In Jeremy and the Enchanted Theatre, Jeremy traveled to Mount Olympus with an orange cat named Aristotle to save Mr. Magnus's theatre, but Zeus only agreed to help Mr. Magnus if he could solve the riddles on three scrolls. Now, in Jeremy in the Underworld, Jeremy is willing to help solve the first riddle, but is he ready to travel into the Underworld to do so?

Jeremy and his cat Aristotle must solve one more riddle to save the Enchanted Theater. Once again they travel through time and space. Once again they face their fears, this time deep in a maze beneath the ground and high in the sky above ancient Greece. If they succeed, the enchantment will be lifted. If they fail...

What has twenty legs but just one wing? That is part of the riddle Jeremy must solve in this sequel to Jeremy and the Enchanted Theater and Jeremy in the Underworld, if he is to help Mr. Magnus save the Enchanted Theater. However, he will have to captain a ship and face a magical bull to do it.

Young readers are introduced to some of the most exciting figures in Greek mythology in this vibrant new series. Each title describes the responsibilities and characteristics of a featured god or goddess. A detailed mythological family tree also provides useful background information. The Gods and Goddesses of Ancient Greece series is sure to inspire a fascination for mythology and a love of reading. Each Gods and Goddesses of Ancient Greece title features easy-to-read text, stunning visuals, and a challenging educational activity. Gods and Goddesses of Ancient Greece is a series of AV2 media enhanced books. A unique book code printed on page 2 unlocks multimedia content. These books come alive with video, audio, weblinks, slide shows, activities, hands-on experiments, and much more.

The French Revolution invented the notion of the citizen, but it also invented the noncitizen—the person whose rights were nonexistent. The South American outpost of Guiana became a depository for these outcasts of the new French citizenry, and an experimental space for the exercise of new kinds of power and violence against marginal groups.

For most souls, the Greek Underworld was a world of eternal shadows. The dead were ferried across a river in a boat guided by the grim Charon, who demanded payment from each soul. As they disembarked, a low growl rumbled through the silence, and a huge creature with three heads emerged from the dank mist along the riverbank. It was Cerberus, Hades’ watchdog who guarded the gates of his realm. The souls arriving had nothing to fear from the beast—but any souls trying to escape would be torn to shreds. Once a soul entered the Underworld, it was Cerberus’s job to make sure it never left. Cerberus is one of the best-known monsters in Greek mythology. His story takes readers on an intriguing tour of the Underworld and inside his unwitting part in the Twelve Labors of Hercules. Despite his fearsomeness, Cerberus is not seen as evil; instead he is respected as Hades’ loyal protector, making him perhaps the most appreciated monster of them all.

In this modern version of the Greek myth, Persephone asks Hades for a ride to escape her overprotective mother, sneaks into the Underworld, and refuses to leave.

Readers around the world have fallen for Kelley Armstrong’s intoxicating, sensual and wicked tales of the paranormal, in which demons and witches, werewolves and vampires collide – often hilariously, sometimes violently – with everyday life. In Armstrong’s first six novels, Elena, Paige and Eve have had their way with us. Now get ready for Jaime Vegas, the luscious, lovelorn and haunted necromancer. . . Jaime, who knows a thing or two about showbiz, is on a television shoot in Los Angeles when weird things start to happen. As a woman whose special talent is raising the dead, her threshold for weirdness is pretty high: she’s used to not only seeing dead people but hearing them speak to her in very emphatic terms. But for the first time in her life – as invisible hands brush her skin, unintelligible fragments of words are whispered into her ears, and beings move just at the corner of her eye–she knows what humans mean when they talk about being haunted. She is determined to get to the bottom of these manifestations, but as she sets out to solve the mystery she has no idea how scary her investigation will get, or to what depths ordinary humans will sink in their attempts to gain supernatural powers. As she digs into the dark underside of Los Angeles, she’ll need as much Otherworld help as she can get in order to survive, calling on her personal angel, Eve, and Hope, the well-meaning chaos demon. Jeremy, the alpha werewolf, is also by her side offering protection. And, Jaime hopes, maybe a little more than that. “As I knelt on the cobblestones to begin the ritual, I opened not some ancient leather pouch, but a Gucci make-up bag. . . . I know little about the geography and theology of the afterlife, but I do know that the worst spirits are kept secured, and my risk of “accidentally” tapping into a hell dimension is next to nil. Even if I do bring back some depraved killer’s spirit, what can it do to me? When you deprive someone of the ability to act in the living world, he’s pretty darned helpless. In death, even the worst killer plummets from lethal to merely annoying. Yet whatever had been trying to contact me apparently could cross that barrier, could act in the living world. . .at least on me. I added an extra helping of vervain to the censer.” —from No Humans Involved

The ancient Greeks believed monsters lurked on land, underwater, in the sky, and below Earth’s surface in the Underworld. Many tales tell of the Greek heroes who faced them. Plays, poems, paintings, and sculptures commemorating these tales have survived for centuries—and artists in all genres include them in their works. One of ancient mythology’s most horrible monsters was a fire-breathing lion with a snake for a tail and a goat’s head rising from the middle of her back. The Chimaera wreaked havoc in her native land by snatching up and eating livestock and people. It wasn’t until a young warrior named Bellerophon tamed another creature born from a monster—a huge flying horse—that this three-headed beast could be stopped. Read a version of the Chimaera myth, and learn a little about how this wild and unlikely story might have come to be.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.