John Gill: Master of Rock is a captivating look into the life, achievements and ethos of boulderer John Gill. This new edition of the classic title is complete with photographs, personal impressions of Gill from climbers such as Yvon Chouinard, and an enlightening interview with Gill himself. Hailed the father of modern bouldering, John Gill is an awe-inspiring climber with enigmatic talent. His techniques have been likened to poetry and are almost 'spiritual' in nature. Famous for his dynamic approach to bouldering and his impressive physical accomplishments, such as the one-arm front lever, Gill is an inspiration to climbers around the world. Written by Gill's friend and fellow climber, Pat Ament, John Gill: Master of Rock pays homage to this influence. Delving deeply into not only the fascinating life of Gill, but the very raw essence of what it means to boulder, this intimate biography is both intriguing and informative. 'Bouldering is the poetry of mountaineering ... As with good poetry, good bouldering comes from within. It is derived from an inner eye, then refined.' At its core, John Gill: Master of Rock illustrates the humbling relationship between Gill and those who admire him – as Ament details first-hand, Gill is never egotistical, nor elitist; instead he is approachable, passionate and refreshingly independent. This staple climbing read is a real must-have for those with an interest in pioneers of the bouldering scene. The exploits and adventures contained within will appeal to devotees of the sport and to anyone seeking insight into the triumphs of a master.

This volume of essays focuses on the thought of John Gill, the doyen of High Calvinism in the transatlantic Baptist community of the eighteenth and early nineteenth centuries. Among the topics covered are Gill's trinitarian theology, his soteriological views, his Baptist ecclesiology, and his use of Scripture. Other papers are more focused, examining, for instance, his clash with the Arminian Methodist leader John Wesley over the issues of predestination and election, a clash that decisively shaped Wesley's perspective on Calvinism. The tercentennial of Gill's birth in 1997 is a fitting occasion to issue this study of a man whose systematic theology and exposition of the Old and New Testaments formed the mainstay of many eighteenth-century Baptist ministers' libraries and who has never been the subject of a major critical study.

Both his family and his city are crumbling when thirteen-year-old Griffin Watts stumbles headlong into his estranged father’s illicit architectural salvage business in 1970s Manhattan. Griffin clambers up the façades of tenements and skyscrapers to steal their nineteenth-century architectural sculptures—gargoyles and sea monsters, goddesses and kings. As his father sees it, these evocative creatures, crafted by immigrant artisans, are an endangered species in an age of sweeping urban renewal. Desperate for money to help his artist mother keep their home, and yearning to connect with his father, Griffin fails to see that his father’s deepening obsession with preserving the treasures of Gilded Age New York endangers them all. As he struggles to hold his family together and build a first love with his girlfriend on a sturdier foundation than his parents’ marriage, Griffin must learn to develop himself into the man he wants to become, and discern which parts of his life may be salvaged—and which parts must be let go. Hilarious and poignant, this critically acclaimed debut is both a vivid love letter to a vanishing city and an intimate portrait of father and son. And it solves the mystery of a stunningly brazen architectural heist—the theft of an entire landmark building—that made the front page of The New York Times in 1974. With writing both tender and powerful, The Gargoyle Hunters brings a remarkable new voice to the canon of New York fiction.

A garden at the foot of Europe and a crossroads between Spain, Africa and the New World, Andaluc?a has been a cultural customs house on the border of the Mediterranean and Atlantic civilizations for more than ten thousand years. This book traces its origins from the earliest hominid settlers in the Granada mountains 1.8 million years ago, through successive Phoenician, Greek, Roman and Muslim cultures, and the past five hundred years of modern Castilian rule, up to and including the present day of post-modern novelists in C?rdoba and Sevilla, guerrilla urban archaeologists in Torremolinos and Marbella, and underground lo-fi bands in Granada and M?laga.