John Medina is a living legend with the CIA, a shadowy specialist in Black Ops, those operations that are never openly funded, and the details of which never see the light of day. Only few people inside the CIA know him on sight, while foreign governments offer bounties for him, dead or alive. Neima Burdock is a communications specialist for the CIA who retired from field work after the death of her husband, also an agent and under orders from John Medina. When Niema is needed in an arms deal operation headed by John she is extremely reluctant to take the job but her director convinces her. Niema and John enter the underground world of an international arms dealer and its many dangerous and glamorous intrigues. They discover a passion for each other, but will they survive the race to evade the people who are trying to kill them and transmit the documents they have managed to steal?

Regimental histories abound, but few can be as stirring as this story of the fortunes of the famous Yorkshire-based Green Howards. Raised in 1688 in response to a call for loyal troops, the Green Howards have maintained their tradition of loyalty over the past 300 years winning many superb battle honours. Their history reflects that of the British Army as there is hardly a major campaign that this Regiment has not been involved in; the French Wars of 1697-1793, the American War of Independence, Crimean War, First and Second World Wars, service in Suez, Malaya, Northern Ireland, peacekeeping operations in Bosnia and the war in the Gulf. This fine book brings the story of one of Britain's finest regiments right up to date.

"Containing the public messages, speeches, and statements of the President", 1956-1992.

How did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers. A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.

From the Author’s Preface: Birthdays are often the occasion for assessing earlier experiences and expressing hopes for the future. Opening the pages on a new century can stimulate a similar reckoning of accounts on a larger scale. January first of the year 1900 was both the beginning of a new century, as popular counting goes, and Edward Morgan Forster’s twenty-first birthday. As the Victorian era approached its conclusion, Forster was nearing the end of his studies at King’s College, Cambridge University. His great-aunt Marianne Thornton had left him the legacy that saw him through the university. But how would he support himself thereafter? The future was unclear until Nathaniel Wedd, a tutor who had become a good friend, encouraged him to seriously consider writing as a lifetime occupation. Forster eagerly grasped the idea. His first novel, Where Angels Fear to Tread, was published to popular approval before he was thirty years old. Forster’s first four novels, Where Angels Fear to Tread, The Longest Journey, A Room with a View, and Howards End, were all written within six years, between 1905 and 1910, with A Passage to India being published in 1924 and his homosexual novel, Maurice,seeing the light of day only after his death. All these novels were widely acclaimed when first published and are still in print. Forster had a mind full of projects on which he lavished his energy and prescient thoughts. His homosexuality was an ever-present black cloud affecting his actions and fears. The reader who wants a deeper treatment of that significant aspect of his life should read Wendy Moffat’s masterly—and graceful—volume, A Great Unrecorded History. Partly a biography of Forster, it is also a study of the era in which a conviction of homosexuality meant two years in prison doing hard labor. Homosexuality was also a challenge he had to confront every day. Another constant subject was freedom of speech and the threat of censorship, often in the name of national security. The reader may wonder at the multiplicity of footnotes. This is deliberate. Spirituality is a subject that can elicit many and diverse interpretations. The accumulated weight of Forster’s own words, assembled from his writings, buttresses my conclusion far more powerfully than could any paraphrases.

American Historical Review is the oldest scholarly journal of history in the United States and the largest in the world. Published by the American Historical Association, it covers all areas of historical research.

British Fictions of the Sixties focuses on the major socio-political changes that marked the sixties in relationship to the development of literature over the decade. This book is the first critical study to acknowledge that the 1960s can only be understood if, next to its contemporary socio-political history, its fictions and mythologies are acknowledged as a vital constituent in the understanding of the decade. Groes uncovers a major epistemological shift, and presents a powerful meta-narrative about post-war literature in the UK, and beyond. British Fictions of the Sixties offers a re-examination of canonical writers such as Iris Murdoch, Angela Carter, Muriel Spark and John Fowles. It also pays critical attention to avant-garde writers including Ann Quinn, Bridget Brophy, Eva Figes, Christine Brooke-Rose, and J. G. Ballard, presenting a comprehensive insight into the continuing power the decade exerts on the contemporary imagination.