The story of the late Jenny Sparks, superhero, and her first encounters with the men and women who would eventually form The Authority.

The Spirit of the 20th century returns for the 21st! Thinking her time on this world has finally ended, Jenny lays down to rest only to be woken by the horrific events of September 11th, 2001. Humanity still needs her, especially four seemingly random strangers in a bar. Will Captain Atom spare them from his murderous wrath? Or is Jenny in over her head?

It can never be wrong to live with someone you are fond of. 5-year-old Jenny lives happily with her dad Martin and his partner Eric. From celebrating birthdays and eating breakfast in bed to playing board games and reading bedtime stories, their weekends are spent the same way as everyone else's. Well-received in Denmark, ́Jenny Lives with Eric and Martin ́ sparked a major debate when it was published in Britain two years later, resulting in a ban that prohibited teaching school children about homosexuality. Therefore, it is the ideal book for early readers as it serves as great educational material for those interested in learning about family structures that differ from their own. A beautiful story celebrating diversity and difference, ́Jenny Lives with Eric and Martin ́ is a perfect starting point for conversations about various family structures. Susanne Bösche (b. 1953), a self-taught writer, has been writing ever since she discovered that letters make words and words make stories. Her writing often aims to celebrate differences and the idea that you shouldn't be afraid of the unknown. This is present in her first books, ́Nede i Anitas kælder ́ ( ́Anita's Basement ́) and ́Er vi venner eller hvad ́ ( ́Are We Friends or Not ́), which centre around the themes of youth, sexuality, and friendships. In 1981 she published the picture book ́Mette bor hos Morten og Erik ́ (Mette Lives with Eric and Martin ́) which caused great controversy in Britain after its release.

"Mike Madrid is doing God's work. . . . mak[ing] accessible a lost, heady land of female adventure." —ComicsAlliance "Sharp and lively . . . [Madrid] clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex."—Entertainment Weekly "A long overdue tribute to [those] fabulous fighting females." —Stan Lee Mike Madrid has become known as a champion of women in comics and as the expert in Golden Age female characters. And now here is where it all began, as informative and entertaining as ever, in a revised and updated edition, including new illustrations and a new introduction, as well as an afterword bringing us up-to-date on what's happening with women in comics now. Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics; Vixens, Vamps & Vipers: Lost Villainesses of Golden Age Comics; and the original The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR "Best Book To Share With Your Friends" and American Library Association Amelia Bloomer Project Notable Book. A San Francisco native and lifelong fan of comic books and popular culture, Madrid also appears in the documentary Wonder Women! The Untold Story of American Superheroines and is the illustrator of two of The History of Arcadia books: Lily the Silent and The Lizard Princess.

Discover two extraordinary romantic stories about the power of a life-changing love letter. Have you ever gotten a letter that changed your life completely? Sam's Letters to Jennifer is a novel about that kind of drama. In it, a woman is summoned back to the town where she grew up. And in the house where she spent her most magical years she finds a series of letters addressed to her. Each of those letters is a piece of a story that will upend completely the world she thought she knew - and throw her into a love more powerful than she ever imagined could be possible. Two extraordinary love stories are entwined here, full of hope and pain and emotions that never die down.

Race Cars is a picture book that serves as a springboard for parents and educators to discuss race, privilege, and oppression with their kids.

‘Breezy, funny and winning’ Daily Mail ‘Packed with humour and warmth’ Heat 5* ‘A lovely story about family, faith and self-acceptance’ Red magazine * * * * *

In Mixed Company Jenny Shank reveals moments of grace and connection between people of her hometown, Denver, through stories that contrast the city during its oil-bust era of economic troubles and court-ordered crosstown busing for racial desegregation with the burgeoning and gentrifying city of recent years. In “Casa del Rey,” a cautious pregnant woman must contend with her out-of-control and intrusive neighbor. In “Hurts,” a girls’ basketball team at a majority Black Denver high school clashes with a white mountain team. In “La Sexycana,” a bottom-feeding journalist ventures to a dance club to confront the young Latina woman she mentored as a teenager who then cut off all contact with her. “Lightest Lights Against Darkest Darks” follows a white middle schooler bused to a majority Black school who falls under the spell of her magnetic and racially ambiguous art teacher. In “Signing for Linemen,” a graduate student in medieval literature takes a job as a summer tutor for a college football team and ends up learning more than she expected about athletes, American Sign Language, and herself. In “Local Honey,” middle-aged white parents bring their adopted Black teenage son to a Wu-Tang Clan concert in an attempt to bond with him. Characters find their initial perceptions and ideas overturned in these stories laced with humor, heart, and grit. Jenny Shank forges fiction out of the sparks that fly when diverse people encounter one another. Winner of The 2020 George Garrett Fiction Prize, selected by Joe Wilkins Fiction Winner of the 2022 Colorado Book Awards

Desperately searching for a way to recover her memory, a young American woman on the run must unlock a terrible secret from her past Discovered in a ditch by the side of a country road in France, Eve has only good American dentistry and a ferry ticket scribbled with Arabic letters to suggest her identity. That, and a bullet wound in her brain that she miraculously survives, even as it destroys her memory. Only a few scattered violent images remain—or are they dreams?—along with one undeniable physical fact: she has had a child. When the nuns who have sheltered her for a year are brutally massacred, Eve realizes that whoever she was in her past life, she had powerful enemies. Just half a step ahead of her pursuers, she lights out for Morocco in an attempt to retrace her steps and discover her past. Away from the convent, she begins to discover things that startle her—among them, her capacity for violence and her facility with guns. Was she a spy? Who is the dying man in her nightmares? As she searches through spice-scented souks and glamorous nightclubs for clues to her past, she has to figure out who is after her, and why—before it's too late. Within scenes of heart-stopping terror, Jenny Siler's lyrical writing and memorable images stand out. As Marilyn Stasio said of Easy Money in The New York Times Book Review, Siler's is "a voice that gets your attention like a rifle shot."

Ernest Hemingway casts a long shadow in literature--reaching beyond his status as a giant of 20th-century fiction and a Nobel Prize winner--extending even into comic books. Appearing variously with Superman, Mickey Mouse, Captain Marvel, and Cerebus, he has even battled fascists alongside Wolverine in Spain and teamed up with Shade to battle adversaries in the Area of Madness. Robert K. Elder's research into Hemingway's comic presence demonstrates the truly international reach of Hemingway as a pop culture icon. In more than 120 appearances across multiple languages, Hemingway is often portrayed as the hypermasculine legend: bearded, boozed up, and ready to throw a punch. But just as often, comic book writers see past the bravado to the sensitive artist looking for validation. Hemingway's role in these comics ranges from the divine to the ridiculous, as his image is recorded, distorted, lampooned, and whittled down to its essential parts. As Elder notes, comic book creators and Hemingway share a natural kinship. The comic book page demands an economy of words, much like Hemingway's less-is-more "iceberg theory," only in graphic form. In addition, he turned out to be the perfect avatar for comic book artists wanting to tell history-rich stories, as he experienced beautiful places during the most chaotic times: Paris in the 1920s, Spain during the Spanish Civil War, Cuba on the brink of revolution, France during World War I and during World War II just after the Allies landed in Normandy. Hemingway in Comics provides a unique lens for considering one of our most influential authors. Not only for the dedicated Hemingway fan, this book will appeal to all those with an appreciation for comics, pop culture, and the absurd.