Jouissance as Ananda seeks to resolve the often-problematic Western concept of the ego by proposing a cross-cultural theory of consciousness that draws on Indian philosophy. Author Ashmita Khasnabish uses the Indian concept of ananda to advance Irigaray's theory of jouissance and offers a re-reading of jouissance from an Indian cross-cultural psychoanalytic point of view.

This book analyses the resolution of the psychic problem of diasporic existence from a postcolonial feminist perspective, by inscribing and defining the meaning of “virtual diaspora” through the lens of the East/India and the West. It explores the situation that arises when one leaves one’s country and becomes an emigrant/immigrant, which often causes pain both in the departure from one’s motherland and in the adaptation to a new environment. The book employs the theory of Deleuze and Guattari and explores the interstices of real and virtual diaspora and the aftermath of diaspora as a mental journey. Adding a new interpretation of transcendence, taken from the Indian perspective, the book examines the Deleuze’s theory of immanence and transcendence and the two major concepts of “becoming” and “real/virtual.” The book also examines the works of Helene Cixous, J.M. Coetzee, Jhumpa Lahiri, Kunal Basu, and Tagore in light of the concept of virtual diaspora and from a postcolonial feminist angle. It does so by raising the following questions: When one has emigrated to a different country, can one conceive of that existence as real or virtual or both? Do emigrants or diasporic individuals live a life of both real and virtual diaspora? This comes from the idea that both real and virtual diaspora, under different paradigms, may be related to the power struggle and master-slave dialectic that affects all of humanity. A valuable addition to the study of postcolonial literature, the book will also be of interest to researchers in the fields of diaspora studies, postcolonial feminist theory, postcolonial literature, feminist philosophy, interdisciplinary studies, and Asian Studies, in particular South Asian Studies.

Negotiating Capability and Diaspora: A Philosophical Politics scrutinizes Indian economist cum philosopher Amartya Sen’s theory of capability, which rose as a critique of the modern American philosopher John Rawls’s theory of primary goods. Ashmita Khasnabish develops Sen’s theory of capability as a leitmotif throughout the book. She focuses on the following themes: 1) how Amartya Sen’s theory of capability offers strength to immigrants and underdogs; 2) the significance of John Rawls’s theory for Sen’s theory of capability; 3) two aspects of Sen’s theory: on the one hand it exposes the asymmetry between people of power and the powerless due to the discrepancy of resources, and on the other hand it shows how the powerless or the underdogs or the minorities could exert their will-power through the paradigm of choices to overcome; 4) finally, Sri Aurobindo’s theory of democracy, which intersects with John Rawls’s theory of comprehensive doctrines and political justice. Khasnabish also discusses authors Amitav Ghosh, Jhumpa Lahiri, and Toni Morrison, whose novels illustrate different facets of the theory of capability. Negotiating Capability and Diaspora develops themes that will be of great interest to students and scholars of political philosophy, feminist philosophy, postcolonial studies, literary studies, Diaspora studies, and world literature.

World Literature in Theory provides a definitive exploration of the pressing questions facing those studying world literature today. Coverage is split into four parts which examine the origins and seminal formulations of world literature, world literature in the age of globalization, contemporary debates on world literature, and localized versions of world literature Contains more than 30 important theoretical essays by the most influential scholars, including Johann Wolfgang von Goethe, Hugo Meltzl, Edward Said, Franco Moretti, Jorge Luis Borges, and Gayatri Spivak Includes substantive introductions to each essay, as well as an annotated bibliography for further reading Allows students to understand, articulate, and debate the most important issues in this rapidly changing field of study

This volume highlights the relevance of globalization and the insights of gender studies and religious studies for feminist theology. It focuses on the changing global contexts for the field and its movement towards new models of theology, distinct from the forms of traditional Christian systematic theology and of secular feminism.

Focusing on representations of beards in English Renaissance culture, this study elucidates how fetish objects validate ideological systems of power by materializing complex value in multiple registers. Providing detailed discussions of not only bearded men but also beardless boys, bearded women, and half-bearded hermaphrodites, author Mark Albert Johnston argues that attending closely to early modern English culture's treatment of the beard as a fetish object ultimately exposes the contingency of categories like sex, gender, age, race, and sexuality. Johnston mines a diverse cross-section of contemporary discourses—adult and children’s drama, narrative verse and prose, popular ballads, epigrams and proverbs, historical accounts, pamphlet literature, diaries, letters, wills, court records and legal documents, medical and surgical manuals, lectures, sermons, almanacs, and calendars—in order to provide proof for his cultural claims. Johnston’s evidence invokes some of the period’s most famous voices—William Shakespeare, Ben Jonson, John Lyly, Phillip Stubbes, John Marston, George Chapman, Thomas Dekker, Thomas Middleton, and Samuel Pepys, for example—but Johnston also introduces us to an array of lesser-known Renaissance authors and playwrights whose works support the notion that the beard was a palimpsestic site of contested meaning at which complex and contradictory values clash and converge. Johnston’s reading of Marxist, Freudian, and anthropological theories of the fetish phenomenon acknowledges their divergent emphases—erotic, economic, racial and religious—while suggesting that the imbrication of diverse registers that fetish accomplishes facilitates its cultural and psychic naturalizing function.

