José Parlá (born 1973) derives his art from the accretions and damage of city walls, and the record they supply of neighborhood character and local history. To these collectively authored public surfaces, Parlá brings a consciousness of art history, and the transformations of graffiti traditions dating back to ancient Rome by painters such as Twombly, Basquiat and Kiefer. His mixed media works sometimes employ fresco techniques and include acrylic, oil paints, plaster, posters used as collage, homemade inks and enamel spray paint. Parlá's archeological works celebrate the chronicles of the urban fabric as a diary: he writes, "as my works evolved, be it paintings, signatures, or even the documentation of these early ephemeral artworks throughout city walls, the works took on the nature of personal journals based on empirical experiences." This volume surveys his two-decade oeuvre.

The energy of New York's dense streetlife plays out on the canvases of José Parlá The latest paintings from American artist José Parlá (born 1973) evoke the artist's connection to the Bronx and address the suffering caused by redlining policies and displacement imposed by gentrification and systematic racism. The rich building-up of the surface and Parlá's signature gestural line resemble the layers of city walls, so that the paintings reflect the movement and textures of neighborhoods, the traces people leave behind and the energy of the streets.Parlá began painting on walls in Miami at the age of 10, signing his work with the tag "Ease." Supporting himself by designing album covers and concert flyers for hip hop artists, he moved to the Bronx. The title It's Yours is borrowed from a song by the influential Bronx rapper T-La Rock, who assured his fans that his work would always be about and for them. Similarly, Parlá offers this work back to the Bronx in tribute.

Based on an exhibition at SCAD Museum of Art presents the artist's relationships to the rich contexts of cities he's visited and the experiences that shaped his practice. Grounded in Parl�'s personal first generation Cuban American immigrant family story and an ever-evolving practice that concerns elsewhere communities and their contribution to America, Roots offers a new visual relationship with its pictorially contemplative environment to consider connections between local history, one's past, present, and the future; to imagine or ever create one's own universal truth and personal harmony now more than ever. Parl� produces a gestural landscape with juxtaposed characters, hieroglyphs and words within both paintings and sculptures that are deliberately created to serve as a carrier of meaning. The titles of his works often create playful connotations as signifiers to specific places or times, thus becoming a key element to decode the work. Parl�'s grandfather was an aviation pioneer who flew between Key West and Mariel, Cuba on a bi-plane made of sugarcane and bamboo, which he named Ca�a Brava . The Cuban aviator's legacy continues to serve as an inspiration to the artist and his family. Parl� spent his formative years immersed in the thriving underground art scenes of Miami, while traveling often to other cities like: Beijing, Havana, Istanbul, New York, Paris, Sydney, Hong Kong, Shanghai, Tokyo, London, and San Juan, amongst many other countries where the multicultural environment and social processes deeply impacted his perception of urban space. In his practice, like his grandfather's flight between the U.S and Cuba in 1912, Jos� Parl� highlights the cultural bonds between communities and the expression thereof.

85 authentic recipes and 100 stunning photographs that capture the cultural and cooking traditions of the Italian South, from the mountains to the coast. In most cultures, exploring food means exploring history—and the Italian south has plenty of both to offer. The pasta-heavy, tomato-forward “Italian food” the world knows and loves does not actually represent the entire country; rather, these beloved and widespread culinary traditions hail from the regional cuisines of the south. Acclaimed author and food journalist Katie Parla takes you on a tour through these vibrant destinations so you can sink your teeth into the secrets of their rustic, romantic dishes. Parla shares rich recipes, both original and reimagined, along with historical and cultural insights that encapsulate the miles of rugged beaches, sheep-dotted mountains, meditatively quiet towns, and, most important, culinary traditions unique to this precious piece of Italy. With just a bite of the Involtini alla Piazzetta from farm-rich Campania, a taste of Giurgiulena from the sugar-happy kitchens of Calabria, a forkful of ’U Pan’ Cuott’ from mountainous Basilicata, a morsel of Focaccia from coastal Puglia, or a mouthful of Pizz e Foje from quaint Molise, you’ll discover what makes the food of the Italian south unique. Praise for Food of the Italian South “Parla clearly crafted every recipe with reverence and restraint, balancing authenticity with accessibility for the modern home cook.”—Fine Cooking “Parla’s knowledge and voice shine in this outstanding meditation on the food of South Italy from the Molise, Campania, Puglia, Basilicata, and Calabria regions. . . . This excellent volume proves that no matter how well-trodden the Italian cookbook path is, an expert with genuine curiosity and a well-developed voice can still find new material.”—Publishers Weekly (starred review) “There's There’s Italian food, and then there's there’s Italian food. Not just pizza, pasta, and prosciutto, but obscure recipes that have been passed down through generations and are only found in Italy… . . . and in this book.”—Woman’s Day (Best Cookbooks Coming Out in 2019) “[With] Food of the Italian South, Parla wanted to branch out from Rome and celebrate the lower half of the country.”—Punch “Acclaimed culinary journalist Katie Parla takes cookbook readers and home cooks on a culinary journey.”—The Parkersburg News and Sentinel

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

Nuevo New York is a collection of portraits and interviews with influential Latin Americans who came to New York City to pursue their ambitions. The portraits are born out of a collaboration between two authors who made the journey from Latin America to New York themselves--photographer Hans Neumann (born in Peru), and fashion publicist Gabriel Rivera-Barraza (born in Mexico). Each figure included in Nuevo New York is an important player in the fields of fashion and the arts, having lived in New York City for at least five years and having gained recognition for their work. Neumann and Rivera-Barraza trace how their subjects came to be who they are today, and what role the city of New York has played in their trajectories. Interviewees include Andres Serrano, Candy Pratts Price, Carolina Herrera, Enrique Norten, Estrellita Brodsky, Francisco Costa, José Parlá, Lazaro Hernandez, María Cornejo and Nina Garcia.

Brooklyn Academy of Music's Next Wave Festival, founded in 1983 by impresario Harvey Lichtenstein, gathered performances in which genres mixed and traditions were upended. Events held in downtown lofts were given larger venues at BAM. Choreographers, directors, artists and musicians now had access to bigger audiences. The first festivals included New York artists Trisha Brown, Philip Glass, Bill T. Jones, Laurie Anderson, Robert Rauschenberg, Lucinda Childs and Robert Wilson. International companies were folded into the Next Wave, introducing New York viewers to Pina Bausch, Robert Lepage, Sankai Juku and Anne Teresa De Keersmaeker. During intermissions, art-world luminaries mixed with dance and theater makers. In 1999, Joseph V. Melillo took over the artistic reins of the festival. By 2012, the Fishman Space opened--a venue for smaller-scale performances--joining the Howard Gilman Opera House and the BAM Harvey Theater. This book surveys the festival's performances by genre, with photos and ephemera from BAM's archive and a chronology of performances.

Many outsiders might view New York City as inscrutable - a place too vast and complex to understand - never mind to live in. But residents of New York know the city as a place that has both limits and great possibilities. The Place Where We Dwell encourages the reader to explore the city in all of its complexity.

Segmented realities' is a group of five paintings and ten sculptural paintings by Jose Parlá that suggest cultural fragments salvaged from urban sites that have experienced social and cultural upheaval and transformation. As do segments of walls in Havana, New York, London, or the Berlin wall, Parlá's sculptures bear witness to waves of history that seem to be inscribed on their surfaces, told in an expressive and poetic language of the city. These works act as palimpsests, surfaces bearing layers of marks, on which ensuing generations might imagine their own manifestos and declarations of selfhood. Exhibition: High Museum of Art, Atlanta, USA (12.12.2014-24.05.2015).