Athena is recognized as an allegory or representative of Athens in most Athenian public art except in tragedy. Perhaps this is because tragedy is rarely studied as a public art form or, perhaps, because her character is not static in tragedy. Although Athena's characterization changes to fit the needs of a particular drama, her clear connection with justice remains true throughout and suggests that she is always the representative of the city and its institutions. Athens, the city Athena protected, experienced a dramatic transformation in the fifth century: its political institutions, physical landscape, military power and international prestige underwent dynamic change. Athena, its goddess and its symbol, simultaneously transformed as well, although not always for the better. Athena's Justice follows the question of civic identity and ideology in Athenian tragedy, focusing specifically on the link between tragedy and its influence upon identity creation and promotion during the period when Athens was asserting itself as an imperial power. Through examination of tragedies in which Athena appears, this book traces the process by which Athens came to identify itself with its legal system, symbolized by Athena on stage, and then suffered the corruption of that system by the exercise of imperial power. Athena's Justice is essential reading not just for classicists and ancient historians, but for anyone interested in the interaction between art and politics and the process by which human beings in any period seek to shape their identity as a people.

A playwright turned amateur sleuth who is “the perfect protagonist” solves a murder at a celebration in this historical mystery set in ancient Greece (Financial Times). It’s festival time in Athens, and Philocles is looking forward to the holiday. Visitors are coming from across the Hellenic world for eight days of sporting competitions, musical contests, and sacred rites to honor Athena, the city’s patron goddess. Thousands will flock to the Pnyx to be enthralled by the dramatic three-day performance of Homer’s Iliad, an entertainment unique to the Great Panathenaea. Taking part is the highest honor and greatest challenge for an epic poet. Then one of the poets is brutally murdered. Is this random misfortune, an old score being settled, or is someone trying to sabotage the festival? The authorities want this cleared up quickly and quietly. Philocles finds himself on the trail of a killer once more . . . Longlisted for the 2021 CWA Sapere Books Historical Dagger Praise for the writing of J. M. Alvey: “Historical writing at its best. Riveting.” —Manda Scott, author of the Boudica series “Superb . . . A fabulous read.” —The Irish Times “If you like C J Sansom's Tudor sleuth Matthew Shardlake, you'll love this.” —James Wilde, author of Hereward and Pendragon “Great sense of place, terrific characters and a cracking plot.” —Joanne Harris, New York Times–bestselling author of Chocolat “As vivid and lively as a Greek wedding—but with rather more blood!” —Val McDermid, author of the Kate Brannigan Mysteries “It's about time someone did for ancient Athens what Lindsey Davis’ Falco novels do for Ancient Rome.” —Jack Grimwood, author of Moskva

Bourne Identity meets Karen McManus in this action-packed series opener about a spy gone rogue, perfect for fans of Ally Carter and Killing Eve. Jessie Archer is a member of the Athena Protocol, an elite organization of female spies who enact vigilante justice around the world. Athena operatives are never supposed to shoot to kill—so when Jessie can’t stop herself from pulling the trigger, she gets kicked out of the organization, right before a huge mission to take down a human trafficker in Belgrade. Jessie needs to right her wrong and prove herself, so she starts her own investigation into the trafficking. But going rogue means she has no one to watch her back as she delves into the horrors she uncovers. Meanwhile, her former teammates have been ordered to bring her down. Jessie must face danger from all sides if she’s to complete her mission—and survive. Don’t miss this gripping page-turner that New York Times bestselling author Patrick Ness called “a ferocious, take-no-prisoners thriller that actually thrills!”

Argues that diverse representations of the afterlife in the Oresteia require reevaluation of its fundamental ethical and political dilemmas.

