Sitting in the pew at her husband's funeral, author Anna Madsen heard the last verse of the great Reformation hymn: "Were they to take our house, goods, honor, child, or spouse, though life be wrenched away, they cannot win the day. The kingdom's ours forever!" Reflecting on this experience, Madsen realized that death takes victories when its power appears to be greater than life. And she defiantly refused to cede death any more wins: "Not my spirit, not my strength, not my joy, and certainly not those of my children." The challenge is to acknowledge death in its manifold forms and own one's indignation and grief, and yet transcend it so that even if we are angry, we do not become anger. This book names the tension between grief and hope, acknowledges the reality of both, and defines a path forward to a life of joyful defiance. That path runs through Holy Saturday, a day that has one foot in the fear, grief, and death of Good Friday while the other is in Easter, a day of hope, freedom, life, and joy. Christians are not immune from experiencing anxiety, anger, exhaustion, and grief--emotions and effects arising from personal and communal trauma, including the trauma of death. Yet, the accompanying angst and pain, while real, are not the last word for people of faith. This book is written particularly for advocates, caregivers, and those who suffer in any number of ways, among them chronic illness, chronic injustice, and chronic exhaustion. Despite facing grief, anger, fear, and fatigue, readers will be encouraged not just to cope but to embrace hope and joy again, and then to plow them back into the ground of the wider world for the sake of their neighbors.

Teaching is hard work. Teaching is rewarding work. An abundance of research on teachers’ mental health, teacher burnout, and attrition in the profession has proven the truth of the first claim. And, without reading a word of academic research, teachers know the truth of the second: there are numerous challenges and complexities involved in this noble profession. Teachers also know the truth of our second claim—that teaching is immensely rewarding work. The editors and authors of Joyful Resilience as Educational Practice: Transforming Teaching Challenges into Opportunities argue that the reciprocities of teaching keep them and countless other teachers in the profession. While teaching is one of the most demanding professions on earth, it is also one of the most rewarding professions. Editors Michelle C. Hughes and Ken Badley hope readers and teaching colleagues alike will be reminded of the rewards and the unexpected paybacks found in teaching. Joyful Resilience as Educational Practice is offered as a love letter, a "hang-in-there, you’ve got this" message to teacher colleagues everywhere. May readers be reminded that teaching is a calling. The editors invite readers to wrestle with, take courage, and find joyful resilience in the professional challenges named in this book.

We all spend a lot of energy reaching for happiness, but we're never quite able to hang on to it. Real life happens, and our circumstances take us on an emotional rollercoaster. Oftentimes, the Bible's call to "be joyful always" seems out of reach--but it doesn't have to be. We are called to live. And, miraculously, to live with joy. Join bestselling author Stasi Eldredge as she shows us how to choose a joy that stands against the tides of life's real and often overwhelming pain. Defiant Joy reminds us that a joy that is defiant in the face of this broken world was meant to be ours. This joy isn't simply happiness on steroids, it's the unyielding belief that sorrow and loss do not have the final say. It's the stubborn determination to be present in whatever may come and interpret both goodness and grief by the light of heaven. Defiant Joy will give you the encouragement you need to: Finally experience daily joy Learn how to have a posture of holy defiance when circumstances threaten to weigh down your soul Find new perspectives on the painful circumstances you've faced In Defiant Joy, Stasi invites us with courage, candor, and tender vulnerability to a place beyond sadness or happiness, leading the way as we learn how to maintain a posture of holy defiance that neither denies nor diminishes our pain but dares to live with expectant, unwavering hope.

Sovereign Joy explores the performance of festive black kings and queens among Afro-Mexicans between 1539 and 1640. This fascinating study illustrates how the first African and Afro-creole people in colonial Mexico transformed their ancestral culture into a shared identity among Afro-Mexicans, with particular focus on how public festival participation expressed their culture and subjectivities, as well as redefined their colonial condition and social standing. By analyzing this hitherto understudied aspect of Afro-Mexican Catholic confraternities in both literary texts and visual culture, Miguel A. Valerio teases out the deeply ambivalent and contradictory meanings behind these public processions and festivities that often re-inscribed structures of race and hierarchy. Were they markers of Catholic subjecthood, and what sort of corporate structures did they create to project standing and respectability? Sovereign Joy examines many of these possibilities, and in the process highlights the central place occupied by Africans and their descendants in colonial culture. Through performance, Afro-Mexicans affirmed their being: the sovereignty of joy, and the joy of sovereignty.

In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad range of texts and unearths new documents relating to black African poets, performers, and black confraternities. Her discoveries evince the broad yet largely disregarded literary and artistic impact of the African diaspora in early modern Spain, expanding the scope of linguistic practices beyond habla de negros and creating space for early modern black poets in the Spanish literary canon. These textual sources challenge established understandings of black Africans and black African history in early modern Spain. They show how black Africans exerted significant cultural agency by collectively contributing to and shaping the literary texts of the period, including those of the popular genre villancicos de negros, and by developing artistic traditions as musicians, dancers, and poets. As both creators and consumers of cultural forms, black African men and women navigated a restrictive, coercive slave society yet negotiated their own physical and cultural spaces.

