In its full-color poster for elections to the All-Russian Jewish Congress in 1917, the Jewish People's Party depicted a variety of Jews in seeking to enlist the support of the broadest possible segment of Russia's Jewish population. It forsook neither traditional religious and economic life like the Jewish socialist parties, nor life in Europe like the Zionists. It embraced Hebrew, Yiddish, and Russian as fulfilling different roles in Jewish life. It sought the democratization of Jewish communal self-government and the creation of new Russian Jewish national-cultural and governmental institutions. Most importantly, the self-named "folkists" believed that Jewish national aspirations could be fulfilled through Jewish autonomy in Russia and Eastern Europe more broadly. Ideologically and organizationally, this party's leadership would profoundly influence the course of Russian Jewish politics. Jewish Rights, National Rights provides a completely new interpretation of the origins of Jewish nationalism in Russia. It argues that Jewish nationalism, and Jewish politics generally, developed in a changing legal environment where the idea that nations had rights was beginning to take hold, and centered on the demand for Jewish autonomy in Eastern Europe. Drawing on numerous archives and libraries in the United States, Russia, Ukraine, and Israel, Simon Rabinovitch carefully reconstructs the political movement for Jewish autonomy, its personalities, institutions, and cultural projects. He explains how Jewish autonomy was realized following the February Revolution of 1917, and for the first time assesses voting patterns in November 1917 to determine the extent of public support for Jewish nationalism at the height of the Russian revolutionary period.

This book traces the emergence and development of an organized, institutionalized Jewish social science, and explores the increasing importance of statistics and other modes of analysis for Jewish elites throughout Europe and the United States. The Zionist movement provided the initial impetus as it looked to the social sciences to provide the knowledge of contemporary Jewish life deemed necessary for nationalist revival. The social sciences offered empirical evidence of the ambiguous condition of the Jewish diaspora, and also charted emancipation and assimilation, viewed as dissolutions of and threats to Jewish identity. Liberal, assimilationist scholars also utilized social science data to demonstrate the continuing viability of Jewish life in the diaspora. Jewish social science grew out of a sustained effort to understand and explain the effects of modernization on Jewry. Above all, Jewish scholars sought to give the enormous transformations undergone by Jewry in the nineteenth century a larger meaning and significance

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.

Over the course of the nineteenth century, some 84,500 Jews in imperial Russia converted to Christianity. Confessions of the Shtetl explores the day-to-day world of these people, including the social, geographic, religious, and economic links among converts, Christians, and Jews. The book narrates converts' tales of love, desperation, and fear, tracing the uneasy contest between religious choice and collective Jewish identity in tsarist Russia. Rather than viewing the shtetl as the foundation myth for modern Jewish nationhood, this work reveals the shtetl's history of conversions and communal engagement with converts, which ultimately yielded a cultural hybridity that both challenged and fueled visions of Jewish separatism. Drawing on extensive research with conversion files in imperial Russian archives, in addition to the mass press, novels, and memoirs, Ellie R. Schainker offers a sociocultural history of religious toleration and Jewish life that sees baptism not as the fundamental departure from Jewishness or the Jewish community, but as a conversion that marked the start of a complicated experiment with new forms of identity and belonging. Ultimately, she argues that the Jewish encounter with imperial Russia did not revolve around coercion and ghettoization but was a genuinely religious drama with a diverse, attractive, and aggressive Christianity.

