DIVInvestigates the popular canonization of a saint in Tijuana, asking what triggered the devotion and considering local, national, international, geographical, environmental, cultural, and psychological aspects of the event./div

A stunningly beautiful backdrop where cultures meet, meld, and thrive, the U.S.–Mexico borderlands is one of the most dynamic regions in the Americas. On the Border explores little-known corners of this fascinating area of the world in a rich collection of essays. Beginning with an exploration of mining and the rise of Tijuana, the book examines a number of aspects of the region's social and cultural history, including urban growth and housing, the mysterious underworld of border-town nightlife, a film noir treatment of the Peteet family suicides, borderlands cuisine, the life of squatters, and popular religion. As stimulating as it is lively, On the Border will spark a new appreciation for the range of social and cultural experiences in the borderlands.

Undocumented Saints follows the migration of popular saints from Mexico into the US and the evolution of their meaning. The book explores how Latinx battles for survival are performed in the worlds of faith, religiosity, and the imaginary, and how the socio-political realities of exploitation and racial segregation frame their popular religious expressions. It also tracks the emergence of inter-religious states, transnational ethnic and cultural enclaves unified by faith. The book looks at five vernacular saints that have emerged in Mexico and whose devotions have migrated into the US in the last one hundred years: Jesús Malverde, a popular bandido turned saint caudillo; Santa Olguita, an emerging feminist saint linked to border women's experiences of sexual violence; Juan Soldado, a murder-rapist soldier who is now a patron for undocumented immigrants and the main suspect in the death of an eight-year-old victim known now as Santa Olguita; Toribio Romo, a Catholic priest whose ghost/spirit has been helping people cross the border into the US since the 1990s; and La Santa Muerte, a controversial personification of death who is particularly popular among LGBTQ migrants. Each chapter contextualizes a particular popular saint within broader discourses about the construction of masculinity and the state, the long history of violence against Latina and migrant women, female erasure from history, discrimination against non-normative sexualities, and as US and Mexican investment in the control of religiosity within the discourses of immigration.

Latino folklore comprises a kaleidoscope of cultural traditions. This compelling three-volume work showcases its richness, complexity, and beauty. Latino folklore is a fun and fascinating subject to many Americans, regardless of ethnicity. Interest in—and celebration of—Latin traditions such as Día de los Muertos in the United States is becoming more common outside of Latino populations. Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions provides a broad and comprehensive collection of descriptive information regarding all the genres of Latino folklore in the United States, covering the traditions of Americans who trace their ancestry to Mexico, Spain, or Latin America. The encyclopedia surveys all manner of topics and subject matter related to Latino folklore, covering the oral traditions and cultural heritage of Latin Americans from riddles and dance to food and clothing. It covers the folklore of 21 Latin American countries as these traditions have been transmitted to the United States, documenting how cultures interweave to enrich each other and create a unique tapestry within the melting pot of the United States.

Soap opera speaks a universal language, presenting characters and plots that resonate far beyond the culture that creates them. Latin American soap operas—telenovelas—have found enthusiastic audiences throughout the Americas and Europe, as well as in Egypt, Russia, and China, while Mexican narco-dramas have become highly popular among Latinos in the United States. In this first comprehensive analysis of telenovelas and narco-dramas, Hugo Benavides assesses the dynamic role of melodrama in creating meaningful cultural images to explain why these genres have become so successful while more elite cultural productions are declining in popularity. Benavides offers close readings of the Colombian telenovelas Betty la fea (along with its Mexican and U.S. reincarnations La fea más bella and Ugly Betty), Adrián está de visita, and Pasión de gavilanes; the Brazilian historical telenovela Xica; and a variety of Mexican narco-drama films. Situating these melodramas within concrete historical developments in Latin America, he shows how telenovelas and narco-dramas serve to unite peoples of various countries and provide a voice of rebellion against often-oppressive governmental systems. Indeed, Benavides concludes that as one of the most effective and lucrative industries in Latin America, telenovelas and narco-dramas play a key role in the ongoing reconfiguration of social identities and popular culture.

Landscape is the space of negotiation between human beings and the physical world, and rarely are the negotiations more complex and subtle than those conducted through the desert landscape along the Mexico-U.S. border. Patricia L. Price views the shaping of the landscape on and around the border through various narratives that have sought to establish claims to these dry lands. Most prominent are the accounts of Anglo-American expansionism and Manifest Destiny juxtaposed with the Chicano nationalist tale of Aztlan in the twentieth century, all constituting collective, contending claims to the U.S. Southwest. Demonstrating how stories can become vehicles for reshaping places and identities, Price considers characters old and new who inhabit the contemporary borderlands between Mexico and the United States-ranging from longstanding manifestations of good and evil in the figures of the Virgin of Guadalupe and the Devil to a collection of lay saints embodying current concerns. Dry Place weaves together theoretical insights with field-based inquiry, autobiography, and creative writing to arrive at a textured understanding of the bordered landscape of late modern subjectivity. Patricia L. Price is associate professor of geography in the Department of International Relations at Florida International University in Miami.

In this story you will find reality and fantasy.

When Catholics in the Southwest ask God or a saint for help, many of them do not merely pray. They also promise or present a gift—a tiny metal object known as a milagro. A milagro, which means "miracle" in Spanish, depicts the object for which a miracle is sought, such as a crippled leg or a new house. Milagros are offered for everything people pray for, and so they can represent almost anything imaginable—arms, lungs, hearts, and eyes; men, women, and children; animals, cars, boats—even lost handbags and imprisoned men. In Answered Prayers, the Mexicans, Mexican Americans, Tohono O'odham, and Yaquis who practice this tradition share their stories of unwavering faith and divine intervention. Anthropologist and photographer Eileen Oktavec has spent more than two decades documenting this fascinating tradition in the Arizona-Mexico borderlands. Quoting extensive interviews, she explains the beliefs of the people who perform this ancient folk ritual and the many rules guiding this practice. She also describes the many places where milagros are offered—from the elaborate Mexican baroque Mission San Xavier near Tucson, Arizona, to tiny household shrines and hospitals on both sides of the border. Oktavec also explains how milagros are made, where they are bought, and how they are used in jewelry, sculpture, and art.

A bilingual collection of enchanting folk tales from the peoples of Chile, Argentina, Bolivia, Peru, Uruguay, and Paraguay, accompanied by historical and geographical background as well as color photographs. Containing numerous tales that have never before appeared in an English-language children's story collection, this book presents many of author Paula Martín's favorite stories from her many years of experience in storytelling around the world and particularly in South America. It stands as a unique folklore and storytelling resource that will give readers a better understanding of life and culture in the southern part of South America. Readers of all ages will delight in entertaining stories about animals, plants and trees, musical instruments, lost places, fantastic creatures, and witches and devils. This collection also includes never-ending tales, sky stories, and folk tales about fools. The book provides related cultural information about the lands where these stories originated as well as the people who tell these tales, traditional games of South America, and recipes for regional food items that can go hand in hand with the stories.