From Choctaw elder Steven Charleston comes this new collection of more than two hundred prayerful meditations on the Spirit Wheel, the mystery that dwells behind and within creation. Charleston guides readers through the four hallmarks of Native spirituality - tradition, kinship, vision, and balance - to find the Spirit who loves without exception.

Author Anna M. Madsen's book is a fresh and challenging look at the legacy of Martin Luther and the new reformation that is calling people of faith to action today. This book is born out of the conviction that at least two gods are currently competing for our collective trust: nationalism (and its many sub-manifestations) and quietism. Both make a case for and a claim on our allegiance, each by way of different motivations of self and institutional protection. Madsen looks at today's modern context and asks: Where will the church stand in a day that is marked by globalization, polarization, racism, bigotry, and debates about justice for humanity and for the earth itself. While the Reformation church was built on the foundation of justification by grace, Madsen calls people of faith to a new reformation that will focus on standing for justice in the world. Madsen delves into who Jesus was, and how our claim that he died and was raised establishes our faith and impacts the way we live it out. She pays attention to Luther's theology and juxtaposes it with our present context. She explores recent examples of Nazi resistance, liberation theology, black and womanist theology, and feminist theology, each of which come at social justice in their unique ways, with a common conviction that justice work is central to the Christian life. She speaks of how our faith grounding and our faith history weave together and entwine themselves into our present moment, offering both warnings and encouragement. And last, a case is made that justice, anchored in justification, is our new Reformation moment, one not inconsistent with Luther's theology, but weighted differently to address the different weighty concerns of our day. A study guide is included to encourage group conversation and action.

The inevitability of death—that of others and our own—is surely among our greatest anxieties. Mortality’s Muse: The Fine Art of Dying explores how art, mainly literary art, addresses that troubling reality. While religion and philosophy offer important consolations for life’s end, art responds in ways that are perhaps more complete and certainly more deeply human. Among subjects treated: the ars moriendi or “art of dying” tradition; the contrast between past and more recent cultural values; the religious consolation’s value but shortcoming for some people; the role of art in offering a secular consolation; dying as a performing art; the philosophic ideal of good death; the lively appeal of carpe diem or living for the present moment; the elegiac sense of life; and the two opposite parts Mortality’s Muse has played in dealing with war, the most senseless and unnecessary cause of death. The idea of an aesthetic sense of life forms the basis of these discussions. Human beings are makers in the largest sense of the word, and art represents everything they make—civilization itself with all its greatness and failings. Our civilization may ultimately be nothing but an evanescent blip in the cosmos. Even so, the creation of beauty, meaning, and purpose from disorder and suffering defines us as human beings. In the words of Robinson Jeffers, even if monuments eventually crumble and all art perish, yet for thousands of years carved stones have stood and “pained thoughts found the honey of peace in old poems.”

Jonathan Bartho’s Whistling Dixie explores the interdependent political relationship between Ronald Reagan and the white conservative South, a relationship that had a profound impact on Reagan’s own career, on the political landscape of the South and the entire United States, and on the identity of the modern Republican Party. Millions of southerners were attracted to the GOP by Reagan’s anti-statist ideology and their affection for the man himself—an affection that had been built over decades of appearances in the region. The support of these white southern conservatives was crucial to Reagan’s political success, ultimately propelling him to the White House in 1980. Conversely, by supporting Reagan’s presidential campaigns, southern conservatives were able to influence the direction of the Republican Party and begin restoring their region to a position of power in Washington. Bartho deftly provides a new perspective on Reagan’s political career and the Republican Party of the Reagan era while detailing the often-rancorous philosophical differences between Reaganism and southern conservatism and the resulting political conflicts. Whistling Dixie highlights a divide in the Republican Party and in American conservatism that has often been overlooked—a divide that laid the foundations for the GOP’s southernization and ultimately led to the rise of Donald Trump.

The Southern Strategy was but one in a series of decisions the GOP made not just on race, but on feminism and religion as well, in what Angie Maxwell and Todd Shields call the "Long Southern Strategy." The Southern Strategy is traditionally understood as a Goldwater and Nixon-era effort by the Republican Party to win over disaffected white voters in the Democratic stronghold of the American South. To realign these voters with the GOP, the party abandoned its past support for civil rights and used racially coded language to capitalize on southern white racial angst. However, that decision was but one in a series of decisions the GOP made not just on race, but on feminism and religion as well, in what Angie Maxwell and Todd Shields call the "Long Southern Strategy." In the wake of Second-Wave Feminism, the GOP dropped the Equal Rights Amendment from its platform and promoted traditional gender roles in an effort to appeal to anti-feminist white southerners, particularly women. And when the leadership of the Southern Baptist Convention became increasingly fundamentalist and politically active, the GOP tied its fate to the Christian Right. With original, extensive data on national and regional opinions and voting behavior, Maxwell and Shields show why all three of those decisions were necessary for the South to turn from blue to red. To make inroads in the South, however, GOP politicians not only had to take these positions, but they also had to sell them with a southern "accent." Republicans embodied southern white culture by emphasizing an "us vs. them" outlook, preaching absolutes, accusing the media of bias, prioritizing identity over the economy, encouraging defensiveness, and championing a politics of retribution. In doing so, the GOP nationalized southern white identity, rebranded itself to the country at large, and fundamentally altered the vision and tone of American politics.