Love and Vulnerability: Thinking with Pamela Sue Anderson developed out of the desire for dialogue with the late feminist philosopher Pamela Sue Anderson’s extraordinary, previously unpublished, last work on love and vulnerability. The collection publishes this work for the first time, with a diverse, multidisciplinary, international range of contributors responding to it, to Anderson’s oeuvre as a whole and to her life and death. Anderson’s path-breaking work includes A Feminist Philosophy of Religion (1998) and Re-visioning Gender in Philosophy of Religion: Reason, Love and Epistemic Locatedness (2012). Her last work critiques, then attempts to rebuild, concepts of love and vulnerability. Reason, critical self-reflexivity, emotion, intuition and imagination, myth and narrative all have a role to play. Social justice, friendship, conversation, dialogue, collective work are central to her thinking. Contributors trace the emergence of Anderson’s late thinking, extend her conversations with the history of philosophy and contemporary voices such as hooks and Butler, and bring her work into contact with debates in theology; Continental and analytic philosophy; feminist, queer and transgender theory; postcolonial theory; African-American studies. Discussions engage with the Me Too movement and sexual violence, climate change, sweatshops, neoliberalism, death and dying, and the nature of the human. Originally published as a special issue of the journal, Angelaki, this large, wide-ranging collection, featuring a number of distinguished contributors, makes a significant contribution to the burgeoning interdisciplinary research on interpersonal relations, sympathy and empathy, affect and emotion.

The Sublime Today considers contemporary applications of aesthetic philosophy and earlier theories of the sublime from Longinus, Boileau, Burke, Kant, and Hegel to current literary and cultural contexts. Today, aesthetic experience itself seems to be changing, given the rise of new media and new conditions for the viewing and the reception of works of art. How might the rhetoric of the sublime be used to both describe our current situation and help formulate constructive responses to it? The Sublime Today collects the work of scholars in literature, film, art, and media studies and provides a forum for investigating the contemporary relevance of the sublime, both as it has been understood historically and as it has been formulated by more recent theorists such as Jameson, Lyotard, Kristeva, and others. The volume includes essays on literary readings of the sublime in Coetze, Eggers, Lahiri, and Auster; essays on film and the visual arts in the work of François Ozon and in recent participatory art; and essays on how new technologies and media, as in media representations of 9/11, re-frame our relationship to the aesthetics of the sublime, especially as they intersect with questions of gender, the postcolonial, and the uneasy politics of terror.

Postcoloniality, Globalization, and Diaspora: What’s Next? looks forward within the field of postcolonial studies and goes beyond the notion of hybridity and postcolonial reason beyond just portraying it.This volume offers a futuristic vision going beyond the common paradigms of postcolonility, diaspora, and globalization, speculating a framework beyond master-slave dialectic. This new paradigm locates a humanitarian space purifying ego through various forms: writing, philosophizing, and theorizing new ideas. Authors focus on writers from Mauritius to India.

Tamil Dalit feminist poetry occurs in the nexus of caste demands and literary expectations based on Tamil “high culture,” as set in the literary conventions of both classical and contemporary aesthetics. Tamil Dalit feminist poets and their allies challenge literary expectations set for women poets as well as caste stigma. In Tamil Dalit Feminist Poetics: Resistance, Power, and Solidarity, Pramila Venkateswaran argues that Dalit poets Sukirtharani, Arangamallika, Umadevi, Meena Kandasamy, and Tamil feminist allies, such as Malathi Maitri and Kutty Revathi, challenge the literary tradition of Tamil poetry by presenting their radical poems on themes based on their experience and witnessing the trauma of violence on Dalit women’s bodies, thus placing caste and gender at the center of their work. They assert their subjectivity, offering us a feminist poetics that is rich with insights on the Dalit body, spirituality, music, culture, Dalit connection to land, and democracy. Their poems theorize women’s experiences, using metaphor, symbol, folk idioms, as well as satire and irony to express feminist connectedness to all spheres of life. Replete with anti-caste resistance of language, form, and content, Tamil Dalit feminist poets reframe both feminism and contemporary Tamil poetry. Thus, Dalit feminist poetry and other cultural productions are vehicles for solidarity and democracy.