John Milton holds an impressive place within the rich tradition of neo-Latin epistolography. His Epistolae Familiares and uncollected letters paint an invigorating portrait of the artist as a young man, offering insight into his reading programme, his views on education, friendship, poetry, his relations with continental literati, his blindness, and his role as Latin Secretary. This edition presents a modernised Latin text and a facing English translation, complemented by a detailed introduction and a comprehensive commentary. Situating Milton's letters in relation to the classical, pedagogical, neo-Latin, and vernacular contexts at the heart of their composition, it presents fresh evidence in regard to Milton's relationships with the Italian philologist Benedetto Buonmattei, the Greek humanist Leonard Philaras, the radical pastor Jean de Labadie, and the German diplomat Peter Heimbach. It also announces several new discoveries, most notably a manuscript of Henry Oldenburg's transcription of Ep. Fam. 25. This volume fills an important gap in Milton scholarship, and will prove of particular use to Milton scholars, students, philologists, neo-Latinists, and those interested in the humanist reinvention of the epistolographic tradition. Bron: Flaptekst, uitgeversinformatie.

John Milton holds an impressive place within the rich tradition of neo-Latin epistolography. His Epistolae Familiares and uncollected letters paint an invigorating portrait of the artist as a young man, offering insight into his reading programme, his views on education, friendship, poetry, his relations with continental literati, his blindness, and his role as Latin Secretary. This edition presents a modernised Latin text and a facing English translation, complemented by a detailed introduction and a comprehensive commentary. Situating Milton’s letters in relation to the classical, pedagogical, neo-Latin, and vernacular contexts at the heart of their composition, it presents fresh evidence in regard to Milton’s relationships with the Italian philologist Benedetto Buonmattei, the Greek humanist Leonard Philaras, the radical pastor Jean de Labadie, and the German diplomat Peter Heimbach. It also announces several new discoveries, most notably a manuscript of Henry Oldenburg’s transcription of Ep. Fam. 25. This volume fills an important gap in Milton scholarship, and will prove of particular use to Milton scholars, students, philologists, neo-Latinists, and those interested in the humanist reinvention of the epistolographic tradition.

No author in the English canon seems more deserving of the epithet sublime than John Milton. Yet Milton's sublimity has long been dismissed as an invention of eighteenth-century criticism. The poet himself, the story goes, could hardly have had any notion of the sublime, a concept that only took shape in the decades after his death with the advent of philosophical aesthetics. Such a narrative, however, fails to account for the fact that Milton is one of the first writers in English to refer to Longinus, the author traditionally associated with the Ancient Greek treatise On the Sublime. This book argues that Milton did have an idea of the sublime--one that came to him from Longinus but also from a larger classical tradition that offered a pre-aesthetic predecessor to the aesthetic concept of the sublime. Thomas Vozar shows that Longinus was better known in early modern England than has been previously appreciated; that various notions of sublimity beyond that of Longinus would have been available to Milton and his contemporaries; and that such notions of the sublime were integral to Milton's rhetorical, scientific, and theological imagination. Additional material relating to the early modern reception of Longinus is provided in the appendices, which contain the first bibliographical study of copies of Longinus in English private libraries to 1674 and an edition of a newly discovered seventeenth-century English translation of Longinus. Far from being anachronistic, Milton's "abstracted sublimities" touch on almost every aspect of his thought, from rhetoric to politics, from science to theology. Making substantive contributions to literary scholarship, classical reception studies, and the history of ideas, Milton, Longinus, and the Sublime in the Seventeenth Century returns the sublime to its proper place at the forefront of Milton criticism, re-evaluates the diffusion of Longinian texts and concepts in early modern Europe, and records a crucial missing chapter in the history of the sublime.

The tumultuous relations between Britain and the United Provinces in the seventeenth century provide the backdrop to this book, striking new ground as its transnational framework permits an overview of their intertwined culture, politics, trade, intellectual exchange, and religious debate. How the English and Dutch understood each other is coloured by these factors, and revealed through an imagological method, charting the myriad uses of stereotypes in different genres and contexts. The discussion is anchored in a specific context through the lives and works of John Milton and Andrew Marvell, whose complex connections with Dutch people and society are investigated. As well as turning overdue attention to neglected Dutch writers of the period, the book creates new possibilities for reading Milton and Marvell as not merely English, but European poets.