In this book J. Peter Euben argues that Greek tragedy was the context for classical political theory and that such theory read in terms of tragedy provides a ground for contemporary theorizing alert to the concerns of post-modernism, such as normalization, the dominance of humanism, and the status of theory. Euben shows how ancient Greek theater offered a place and occasion for reflection on the democratic culture it helped constitute, in part by confronting the audience with the otherwise unacknowledged principles of social exclusion that sustained its community. Euben makes his argument through a series of comparisons between three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and Euripides' Bacchae) and three works of classical political theory (Thucydides' History and Plato's Apology of Socrates and Republic) on the issues of justice, identity, and corruption. He brings his discussion to a contemporary American setting in a concluding chapter on Thomas Pynchon's The Crying of Lot 49 in which the road from Argos to Athens, built to differentiate a human domain from the undefined outside, has become a Los Angeles freeway desecrating the land and its people in a predatory urban sprawl.

A play with intense audience participation! Engrossing, controversial courtroom drama, where the audience must serve as judge and jury, deciding motions and verdict, in a case against the five women who betrayed the Grand Duchess Anastasia Romanov, the last surviving daughter of the Tsar of Russia. Complex ethical questions on a set of folding chairs. The Anastasia Trials is a farcical, but profoundly engaging excursion into the hidden world of ethics for women who are both survivors and perpetrators of abuse toward women. The format is a play-within-a-play, where a radical feminist theatre company comes together in order to perform a courtroom drama. The play is shaped by the audience decisions to overrule or sustain the attorneys' motions, and every night's audience sees a different play. In presenting the play, the Emma Goldman Theatre Brigade has instituted a new system to insure equal opportunity for the actors: a lottery. As the women assemble to draw their roles from the hat for the evening's performance, sisterhood is put to the test. The performance itself is a conspiracy trial against five women accused of denying a woman her identity. The plaintiff is none other than Anastasia Romanov, sole survivor of the massacre of the Russian imperial family in 1918. "Elegantly conceived...A feminist Noises Off." - Washington City Press "Powerful." -San Diego Lesbian Press "Farce, social history, debate play, agitprop, audience participation melodrama, satire [that] makes the head reel!" -San Diego Union Tribune "Wild... It's lively and moves quickly... Very funny yet poignant." -Washington Blade "Carolyn Gage's raucous, multilayered script explores issues of empathy, loyalty, and betrayal among women..." --The Washington Post. "Verdict: An unexpected delight... " --Miami Herald, FL. "... farcical humor, imaginative plot twists, and just pure theatrical fun..." --South Florida Sun-Sentinel, Ft. Lauderdale. "... fascinating and complex play..."--Fresno Beehive.com "I am constantly amazed at Carolyn's ability to make complex social issues not only accessible but also irresistibly fascinating... the play... [The Anastasia Trials ] touched us, made us laugh and gripped us in a white-knuckle intensity usually found only in Hitchcock films." --R.J. McComish, Literary Manager of the Portland Stage Company, Portland, Maine. "... fabulously interesting, brilliantly thought-provoking and exquisitely funny... masterpiece of feminist theater..." --off our backs, Washington, DC. "Each performance could potentially have a different result and many students saw every performance just so they could see how the show ended."--At Oldfields, Glencoe, MD.

Are you ready for an exciting mythological adventure? This book opens the door to the rich world of ancient Greek mythology. Filled with epic stories of gods, heroes, monsters and humans, this book takes readers on a journey through time. From Prometheus stealing fire to Perseus defeating Medusa, from Orpheus' scarlet fever to Hercules' twelve labors, each page invites readers on a unique adventure. These stories will take you deep into the depths of human nature, while at the same time allowing you to discover the mysteries of the universe. The myths present human emotions in their purest form, woven with love, betrayal, triumph and tragedy. Discover the fascinating world of mythology and get lost in the magical atmosphere of this time from thousands of years ago to the present day with the book “Will You Be a Little Mythological? Greek Mythology”.

"In this new translation the strangeness of the original Greek and its enduring human truth come alive in language that is remarkable for its unrelenting poetic intensity, its rich metaphorical texture, and a verbal density that can at times modulate into the simplest expressions.