This book explores the genesis of the Red Book (or Liber Novus), through the lens of Jung’s lifelong confrontation with Dante and, in doing so, provides the first-ever thorough comparative analysis of the intertextual and symbolical correspondences between Liber Novus and the Commedia. Starting from Jung’s multifaceted fascination with Dante and his pivotal role in the former’s visionary material at historical, hermeneutical, and psychological levels, the book challengingly envisions Liber Novus as Jung’s Divine Comedy. This work finds a new way of approaching Jung’s understanding of concepts such as "visionary works" and "visionary mind" and considers how this approach can enhance our vision of depth psychology. Through various thematics such as the metanoia and the symbolism of animals, as well as the transformative role of the feminine and the erotic and spiritual imagery of the soul, this work revolves around the Jung-Dante correlation. Offering an original perspective within the field of Jungian and Dante scholarship, this book will be of great interest to academics and postgraduate students studying in the areas of Jung, Dante, analytical psychology, depth psychology, hermeneutics and Western esoteric currents and practices. The book will also appeal to Jungian analysts and psychoanalysts more broadly.

In 'The Red Book', compiled between 1914 and 1930, Jung develops his principal theories of archetypes, the collective unconscious & the process of individuation.

"This book explores the genesis of the Red book (or Liber Novus), through the lens of Jung's life-long confrontation with Dante and, in doing so, provides the first ever thorough comparative analysis of the intertextual and symbolical correspondences between Liber Novus and the Commedia. Starting from Jung's multifaceted fascination with Dante and his pivotal role in the former's visionary material at historical, hermeneutical and psychological levels, the book challengingly envisions Liber Novus as Jung's Divine Comedy. The book finds a new way of approaching Jung's understanding of concepts such as 'visionary works' and 'visionary mind' and considers how this approach can enhance our vision of depth psychology. Through various thematics such as the metanoia and the symbolism of animals, as well as the transformative role of the Feminine and the erotic and spiritual imagery of the soul, the book explores the Jung-Dante correlation. Offering an original perspective within the field of Jungian and Dante scholarship, this book will be of great interest to academics and postgraduate students studying in the areas of Jung, Dante, analytical psychology, depth psychology, hermeneutics and Western esoteric currents and practices. The book will also appeal to Jungian analysts and psychoanalysts more broadly"--

This book comprises a searching philosophical meditation on the evolution of the humanities in recent decades, taking Dante studies as an exemplary specimen. The contemporary currents of theory have decisively impacted this field, but Dante also has a strong relationship with theology. The idea that theology, teleology, and logocentric rationalities are simply overcome and swept away by new theoretical approaches proves much more complex as the theory revolution is exposed in its crypto-theological motives and origins. The revolutionary agendas and methodologies of theoretical currents have ushered in all manner of minorities and postcolonial and gender studies. But the exciting adventure they inaugurate shows up in quite a surprising light when brought to focus through the scholarly discipline of Dante studies as a terrain of dispute between traditional philology and postmodern theory. On this terrain, negative theology can play a peculiarly destabilizing, but also a conciliatory, role: it is equally critical of all languages for a theological transcendence to which it nevertheless remains infinitely open.

Using the works and theories of Carl Gustav Jung and the astrologers Alan Leo, Dane Rudhyar and Liz Greene, this volume provides a cultural history of psychological astrology in the twentieth century, demonstrating the prevalence of ‘magic’ in modern culture through its presence in astrology. Astrology’s links to psychology are akin to those in wider culture, such as the exploration of the unconscious by writers and artists. The dominant form of astrology in the twentieth century was psychological astrology, a form principally influenced by the work of the psychologist Carl Gustav Jung. Through in-depth exploration of the three major astrologers of the period (Alan Leo, Dane Rudhyar and Liz Greene) and their psychological innovations, this volume considers whether psychology was used by astrology as a survival strategy to legitimise magic in the modern world and whether the result was ‘an astrology that has lost its magic’. Chapters consider the survival of magic in the modern world, the history of astrology as a psychological subject and astrology’s relationship to modernity, as well as a fundamental exploration of the nature of astrology. Ultimately arguing that the existence of psychological astrology represents a form of living magic, this book will be of interest to researchers, scholars and postgraduate students studying Jung and analytical psychology, magic, astrology and alchemy, and culture in the twentieth century more broadly.

