaphysical concepts, the world. Sean Gaston provides a clear and concise account of the concept of world from the mid-eighteenth century to the end of the twentieth century, exploring its possibilities and limitations and engaging with current issues in politics and ecology. He focuses on the work of five principal thinkers: Kant, Hegel, Husserl, Heidegger and Derrida, all of whom attempt to establish new grounds for seeing the world as a whole. Gaston presents a critique of the self-evident use of the concept of world in philosophy and asks whether one can move beyond the need for a world-like vantage point to maintain a concept of world. From Kant to the present day this concept has been a problem for philosophy and it remains to be seen if we need a new Copernican revolution when it comes to the concept of world.

"Jacques Derrida's career-long engagement with the philosophy of Emmanuel Kant has made possible a sea-change in both the understanding and methods of appraisal of Kant's work. Kant After Derrida is a collection of essays which reflects the breadth of this re-appraisal, assessing the principal points of contact and dissonance between the Derridean deconstructive approach and Kant's 'critical apparatus' ... While explicitly avoiding simple opposition, Derrida's work and its influence has intimately effected reconfigurations on familiar Kantian subjects such as beauty, nature, freedom, the transcendental, the categories, casting anew the ethical, aesthetic, physical and metaphysical systems with which Kant blazed his 'Copernican revolution'. The richness and diversity of these essays is evidence both of the strength and enduring power of Kant's achievement some two hundred years after his death, and tribute to the value of the very Derridean notion of 'reading with'." -- From back cover.

Religion and Violence: Philosophical Perspectives from Kant to Derrida's careful posing of such questions and rearticulations pioneers new modalities for systematic engagement with religion and philosophy alike.--Arthur Bradley "Year's Work in Critical and Cultural Theory"

Over the last few decades there has been a phenomenal growth of interest in metaphor as a device which extends or revises our perception of the world. Clive Cazeaux examines the relationship between metaphor, art and science, against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty. He contextualizes recent theories of the cognitive potential of metaphor within modern European philosophy and explores the impact which the notion of cognitive metaphor has on key positions and concepts within aesthetics, epistemology and the philosophy of science.

"Jacques Derrida's work on voice and tonality, particularly his reading of Plato to critique philosophy's reliance on the spoken word, is well-known to critics and students in the United States. But Derrida's work on Immanuel Kant in this area has been misunderstood - or ignored - because the relevant texts have been unavailable in English." "In Raising the Tone of Philosophy, Peter Fenves expands the context of Derrida's discussion by presenting the first English translations of two of Kant's important late essays, "On a Newly Arisen Superior Tone in Philosophy" and "Announcement of a Near Conclusion of a Treaty for Eternal Peace in Philosophy." The annotations that accompany the essays indicate the complex array of philosophical, political, and historical issues that Kant addresses. The book also includes a revised translation, by John Leavey, Jr., of Derrida's "On a Newly Arisen Apocalyptic Tone in Philosophy," which rewrites and reorients Kant's essays." "In his introduction to this collection, Fenves examines the emergence of tone as an explicit philosophical topic and explores the connections between the last writings of Kant and certain recent ones of Derrida. Observing that Derrida continues the speculation that Kant begins, Fenves proposes that these essays reveal tonality and the "end" of philosophy to be perennial compulsions. Raising the Tone of Philosophy promises to enhance and complicate the theoretical work that explores the connections between deconstruction and philosophy."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.

"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, Library Journal

This book offers a new materialist interpretation of Derrida's later work, including his engagements with religion and politics. It argues that there is a shift from a context or background motor scheme of writing to what Derrida calls the machinic, and Catherine Malabou calls plasticity.

While many studies have chronicled the Romantic legacy of artistic genius, this book uncovers the roots of the concept of genius in Kant's third Critique, alongside the development of his understanding of nature. Paul Bruno addresses a genuine gap in the existing scholarship by exploring the origins of Kant's thought on aesthetic judgment and particularly the artist. The development of the word 'genius' and its intimate association with the artist played itself out in a rich cultural context, a context that is inescapably significant in Western thought. Bruno shows how in many ways we are still interrogating the ways in which a nature governed by physical laws can be reconciled with a spirit of human creativity and freedom. This book leads us to a better understanding of the centrality of understanding the modern artistic enterprise, characterized as it is by creativity, for modern conceptions of the self.

A critical anthology that re-examines Jacques Derrida’s thought by way of theory and praxis, this volume reflects on his striking legacy and the future of theory. Among contemporary thinkers, Derrida challenges not only our ways of thinking but also hitherto methods of inquiry. This book captures how Derrida renovates and re-energises philosophy by questioning the fundamental assumptions of Western philosophical thought. By doing so, he exposes the intricate lie behind binaries, such as speech/writing, nature/culture, male/female, black/white, literature/criticism, etc., which have continued to shape our worldview, where a hegemonic centre is always already in place dominating or marginalising the ‘other’. A significant contribution to literary theory, this book explores not only the status of Derrida’s contribution as a critical thinker but also the status of critical theory as such in the contemporary milieu. The central question that it asks is whether we should dismiss Derrida as a thinker who espoused an extreme form of relativism, bordering on nihilism, or has he something fundamental to contribute to the future of theory. Could it be that deconstruction is not destruction but a possibility that casts doubts on whether the present can have faith in future? This second edition includes a new Postscript and addresses some important concerns of our times, such as religious practice, art and aesthetics, translation, sociology of philosophy, and democracy. Scholars and researchers of English literature, philosophy, sociology and cultural studies will find this work particularly interesting.