In their second novel, Gene Hackman and Daniel Lenihan bring to life the harsh plains and smouldering courtrooms of the Midwest: the small town of Vermilion, Illinois, on the brink of the Great Depression. Boyd Calvin is a troubled World War I veteran on the run from the law, suspected of murdering his estranged wife and her lover. Only a female reporter for the Chicago Tribune and the head of a sanitarium for veterans are not convinced of Boyd's guilt. Boyd joins forces with another wrongly accused man, an African-American, and the two begin to face their shadowed pasts while fighting against the odds of justice.

“A brilliant and bracing analysis of the Palestine question and settler colonialism . . . a vital lens into movement lawyering on the international plane.” —Vasuki Nesiah, New York University, founding member of Third World Approaches to International Law (TWAIL) Justice in the Question of Palestine is often framed as a question of law. Yet none of the Israel-Palestinian conflict’s most vexing challenges have been resolved by judicial intervention. Occupation law has failed to stem Israel’s settlement enterprise. Laws of war have permitted killing and destruction during Israel’s military offensives in the Gaza Strip. The Oslo Accord’s two-state solution is now dead letter. Justice for Some offers a new approach to understanding the Palestinian struggle for freedom, told through the power and control of international law. Focusing on key junctures—from the Balfour Declaration in 1917 to present-day wars in Gaza—Noura Erakat shows how the strategic deployment of law has shaped current conditions. Over the past century, the law has done more to advance Israel’s interests than the Palestinians’. But, Erakat argues, this outcome was never inevitable. Law is politics, and its meaning and application depend on the political intervention of states and people alike. Within the law, change is possible. International law can serve the cause of freedom when it is mobilized in support of a political movement. Presenting the promise and risk of international law, Justice for Some calls for renewed action and attention to the Question of Palestine. “Careful and captivating . . . This book asks that the Palestinian liberation struggle and Jewish-Israeli society each reckon with the impossibility of a two-state future, reimagining what their interests are—and what they could become.” —Amanda McCaffrey, Jewish Currents

“A scathing indictment of how law is taught, practiced, and administered in this country . . . One of the best books ever written on the law.”—The Denver Post Renowned trial lawyer Gerry Spence takes an in-depth look at the American justice system and reveals a terrible truth: If you don’t have power or money, then you likely won’t receive justice either. The wealthy buy their way out of trouble, while the poor are punished. In an effort to combat this corruption, the author devises a number of reforms, tackling issues in every area of the system from law school to the courtroom. “Passionately eloquent and innovative, trial attorney Spence here argues the evils of the justice system itself and its abuse by monied interests such as corporations, ‘the most cruel, calculating, and accomplished criminals of all time.’”—Publishers Weekly

When tough-on-crime laws passed 30 years ago during an era of drug-fueled violence, they were supported across the political spectrum. The subsequent “war on drugs” sent non-violent offenders to prison for decades and, in some cases, life. As a result, the nation’s prison and jail population today is 2.3 million, more than quadruple the number that were incarcerated in 1980. One in 100 adults is behind bars in America. As many as 100 million American adults now have criminal records, and a disproportionate number of those are men of color. Washington Post reporters, in a series of revealing and wrenching stories throughout 2015, unlocked the prison gates and allowed readers to experience the human devastation wrought by sentencing policies now under scrutiny.

This story of two men wrongfully convicted of the rape/murder of a young woman spans the twenty-four years it took for justice to be served.

A riveting survey of almost three hundred posters, revealing a history of Bay Area artists, activists, and movements from the 1960s to 2012. This catalog of political posters pays homage to an influential and populist art movement that has created some of the most enduring imagery of our time. In All of Us or None, author Lincoln Cushing examines key selections from a remarkable archive of over 24,000 posters amassed by free speech movement activist, author, and educator Michael Rossman over the course of thirty years. This inspiring collection of Bay Area posters illuminates the history of this ad-hoc and ephemeral art form, celebrating its unique capacity to infuse contemporary issues with the urgency and energy of the eternal fight for justice. Featuring posters on topics as diverse as civil rights, war, poverty, the environment, music, women’s liberation, fine art, and gentrification, All of Us or None shows us why the Bay Area was such fertile breeding ground for the genre and why it arguably produced more independent political posters than anywhere else on earth. Here is an exhilarating history of artists, studios, printshops, distributors, activists, icons, and changemakers—among them R. Crumb, Stanley Mouse, Cesar Chavez, Max Scherr, Emory Douglas, Angela Davis, the San Francisco Mime Troupe, Bill Graham, and Pete Seeger—together raising their voices in opposition to the status quo. In spring of 2012, the Oakland Museum of California presented its first comprehensive exhibition of this recently acquired treasure; the show, along with this book, presented an unbroken narrative of passionate social justice printmaking from the mid-1960s to 2012. “This engaging catalogue surveys nearly 300 of the late Michael Rossman’s enormous collection of over 24,000 San Francisco Bay Area social justice posters . . . . With fluid, highly accessible prose, Cushing traces the lineage of images that have now become iconic, such as Frank Cieciorka’s often quoted clenched fist, or the Black Panther Party’s panther symbol as rendered by Emory Douglas and others.” —Publishers Weekly “An extremely remarkable and useful book: remarkable because it brings back so many of the memorable images of rebellion political, cultural, and both together from a past now rapidly receding, and useful because in our new era of protest, creative expression in artistic forms is more badly needed than ever. Lincoln Cushing, a distinguished scholar of political art, has given us a small masterpiece.” —Paul Buhle, publisher of the SDS magazine Radical America and author of more than forty books on radical politics and culture

