Documented Proof of the Prophetic Promises of God Revealed Thousands of years ago, the prophet Zechariah foretold that the once-revered city of Jerusalem would again shake off its dust and be revived in peace and security. He predicted it would not only become a center of thriving life and seat of international influence but also the place where God himself will return to dwell. This stunning new photo-comparison book and follow-up to Israel Rising documents the long-awaited and ongoing restoration of a city "set in the center of the nations" (Ezekiel 5:5). From its famed walls and gates to the beloved Old City and the new city rising up around it, view some of the oldest photos of Jerusalem ever taken (starting in the 1840s) and see them re-created from the same perspective today―some for the first time ever. Author Doug Hershey and adventure-travel photographer Edden Ram gained exclusive access to storied vantage points to reshoot the exact angles of these stunning and seldom-seen historical photos. The result is an awe-inspiring and groundbreaking collection that will captivate hearts and reveal the accuracy of the prophet's words. The book also features fascinating insights into Jerusalem's first photographers and firsthand accounts from pilgrims, locals, and would-be conquerors that capture the longing and desire for this treasured city, spanning almost 2,000 years. Indeed, the reawakening of the City of Peace is at hand.

'Original and illuminating ... what a good book this is' Jonathan Dimbleby 'A love letter to the people of the Old City' Jerusalem Post In Jerusalem, what you see and what is true are two different things. Maps divide the walled Old City into four quarters, yet that division doesn't reflect the reality of mixed and diverse neighbourhoods. Beyond the crush and frenzy of its major religious sites, much of the Old City remains little known to visitors, its people overlooked and their stories untold. Nine Quarters of Jerusalem lets the communities of the Old City speak for themselves. Ranging through ancient past and political present, it evokes the city's depth and cultural diversity. Matthew Teller's highly original 'biography' features the Old City's Palestinian and Jewish communities, but also spotlights its Indian and African populations, its Greek and Armenian and Syriac cultures, its downtrodden Dom Gypsy families and its Sufi mystics. It discusses the sources of Jerusalem's holiness and the ideas - often startlingly secular - that have shaped lives within its walls. Nine Quarters of Jerusalem is an evocation of place through story, led by the voices of Jerusalemites.

New York Times Bestseller Named one of the Best Books of the Year by NPR, the Washington Post, Kirkus Reviews, and Library Journal Winner of the Audie Award The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).

A captivating journey through the hidden libraries of Jerusalem, where some of the world’s most enduring ideas were put into words In this enthralling book, Merav Mack and Benjamin Balint explore Jerusalem’s libraries to tell the story of this city as a place where some of the world’s most enduring ideas were put into words. The writers of Jerusalem, although renowned the world over, are not usually thought of as a distinct school; their stories as Jerusalemites have never before been woven into a single narrative. Nor have the stories of the custodians, past and present, who safeguard Jerusalem’s literary legacies. By showing how Jerusalem has been imagined by its writers and shelved by its librarians, Mack and Balint tell the untold history of how the peoples of the book have populated the city with texts. In their hands, Jerusalem itself—perched between East and West, antiquity and modernity, violence and piety—comes alive as a kind of labyrinthine library.

This work written by Orson Hyde includes missionary of the Church of Jesus Christ of Latter-Day Saints, to Germany, Constantinople, and Jerusalem, containing a description of Mount Zion, the Pool of Siloam, and other ancient places, and some account of the manners and customs of the East. This book is also with a sketch of several interviews and conversations with Jews, missionaries, etc., with a variety of information on the present state of that and other countries with regard to coming events and the Restoration of Israel.

Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.

Reproduction of the original: A Voice From Jerusalem by Elder Orson Hyde

Where was God in the sixth-century destruction of Jerusalem? The Hebrew Bible compositions written during and around the sixth century BCE provide an illuminating glimpse into how ancient Judeans reconciled the major qualities of God—as Lord, fierce warrior, and often harsh rather than compassionate judge—with the suffering they were experiencing at the hands of the Neo-Babylonian empire, which had brutally destroyed Judah and deported its people. Voices from the Ruins examines the biblical texts “explicitly and directly contextualized by those catastrophic events”—Kings, Jeremiah, Ezekiel, Lamentations, and selected Psalms—to trace the rich, diverse, and often-polemicized discourse over theodicy unfolding therein. Dalit Rom-Shiloni shows how the “voices from the ruins” in these texts variously justified God in the face of the rampant destruction, expressed doubt, and protested God’s action (and inaction). Rather than trying to paper over the stark theological differences between the writings of these sixth-century historiographers, prophets, and poets, Rom-Shiloni emphasizes the dynamic of theological pluralism as a genuine characteristic of the Hebrew Bible. Through these avenues, and with her careful, discerning textual analysis, she provides readers with insight into how the sufferers of an ancient national catastrophe wrestled with the difficult question that has accompanied tragedies throughout history: Where was God?

Magical World is a collection of essays and poems, interwoven with the personal story of a mystic. Rabbi Sara Brandes draws from the ancient wisdom of Jewish tradition to craft a life of meaning in this magical world of ours.