With Jung’s Red Book as their point of departure, two leading scholars explore issues relevant to our thinking today. In this book of dialogues, James Hillman and Sonu Shamdasani reassess psychology, history, and creativity through the lens of Carl Jung’s Red Book. Hillman, the founder of Archetypal Psychology, was one of the most prominent psychologists in America and is widely acknowledged as the most original figure to emerge from Jung’s school. Shamdasani, editor and cotranslator of Jung’s Red Book, is regarded as the leading Jung historian. Hillman and Shamdasani explore a number of the issues in the Red Book—such as our relation with the dead, the figures of our dreams and fantasies, the nature of creative expression, the relation of psychology to art, narrative and storytelling, the significance of depth psychology as a cultural form, the legacy of Christianity, and our relation to the past—and examine the implications these have for our thinking today.

The long-awaited publication of C. G. Jung's Red Book in October 2009 was a signal event in the history of analytical psychology. Hailed as the most important work in Jung's entire corpus, it is as enigmatic as it is profound. Reading The Red Book by Sanford L. Drob provides a clear and comprehensive guide to The Red Book's narrative and thematic content, and details The Red Book's significance, not only for psychology but for the history of ideas.

Demystifying Meaningful Coincidences (Synchronicities) is an original naturalistic theory of meaningful coincidences (synchronicities) as well as a blueprint for identifying, decoding, interpreting, and utilizing their embedded self-generated 'messages' in ways that are intellectually innovative and experientially useful. Interested readers are promised an experience that will unquestionably stimulate their self-awareness and, in so doing, expand their consciousness.

“The fascination of Jung is inescapable and van der Post has given us an excellent book—eloquent, learned and most impressive in its evocation of a devilishly provocative man.”—The Nation That Laurens van der Post should have chosen to write about Jung will come as no surprise to the millions of people who saw the three television programs that he devoted to the story of Jung's life and work. Indeed, part of the compulsion for putting the experience of his extraordinarily fruitful friendship with Jung into book form was precisely that the limitations of a single film sequence left him with the insistent feeling of a challenge only partially met. To present Jung as he knew him, not Jung the psychologist but rather Jung the man, the discoverer and explorer of a new dimension in the human spirit, was the task which Laurens van der Post set himself and which has taken his special gifts to accomplish.

Jung’s landmark seminar on the symbolism of yoga and its applications to dream analysis In the summer of 1933, C. G. Jung conducted a seminar in Berlin attended by a large audience of some 150 people, including several Jewish Jungians who would soon leave Germany. Hitler had begun consolidating his position as dictator and these students were distressed at Jung’s recent decision to accept the presidency of a German professional psychotherapy society that was rapidly becoming Nazified and purged of Jews. On Dreams and the East makes these seminar sessions widely available for the first time, offering tantalizing insights into Jung’s evolving understanding of yoga and the realization of the self. The seminar commences with a presentation on the psychology of yoga by noted Indologist and linguist Heinrich Zimmer, whose collaboration in these talks reflects Jung’s growing engagement with the Hindu tradition, particularly Tantric yoga. Jung analyzes a series of dreams of a middle-aged male patient, focusing on mandalas and the centering process. He reflects on related motifs in alchemical symbolism, Navaho healing drawings, Mithraism, baptism symbolism, the foundation of Rome, ecclesiastic dances, and labyrinths, drawing connections with the symbolism of yoga and Tantra. Featuring a richly documented introduction by Giovanni Sorge, On Dreams and the East opens a window on Jung’s deepening exploration of Eastern thought and the comparative study of the individuation process at a critical juncture in his life and work.