This book treats the literary work of Julia Augusta Webster within the context of Websters participation in nineteenth century British aestheticism. Websters personal life, her experience as a member of the Suffrage Society and her tenure on the London School Board, as well as her position as poetry reviewer for the Athenaeum and participation in the salon society of the 1880s, inform her later work, but her earliest poetry and fiction also reflect the beginnings of the aestheticist perspective on the transience and impermanence of life. This book makes use of extensive archival materials to provide context for a study of Websters literary work, beginning with her first volume of poetry Blanche Lisle and concluding with her posthumously published Mother and Daughter sonnets. In tracing the trajectory of Websters development as an aestheticist poet, Patricia Rigg extends Webster scholarship into areas of the writers work not previously explored.

Augusta Webster (as she was known) published one novel, many reviews and several books of poetry, including verse plays, in the last four decades of the 19th century. An activist in social causes, she fought for women's suffrage in England; as a member of the London school Board, she championed the cause of the poor who could not pay for their children's education. Though appreciated by writers and reviewers of her day, Webster's work did not sell well and went out of print soon after her death. Because today her ironic aesthetic philosophical stance, focusing on the pain and brevity of life and avoiding moral judgment, seems current, literary critics have begun to explore her work. This biographical critical study reveals plentiful research in primary documents, letters, school board minutes, newspapers, and periodicals provides a good introduction to Webster and her work. Rigg (Acadia Univ.) writes well, and she shows considerable critical acumen with appropriate reference to the limited literature on Webster. Rigg makes some surprising gaffes, such as failure to recognize the Spenserian stanza. But the real difficulty this study faces is Webster's obscurity, which means the audience for this book will be limited.

DigiCat Publishing presents to you this special edition of "Julia Ward Howe, 1819-1910" by Laura Elizabeth Howe Richards, Florence Howe Hall, Maud Howe Elliott. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The idea of God, in one form or another, is a fundamental part of human experience - a given, almost. And yet, for over one hundred and fifty years, we have lived in a world become increasingly secular. The goal of this book is to reconcile these facts, or rather to examine their interaction and, in so doing, to understand the idea and the experience of secularism. Concentrating on five canonical French and Russian novels of the nineteenth century (Stendahl's The Red and the Black, Gustave Flaubert's Madame Bovary, Ivan Turgenev's A Nest of Gentry, Jules Barbey d'Aurevilly's Bewitched, and Fyodor Dostoevsky's Demons) and using the instruments of narrative theory, this book offers a groundbreaking critical foundation for understanding both the evolution of secular culture and the new role of the individual in modern ethical, political, and spiritual contexts.

Augusta Webster was very widely praised in her own time—Christina Rossetti thought her “by far the most formidable” woman poet. Her work has again come into favour, so much so that Isobel Armstrong and her co-editors of the influential anthology, Nineteenth-Century Women Poets, declare that “there can be no doubt that Augusta Webster ranks as one of the great Victorian poets.” This collection is the first edition of Webster’s poems since 1895. It is a selection of her best work, emphasizing her powerful dramatic monologues and including a substantial number of her lyrics. With an introduction and background documents that highlight the distinctiveness of her work, this edition will help to re-establish Augusta Webster as a major figure of nineteenth-century English literature.

This book represents an investigation into one of the basic issues in the study of translation: how do we reconcile theory and practice? The main focus, in the form of close readings and think-aloud protocols in Chapters 2 and 3, is on translations of two classic texts: Mark Twain's The Adventures of Huckleberry Finn and Carlo Collodi's Le avventure di Pinocchio. The first and last chapters respectively seek to show what translation theory is and what translation practice is. Indeed, Chapter 1, "Theory and Hubris," provides a synthesis of the development of the interdiscipline of Translation Studies, with some consideration also given to the hermeneutical questions that inevitably arise when dealing with the interpretation of language.

"Learning from Lying narrates a new literary history as seen through the lens of mystification. Beginning with an examination of mystification's elaboration during the century of Enlightenment, the book accounts for mystification's distinctiveness relative to other deceptive forms, particularly forgery, and provides a timely intervention in current debates about the study of fakes. Readings of works by Denis Diderot, Prosper Merimee, and Wolfgang Hildesheimer follow out the cosmopolitan roots of the genre in the Republic of Letters and show how it theorizes literature through practical experiment. For when textual imitation is revealed, it unveils the necessary collusion between reader and writer that allows literature to exist as such."--BOOK JACKET.

This volume features 30 art-related travel articles by the American modern artist, Marguerite Thompson Zorach (1887-1968). The accompanying essay examines her life in Paris, the people she met, and the art she was exposed to.