After the Text honours the work of renowned historian Margaret Mullett, who since the 1970s has transformed the study of Byzantine literature. Her work has been influential in demonstrating the strength and variety of Byzantine texts. Byzantium is renowned for its achievements in architecture and the visual arts. Byzantium is renowned for its achievements in architecture and the visual arts. Professor Mullett's perceptive studies, produced over more than 40 years, have shown that the literature of the Byzantine Empire is of equal beauty and interest, ranging, as it does, from high-style poetry and rhetoric in the classical manner through letters to demotic writings such as fables and the lives of saints. The collection of essays in this volume draws further attention to the wealth and diversity of Byzantine texts, by exploring the Greek literature of Late Antiquity and the Middle Ages in all its variety. These studies, by going, like Professor Mullett herself, beyond the texts, illustrate the value of Byzantine literature for interpreting Byzantine history and civilisation in all its richness. This book is crucial reading for scholars and students of the Byzantine world, as well as for those interested in literary studies. Chapter 16 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

In the first full-scale edition of Thomas Gray's Latin poetry, the Latin text and facing English translation are complemented by a detailed introduction and comprehensive commentary that situate Gray's Latin verse in relation to his vernacular poetry, epistolary correspondence, and, especially, his appropriation of classical and Neo-Latin literature. This book also traces hitherto unlocated manuscripts of several of his Latin poems, and includes an editio princeps of recently discovered Latin verses pertaining to his Neapolitan sojourn. Gray's Latin poetry presents an illuminating portrait of the artist as a young man, mapping his growth and development from his Etonian days to his undergraduate years at Cambridge University, to his continental journey and his return to England. Impressively eclectic in its scope and tone, it ranges from experimental renderings of English, Greek and Italian verse to more strikingly original pieces, including poetic reinterpretations of Alexander Pope's Essay on Man and John Locke's An Essay Concerning Humane Understanding. Gray looks back to a classical past, offering imaginative re-readings of Lucretius, Virgil and Horace. At the same time, his Latin verse is firmly rooted in a postclassical world. At its heart is the theme of presences, whether sacred, imagined, absent or remembered, conveyed with a linguistic ingenuity that facilitates the encoding of homoeroticism in a Neo-Latin language of sensibility.

A wealth of political literature has survived from Greek antiquity, from political theory by Plato and Aristotle to the variety of prose and verse texts that more broadly demonstrate political thinking. However, despite the extent of this legacy, it can be surprisingly hard to say how ancient Greek political thought makes its influence felt, or whether this influence has been sustained across the centuries. This volume includes a range of disciplinary responses to issues surrounding the legacy of Greek political thought, exploring the ways in which political thinking has evolved from antiquity to the present day.

The early modern period in Britain was defined by tremendous upheaval - the upending of monarchy, the unsettling of church doctrine, and the pursuit of a new method of inquiry based on an inductive experimental model. Political Turmoil: Early Modern Literature in Transition, 1623–1660 offers an innovative and ambitious re-appraisal of seventeenth-century British literature and history. Each of the contributors attempts to address the 'how' and 'why' of aesthetic change by focusing on political and cultural transformations. Instead of forging a grand narrative of continuity, the contributors attempt to piece together the often complex web of factors and events that contributed to developments in literary form and matter - as well as the social and religious changes that literature sometimes helped to occasion. These twenty chapters, reading across traditional periodization, demonstrate that early modern literary works - when they were conceived, as they were created, and after they circulated - were, above all, involved in various types of transitions.

"This study examines the impact of Rome and its vibrant culture upon Milton in the course of two two-monthly sojourns in the city in 1638-1639. Focusing on his neo-Latin writings pertaining to that period ("Ad Salsillum," the three Latin epigrams in praise of the soprano Leonora Baroni, and Epistola Familiaris 9, addressed to Lucas Holstenius), it presents new evidence of the academic, literary, and musical contexts surrounding Milton's pro-active integration into seicento Rome. Highlighting Milton's self-fashioning as one who was hospitably embraced by Catholic Rome, it traces his networking with distinguished Italian humanists (upon whom he left no slight an impression)"--

Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only become apparent with time. Surveying a range of affects including primary sensation, love and self-love, greed, happiness, and patriotic ardor, James Noggle explores literary evocations of imperceptibility and unfeeling that pervade and support the period's understanding of sensibility. Each of the four sections of Unfelt—on philosophy, the novel, historiography, and political economy—charts the development of these idioms from early in the long eighteenth century to their culmination in the age of sensibility. From Locke to Eliza Haywood, Henry Fielding, and Frances Burney, and from Dudley North to Hume and Adam Smith, Noggle's exploration of the insensible dramatically expands the scope of affect in the period's writing and thought. Drawing inspiration from contemporary affect theory, Noggle charts how feeling and unfeeling flow and feed back into each other, identifying emotional dynamics at their most elusive and powerful: the potential, the incipient, the emergent, the virtual.