Just Left of the Setting Sun is a collection of non-fiction essays by a young Chamoru scholar-activist from the island of Guam. These essays reflect the present-day reality of the indigenous people of the island of Guam. This book is framed in the context of an island that exists amidst the many conflicts and contradictions of being "freed from colonialism" by another colonial power in 1898 and "liberated from wartime aggression" by a country that put in under a Naval Administration until the 1960s and who worked to eliminate the culture of the local people through forced assimilation and nominal citizenship. It is written to articulate the reality of the Chamoru people of Guam as an indigenous Pacific Island culture, an American minority group, and an island people threatened by the encroachment of globalization into their lives. These essays will cause the reader to think critically on the subjects of globalization, sustainable development, sustainable governance, cultural reclamation, and self-determination on Guam, amongst the indigenous and colonized peoples in the world, question the value of democracy if it is involuntarily imposed on a people. This book is especially relevant for the present state of the world. Just Left is included in an academic series that we publish, 'The 1898 Consciousness Studies Series'. This series is a varied collection of essays on consciousness today in areas affected by the Spanish-American War and consequent possession by the U.S. These include The Philippines, Guam, Puerto Rico, and Cuba. Praise for Just Left of the Setting Sun "Fierce and compassionate, bold and resolute, Just Left of the Setting Sun is at once a coming into consciousness as it is a conch-shell blare for action by and for a new generation of Chamorros, the indigenous people of an island and archipelago long colonized by Spain, Japan and the United States of America. As critical towards fellow Chamorros who aid and abet the colonizer as he is of the colonizers themselves, Aguon also importantly situates the need for Native Struggles for Political and Cultural Self-Determination and Sovereignty within Feminist/Womanist critiques and global struggles for economic, social, and environmental justice, thereby providing a glimpse into the possibilities for local struggle informed and articulated to global movements beyond pan-indigenous movements per se, and for keeping global movements and political theory grounded in Indigenous traditions." Vicente M. Diaz Associate Professor of American Culture University of Michigan, Ann Arbor "Aguon re-introduces us to the principles of international law as a guiding framework to the resolution of the dilemma brought about by the present non self-governing arrangements which provide the trappings of democratic governance, but in reality are rather democratically deficient by any objective examination. Indeed, an important component of new millennium colonialism is the existence, but not the recognition, of this democratic deficit... ..."Just Left of the Setting Sun" should be required reading for the people in the remaining territories, young and old, who need to discover/re-discover the fire within, that they might further move the process forward, if only by a few steps further along the continuum. In a very real sense, as Aguon observes, "inside the heart of the Chamoru is still an ocean of latent potentialities waiting to surge." Dr. Carlyle Corbin Advisor on Governance and Political Development St. Croix, Virgin Islands

This powerful novel of a nation in social and moral crisis in the early postwar years probes the transition from a feudal Japan to an industrial society. The influence of this book, often considered Dazai's masterpiece, made the term 'people of the setting sun' -- the declining aristocracy -- a permanent part of the Japanese language. Dazai's heroine, Kazuko, the strong-willed young aristocrat who deliberately abandons her class, stands as a symbol of the anomie that pervades so much of the modern world. The distinguished translator Donald Keene has said of the author's work: 'His world...suggest Chekhov or possibly postwar France...but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book.'

Moving and provocative short stories that explore the strained relations between parent and child, husband an wife, brothers, and friends, as traditional values of rural Africa clash with ambitions of urban life.

From popular Pacific Theatre expert Jeffrey R. Cox comes this insightful new history of the critical Guadalcanal and Solomons campaign at the height of World War II. Cox's previous book, Morning Star, Rising Sun, had found the US Navy at its absolute nadir and the fate of the Enterprise, the last operational US aircraft carrier at this point in the war, unknown. This second volume completes the history of this crucial campaign, combining detailed research with a novelist's flair for the dramatic to reveal exactly how, despite missteps and misfortunes, the tide of war finally turned. By the end of February 1944, thanks to hard-fought and costly American victories in the first and second naval battles of Guadalcanal, the battle of Empress Augusta Bay, and the battle of Cape St George, the Japanese would no longer hold the materiel or skilled manpower advantage. From this point on, although the war was still a long way from being won, the American star was unquestionably on the ascendant, slowly, but surely, edging Japanese imperialism towards its sunset. Jeffrey Cox's analysis and attention to detail of even the smallest events are second to none. But what truly sets this book apart is how he combines this microscopic attention to detail, often unearthing new facts along the way, with an engaging style that transports the reader to the heart of the story, bringing the events on the deep blue of the Pacific vividly to life.

The young monk Zendhi has grown up in a sheltered monastery but takes on a great journey into the world with his master Zarnguri in a dark time. The country is on the edge of war and pestilence is hovering over everyone. Is this the end that will cast the people into a dark age with no return? Follow Zendhi on an epic journey and personal quest to rise above his own and everyones downfall.

Caught in the terrifying blood bath of the partition of India, a young boy flees the city of Lahore on one of the last trains to newly independent India. One of the few passengers to reach Delhi alive, he struggles to begin a new life. An Indian Navy advertisement inspires him to join the Navy. Amongst his many postings are a deputation to the Nigerian Navy, where he is witness to the Nigerian military coups, and to Jamnagar in Gujarat during the Indo Pak war of 1971. A Sailing Ship, a Girl in Love, and the Setting Sun: A Memoir is written from his daughter Neena’s perspective who sketches his life in pre-partition Lahore, his narrow escape to Delhi, his life in the Navy, and his marriage to Chanchal Khosla. As Commander Shivraj Krishan Sarin’s grandson wonders what his aging grandfather must have been like in his youth, the years unfold, and we read a story of love, loss, and fortitude.

Padrón reveals the evolution of Spain’s imagining of the New World as a space in continuity with Asia. Narratives of Europe’s westward expansion often tell of how the Americas came to be known as a distinct landmass, separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain’s understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun. The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa’s discovery of the South Sea and ending almost a hundred years later with Spain’s final push for control of the Pacific. Padrón traces a series of attempts—both cartographic and discursive—to map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.

This powerful novel of a nation in social and moral crisis was first published by New Directions in 1956. Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.