The ruler of Dome City continues to hunt the elusive Junk Rabbit as the bodies pile up. Meanwhile, an old book unearthed in the homeless city reveals the mysterious origin of the Junk Rabbit, but the truth of the past is not welcome news.

Another failed attempt to catch the Junk Rabbit forces the ruler of Dome City to employ black market military hardware. The abuse of power alarms the city detective, who digs into the Rulers past and finds a horrific connection to the Junk Rabbit.

The Junk Rabbit’s hidden lair is revealed, opening the door for political and military forces to capture and expose the Rabbit’s secret identity. Meanwhile, a bloody connection between the homeless and the ultra-rich is finally ripped open.

MINISERIES FINALE The secret of the Junk Rabbit is revealed! Captured and stripped, the Rabbit’s life hinges on a desperate do-or-die plot by an unlikely duo using trashed ancient technology. Will it be enough to save the Rabbit, or will other sacrifices have to be made?

Tar loves Gemma, but Gemma doesn't want to be tied down - not to anyone or anything. Gemma wants to fly. But no one can fly forever. One day, somehow, finally you have to come down. Commissioned and produced by Oxford Stage Company, Junk premiered at The Castle, Wellingborough, in January 1998 and went on to tour throughout the UK in 1998 and 1999. "John Retallack's excellent adaptation of Melvin Burgess's controversial Carnegie Medal winning novel is splendidly unpatronising...a truly cautionary tale" (Independent)

Honoria refuses to believe that her lover could have betrayed her—and Rome—by leading the German attack. But she puts her worry aside to defend the Roman camp from a band of raiders. Arminius struggles to keep his forces united when the tribal bands of Germania begin to fracture beneath old blood feuds.

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The First biennial report [October 1, 1912-September 30, 1914] contains also the act known as the "Board of control law" and reports of the institutions for the biennial period ending September 30, 1914.