"Every major painting, related studies, and the author's own photographs of the locations in which Cotman worked are included in this book, as well as a wealth of new documentary evidence of his time with the Cholmeleys."--BOOK JACKET.

Published to accompany the exhibition, 'The golden age of watercolours: the Hickman Bacon collection', held at Dulwich Picture Gallery, London, 19 September 2001 - 6 January 2002.

Artists & Illustrators magazine's Book of the Month Taking inspiration from iconic paintings in the Tate collection, discover the techniques of the masters and improve your own painting skills with 30 guided projects. As you work through the exercises, you'll learn how to work 'wet into wet' with Maggi Hambling, master colour temperature with John Singer Sargent and create rhythm and unity in your paintings with John Nash. Whether you are looking to reinvigorate your watercolour practice with new techniques, try your hand at a wide variety of painting styles, or discover a new, inspiring master of the art, this book offers something new for every watercolourist.

A devotee of the great visionary William Blake, Samuel Palmer became the lynchpin of the first British art movement. Leading a band of fellow artists - the brotherhood of Ancients - out of London to the village of Shoreham in Kent, he set out to create a new rural ideal. His paintings of slumbering shepherds and tumbling blossoms, of mystical cornfields and bright sickle moons, capture a world in which landscape and politics, religion and culture all meet. They reflect the concerns of the nineteenth century which his life spanned. In his day, like his mentor Blake, Samuel Palmer was much neglected. He did not attempt the grand dramas of J.M.W. Turner or follow John Constable's profoundly naturalistic path. But he belongs in their pantheon of great British Romantics as much for the numinous visions that are embodied in his loveliest paintings as for the vagaries of a life story in which he so often failed. If English tradition had ever encompassed the making of icons they would not have been so different from Palmer's enchanted landscapes. Mysterious Wisdom offers for the first time in more than thirty-five years a vivid and intimate portrait of Palmer who, over the course of the past century, has become increasingly treasured as one of the most extraordinarily talented and quirkily eccentric figures of the British art world, or - as the art historian Kenneth Clark believed - an English Van Gogh.

Shortlisted for the Apollo Awards 2014 Longlisted for the Art Book Prize 2014 Britain in the nineteenth century saw a series of technological and social changes which continue to influence and direct us today. Its reactants were human genius, money and influence, its crucibles the streets and institutions, its catalyst time, its control the market. In this rich and fascinating book, James Hamilton investigates the vibrant exchange between culture and business in nineteenth-century Britain, which became a centre for world commerce following the industrial revolution. He explores how art was made and paid for, the turns of fashion, and the new demands of a growing middle-class, prominent among whom were the artists themselves. While leading figures such as Turner, Constable, Landseer, Coleridge, Wordsworth and Dickens are players here, so too are the patrons, financiers, collectors and industrialists; lawyers, publishers, entrepreneurs and journalists; artists' suppliers, engravers, dealers and curators; hostesses, shopkeepers and brothel keepers; quacks, charlatans and auctioneers. Hamilton brings them all vividly to life in this kaleidoscopic portrait of the business of culture in nineteenth-century Britain, and provides thrilling and original insights into the working lives of some of our most celebrated artists.

One of the most popular painters of all time, J.M.W. Turner created a remarkable collection of sketchbooks over the course of his career. The 'Skies' sketchbook takes its name from its many richly coloured sky studies. Most of the sketches in the book were presumably observed in England, but a few many have been seen in Italy, Germany and the Netherlands. The dramatic consequence of the eruption of Mount Tambora in 1815m darkening skies and reddening sunsets around the world, surely caught his attention. Turner's more intensely-coloured studies may document these effects which lasted for over a year. This edition of the sketchbook reproduces all these beautiful drawings in near-facsimile.

Exploring the development, variety, and innovation of the landscape oil sketch, this book is generously illustrated with many masterpieces of 19th-century British landscape painting.