A “brilliant” (Chicago Review of Books), “elegantly written, and compelling” (National Review) new theory and call to action on animal rights, ethics, and law from the renowned philosopher Martha C. Nussbaum. Animals are in trouble all over the world. Whether through the cruelties of the factory meat industry, poaching and game hunting, habitat destruction, or neglect of the companion animals that people purport to love, animals suffer injustice and horrors at our hands every day. The world needs an ethical awakening, a consciousness-raising movement of international proportions. In Justice for Animals, one of the world’s most renowned philosophers and humanists, Martha C. Nussbaum, provides “the most important book on animal ethics written to date” (Thomas I. White, author of In Defense of Dolphins). From dolphins to crows, elephants to octopuses, Nussbaum examines the entire animal kingdom, showcasing the lives of animals with wonder, awe, and compassion to understand how we can create a world in which human beings are truly friends of animals, not exploiters or users. All animals should have a shot at flourishing in their own way. Humans have a collective duty to face and solve animal harm. An urgent call to action and a manual for change, Nussbaum’s groundbreaking theory directs politics and law to help us meet our ethical responsibilities as no book has done before.

In a world that's blacker than a demon's soul, only darkness can drive out darkness... Name's Ethan Drake: cop, vigilante, and bearer of more darkness than any single soul should possess. My partner's a demon, which ain't exactly the easiest thing to work with, if you know what I mean. But beggars can't be choosers, and when you're knee-deep in occult cases, you take what you can get. And we just caught a whiff of something rotten - real rotten. Seems some creepazoid's snatching bodies to bring forth something so nasty, it could make Satan himself retch. Not like I care about humanity's fate, but somebody's gotta stop this thing, right? Of course, it doesn't help that a demon has decided it wants to ride shotgun in my body, while the brass is breathing down my neck over some punk who deserved what he got. Oh, and I'm trying to solve the murders of my ex-wife and kid, too. And did I mention the Hellicorn with the sassiest mouth this side of Hell? Let's just say, that thing threatening humanity's future? I might just give it a helping hand... If Harry Bosch and John Constantine had a love child, it'd be this pulse-pounding, urban fantasy noir. Immerse yourself in a world of noir-ish mystery, urban fantasy, and action with the first book in the ETHAN DRAKE SERIES. Don't miss out on the thrills - get your copy now!

The stunning sequel to the #1 New York Times bestseller Dear Martin. Incarcerated teen Quan writes letters to Justyce about his experiences in the American juvenile justice system. Perfect for fans of Jason Reynolds and Angie Thomas. In the highly anticipated sequel to her New York Times bestseller, Nic Stone delivers an unflinching look into the flawed practices and silenced voices in the American juvenile justice system. Vernell LaQuan Banks and Justyce McAllister grew up a block apart in the Southwest Atlanta neighborhood of Wynwood Heights. Years later, though, Justyce walks the illustrious halls of Yale University . . . and Quan sits behind bars at the Fulton Regional Youth Detention Center. Through a series of flashbacks, vignettes, and letters to Justyce--the protagonist of Dear Martin--Quan's story takes form. Troubles at home and misunderstandings at school give rise to police encounters and tough decisions. But then there's a dead cop and a weapon with Quan's prints on it. What leads a bright kid down a road to a murder charge? Not even Quan is sure. "A powerful, raw, must-read told through the lens of a Black boy ensnared by our broken criminal justice system." -Kirkus, Starred Review

On the morning of September 15, 1963, a bomb exploded outside the Sixteenth Street Baptist Church in Birmingham, Alabama, killing four young girls. Thirty-two years later, stymied by a code of silence and an imperfect and often racist legal system, only one person, Robert “Dynamite Bob” Chambliss, had been convicted in the murders, though a wider conspiracy was suspected. With many key witnesses and two suspects already dead, there seemed little hope of bringing anyone else to justice. But in 1995 the FBI and local law enforcement reopened the investigation in secret, led by detective Ben Herren of the Birmingham Police Department and special agent Bill Fleming of the FBI. For over a year, Herren and Fleming analyzed the original FBI files on the bombing and activities of the Ku Klux Klan, then began a search for new evidence. Their first interview—with Klansman Bobby Frank Cherry—broke open the case, but not in the way they expected. Told by a longtime officer of the Birmingham Police Department, Last Chance for Justice is the inside story of one of the most infamous crimes of the civil rights era. T. K. Thorne follows the ups and downs of the investigation, detailing how Herren and Fleming identified new witnesses and unearthed lost evidence. With tenacity, humor, dedication, and some luck, the pair encountered the worst and best in human nature on their journey to find justice, and perhaps closure, for the citizens of Birmingham.