(Hinshaw Concert). Dan Forrest's Jubilate Deo brings to life the global aspect of the traditional Psalm 100 text, "O be joyful in the Lord, all ye lands," by setting it in seven different languages and drawing from a wide spectrum of musical influences. Each movement combines some characteristics of its language-group's musical culture with the composer's own musical language. Movements include liturgical Latin, intertwined Hebrew and Arabic, Mandarin Chinese, Zulu, Spanish, Song of the Earth (untexted), and a closing movement combining several of these languages with English. The result is a stunning global celebration of joy, as all the earth sings as one, "omnis terra, jubilate!" Scored for mixed choir with soprano and alto soli and optional treble choir, with three instrumentations available. Performance time 45-50 minutes. Commissioned and premiered by Henry Leck and the Indianapolis Children's Choirs, April 2016 Instrumentation options: * HMB269A: Full orchestra: (LARGE VERSION) Regular full orchestra (Winds 2.2.2.2, Brass 2/4.2.2.2, Harp, Percussion 1-2, Strings 4.4.3.3.2), plus optional instruments and/or digital keyboard. * HMB269B: Chamber ensemble: (SMALL VERSION) Organ, plus (solo instruments) flute, oboe, clarinet, horn, harp, percussion (two players recommended), violin, cello, plus optional instruments and/or digital keyboard. * HMB269C: Small orchestra: (MEDIUM VERSION) Combines the organ and solo winds from chamber ensemble version, with the string orchestra parts from the full orchestration, and the harp, percussion, and optional instruments and/or keyboard. *Harp, percussion, and all optional instruments are identical in all three versions. **Solo flute, oboe, clarinet, horn, and organ parts are identical in Chamber Ensemble (SMALL) and Small Orch (MEDIUM) versions. ***String orchestra parts (Vln1, Vln2, Vla, Cello, DB) are identical in Full Orch (LARGE) and Small Orch (MEDIUM) versions. Instrumental parts (with accompanying conductor's score) are available for rental only. Please contact [email protected] for more information.

This lasting keepsake of divine hymns and chants has over eighty musical pieces, both in English and Latin, encompassing nearly every century of the Church's vast history.

Winner of a first-place award for a first time author and second-place in popular presentation of the faith from the Catholic Media Association. During the past five decades, the Second Vatican Council has been alternately celebrated or maligned for its supposed break with tradition and embrace of the modern world. But what if we’ve gotten it all wrong? Have Catholics—both those who embrace the spirit of Vatican II and those who regard it with suspicion—misunderstood what the council was really about? Fr. Blake Britton discovered the truth and beauty of the council while he was in seminary and he has witnessed firsthand the power of its teachings in the life of his own parish. In Reclaiming Vatican II—a partnership between Ave Maria Press and Word on Fire Catholic Ministries—Britton presses beyond the political narrative foisted upon the post-conciliar Church and contends that Vatican II was neither conservative nor liberal, but something much more beautiful and challenging. Britton clears up misconceptions about the council and reveals how—when properly understood and applied—it fosters a richer experience of being in the Church. Britton says Vatican II promotes a radical return to the Church Fathers and the Scriptures, holding both a commitment to tradition and the need for constant renewal in life-giving balance, recenters the Church on sacred liturgy and encourages both active participation and genuine encounter with transcendence, and charts a clear path for the Church’s renewal and empowers it for evangelism and transformative engagement with the world. Britton invites all Catholics to step beyond the polarization and embrace Vatican II as one of our greatest resources for being in the Church in a way that is faithful, engaged, and effective if we answer its radical call to worship and renewal.

The Common Worship Main Volume is the primary worship and service book for the Church of England. It contains material used on Sundays by most churches: a variety of Communion services and non-eucharistic forms of worship, as well as the basic Baptism service and the Psalms. Full contents: The Declaration of Assent The Calendar A Service of the Word Morning and Evening Prayer on Sunday Morning and Evening Prayer from the Book of Common Prayer Night Prayer (Compline) Night Prayer (Compline) in Traditional Language Prayers for Various Occasions The Litany The Litany from the Book of Common Prayer Authorized Forms of Confession and Absolution Creeds and Authorized Affirmations of Faith Holy Communion including A Form of Preparation, Order One, Order One in Traditional Language, Order Two, Order Two in Contemporary Language, Supplementary Texts, Seasonal Provisions Thanksgiving for the Gift of a Child Holy Baptism Collects and Post Communions Collects and Post Communions in Traditional Language Rules Lectionary The Psalter Canticles

In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.

Includes Sacred choral music and Secular choral music.

The second edition of A Catalogue of Vocal Solos and Duets Arranged in Biblical Order serves as a companion volume to A Catalogue of Choral Music Arranged in Biblical Order (Second edition, 1996, and supplement, 2001, both published by Scarecrow Press). It is a necessary tool for the church musician to coordinate music with the scripture readings and/or the sermon topic and a valuable aid to the vocal soloist seeking a work using a particular biblical text. The work serves as a working document for the church musician, soloist, or voice teacher. Titles are arranged in the same order as found in the Bible. Each entry contains title, composer, voice range/type, and publisher information. Two indexes are also included: a title index and a composer index.