'When I wrote and recorded these songs originally, I never would have expected the fantastic audience response all these years later; it's amazing.' - Jeff Lynne The music of Jeff Lynne is beloved by fans all over the world and has been for three generations. Now, after a hiatus of nearly thirty years, the multi-award winning songwriter, producer and founder of ELO has made a triumphant return to touring. Since 2014, he has played across Europe and North America, the high point for Lynne being his dramatic homecoming for a crowd of 60,000 fans at Wembley. On 24th June 2017, London's historic stadium was transformed into one of the greatest rock'n'roll spectacles of all time, as Lynne performed his group's most extensive set list to date against a dazzling backdrop of pyrotechnics, lasers and a giant ELO spaceship. Now, in his first official book, Lynne reveals the meticulous planning leading up to the epic concert, and shares the stories behind a career-spanning catalogue of songs. In an exclusive new text, Lynne reflects on his formative years growing up and his eventual success with ELO hits such as 'Mr. Blue Sky', 'Evil Woman' and 'Livin' Thing'. From his memories of producing The Beatles' last single, 'Free as a Bird', to his anecdotes from inside one of the greatest supergroups, the Traveling Wilburys, Lynne also discusses his fascinating career outside of ELO. His narration guides the reader through hundreds of exclusive photographs taken specially for the making of this book. From backstage to front of house, Wembley or Bust is Jeff Lynne's account of a once-in-a-lifetime concert, and its significance within the greater story of his career as one of the most popular recording artists, songwriters and producers of all time. JEFFLYNNEBOOK.COM GENESIS-PUBLICATIONS.COM

ELO (Electric Light Orchestra) were formed by Roy Wood and Jeff Lynne of The Move as a fusion of rock and contemporary classical-style music, combining orchestral instruments, guitars, keyboards, and drums in the same line-up. Their aim was to continue from where The Beatles’ ‘I am the Walrus’ left off. After the release of their eponymous debut album in 1971 and a few live dates at home and in Europe, it became increasingly apparent that both leaders’ objectives were incompatible. Wood left Lynne in charge of the group to refine their sound, and their ambitious progressive rock epics gradually gave way to a more accessible style. Keyboard player Richard Tandy and drummer Bev Bevan were the only other constant members in an ever-changing line-up. By the end of the decade, the group were rarely out of the British and American charts. After disbanding in 1986, ELO Part II (minus Lynne) returned for two albums, but Lynne reclaimed the name with an album in 2001 followed by a long-awaited reappearance in 2014 as Jeff Lynne’s ELO. Electric Light Orchestra: Song by Song provides a brief biographical overview of the bands’ contributors in addition to a comprehensive examination of all the groups’ studio albums.

Includes primary source material in the form of photographs, transcripts, etc.

When Tom Petty arrived in Los Angeles in 1974 in search of a record deal for his band Mudcrutch, the Gainesville, Florida native found one almost immediately. While he thought he had found exactly what he was looking for in L.A., it would take years for Petty and his subsequent band, the Heartbreakers, to break onto the pop charts. Within the following two decades, Petty would stay planted in Los Angeles through chart-topping albums, battles with record labels, personal struggles, collaborations with rock and roll royalty, and even an arsonist burning down his home in the San Fernando Valley. From the earliest Heartbreakers concerts in Los Angeles at the legendary Whisky a Go Go and the Santa Monica Civic Auditorium, to the band’s final concerts at the iconic Hollywood Bowl, Petty aimed to continue the tradition of the Southern California rock and roll of his musical heroes like the Byrds and Buffalo Springfield in his own fashion. At the same time, Petty’s career often coincided with seismic shifts in the music business, indicated by Petty’s famous refusal to back down in the face of label management, industry conventions, and the changing courses of platforms that helped make him a superstar, like rock radio and MTV. Somewhere You Feel Free: Tom Petty and Los Angeles explores the artistic life of Tom Petty through his career-long relationship with Los Angeles and the many colorful characters and venues that inspired him and his music—including his work with George Harrison, Bob Dylan, Stevie Nicks, Johnny Cash, Roger McGuinn, Leon Russell, Rick Rubin, and Del Shannon.

An album-by-album account of working with iconic artists such as Anthony Kiedis, Michael Stipe, Gord Downie, and Bono, from a leader in the field Mark Howard, a record producer/engineer/mixer and a trailblazer in the industry, will take you through the star-studded world of recording and producing Grammy Award–winning artists. Listen Up! is an essential read for anyone interested in music and its making. Along with the inside stories, each chapter gives recording and producing information and tips with expert understanding of the equipment used in making the world’s most unforgettable records and explanations of the methods used to get the very best sound. Listen Up! is both production guide and exclusive backstage pass into the lives of some of the planet’s most iconic musicians. Writing with his brother Chris Howard, Mark Howard provides a rare glimpse into the normally invisible, almost secretive side of the music story: that of the producer and recording engineer.

Fully revised and expanded, this is the second edition of the Traveling Wilburys story. This well-researched book features a number of surprises, including the identity of the notable guitarist who turned down an invitation to join the original lineup of the group. The Traveling Wilburys were formed in 1988 when five rock legends joined forces for an informal recording session inside a cluttered garage in Los Angeles. The five seasoned musicians - Tom Petty, Bob Dylan, George Harrison, Jeff Lynne and Roy Orbison - had gathered to write and record what was intended as a throwaway B-side track. After Harrison submitted the completed song to his record company, he was told that it was too good to be hidden away on the flip side of a European single. Instead, he was instructed to regroup with his fellow musicians and to record an entire album of songs. But for the newly formed supergroup, there was no roadmap, no detailed plan, no record company involvement and no expectation of success. Nicknamed the Billion Dollar Quintet, the five musical legends could all speak of their own individual achievements, their own musical triumphs, as well as their own extended periods of fan indifference. Some of the members had already establishment close knit relationships, while others barely knew each other. This book chronicles how the Traveling Wilburys were formed, what went into the making of their two hit albums and why they never toured. The book also examines how the careers and personal lives of these five men overlapped as well as how they influenced one another. Lastly, this book looks at the group's musical legacy.

John England uses the words of the song to bring to life his memories of places and people he has known and loved. The memoirs are a personal account of life, family and career, with reflections on many themes, particularly music. This book will be a surprise to those who know John – and those that don’t. John England uses quotes from a lot of different sources to comment and entertain. It is a very readable account of the life and times of someone who has had a successful professional career and a private life touched by sadness but who has found happiness again.