Historical accounts of Jewish violence--particularly against Christians--have long been explosive material. Some historians have distorted these records for anti-Semitic purposes. Others have discounted, dismissed, or simply ignored the evidence, often for apologetic purposes. In Reckless Rites, Elliott Horowitz takes a new and forthright look at both the history of Jewish violence since late antiquity and the ways in which generations of historians have grappled with that history. In the process, he has written the most wide-ranging book on Jewish violence in any language, and the first to fully acknowledge and address the actual anti-Christian practices that became part of the playful, theatrical violence of the Jewish festival of Purim. He has also examined the different ways in which the book of Esther, upon which the festival is based, was used by Jews and Christians over the centuries--whether as an ancient mirror of modern tribulations or as the scriptural basis for anti-Semitic claims regarding the bloodthirstiness of the Jews. Reckless Rites reassesses the historical interpretation of Jewish violence--from the alleged massacre of thousands of Christians in seventh-century Jerusalem to later medieval attacks on Christian symbols such as the crucifix, transgressions that were often committed in full knowledge that their likely consequence would be death. A book that calls for major changes in the way that Jewish history is written and conceptualized, Reckless Rites will be essential reading for scholars and students of history, religion, and Jewish-Christian relations.

Contemplative Nation challenges the long-standing view that theology is not a vital part of the Jewish tradition. For political and philosophical reasons, both scholars of Judaism and Jewish thinkers have sought to minimize the role of theology in Judaism. This book constructs a new model for understanding Jewish theological language that emphasizes the central role of theological reflection in Judaism and the close relationship between theological reflection and religious practice in the Jewish tradition. Drawing on diverse philosophical resources, Fisher's model of Jewish theology embraces the multiple forms and functions of Jewish theological language. Fisher demonstrates the utility of this model by undertaking close readings of an early rabbinic commentary on the book of Exodus (Mekhilta of Rabbi Ishmael ) and a work of modern philosophical theology (Franz Rosenzweig's The Star of Redemption). These readings advance the discussion of theology in rabbinics and modern Jewish thought and provide resources for constructive Jewish theology.

The most prominent story of nineteenth-century German and French Jewry has focused on Jewish adoption of liberal middle-class values. The Modernity of Others points to an equally powerful but largely unexplored aspect of modern Jewish history: the extent to which German and French Jews sought to become modern by criticizing the anti-modern positions of the Catholic Church. Drawing attention to the pervasiveness of anti-Catholic anticlericalism among Jewish thinkers and activists from the late eighteenth to the early twentieth century, the book turns the master narrative of Western and Central European Jewish history on its head. From the moment in which Jews began to enter the fray of modern European politics, they found that Catholicism served as a convenient foil that helped them define what it meant to be a good citizen, to practice a respectable religion, and to have a healthy family life. Throughout the long nineteenth century, myriad Jewish intellectuals, politicians, and activists employed anti-Catholic tropes wherever questions of political and national belonging were at stake: in theoretical treatises, parliamentary speeches, newspaper debates, the founding moments of the Reform movement, and campaigns against antisemitism.

This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writers—Christian, secular, and Jewish—based their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to "Jewish literature," arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness. This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.

It has often been claimed that Jews have a penchant for capitalism and capitalist economic activity. With this book, Adam Teller challenges that assumption. Examining how Jews achieved their extraordinary success within the late feudal economy of the eighteenth-century Polish-Lithuanian Commonwealth, he shows that economic success did not necessarily come through any innate entrepreneurial skills, but through identifying and exploiting economic niches in the pre-modern economy—in particular, the monopoly on the sale of grain alcohol. Jewish economic activity was a key factor in the development of the Polish-Lithuanian Commonwealth, and it greatly enhanced the incomes, and thereby the social and political status, of the noble magnates, including the powerful Radziwiłł family. In turn, with the magnate's backing, Jews were able to leverage their own economic success into high status in estate society. Over time, relations within Jewish society began to change, putting less value on learning and pedigree and more on wealth and connections with the estate owners. This groundbreaking book exemplifies how the study of Jewish economic history can shed light on a crucial mechanism of Jewish social integration. In the Polish-Lithuanian setting, Jews were simultaneously a despised religious minority and key economic players, with a consequent standing that few could afford to ignore.

Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists, both in Nazi Germany and in exile, employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. The book goes on to show that this past not only helped Jews to make sense of the nonsense, but served also as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolnik positions the Jewish embrace of German culture not as an act of assimilation but rather a reinvention of Jewish identity and historical memory.