Learn modern jazz guitar and theory with virtuoso Jens Larsen

In the pursuit of improvisation (jazz or other styles), scales are the "palettes" utilized for creating melodies. Often, scales are only practiced ascending or descending step-wise. "Jazz Scale Workout" by Ken Karsh contains eight measure through-composed continuous eighth note exercises (or "workouts") utilizing "jazz style" melodies based around the Major, Dorian (minor seventh), Mixolydian (Dominant), and Super-Locrian (Altered Dominant) scales—the most common scales in the jazz idiom. Four basic guitar fingerings for each scale are provided for the foundation of these exercises. Since these scales are the basis for improvising over the frequently utilized ii-V-I progression, the final "workouts" found in this publication cover this area. There are two "workouts" provided for each scale form—one with only the scale tones (labeled "Diatonic") and the other with "outside" chromatic tones resolving to the diatonic scale tones (labeled "Chromatic"). the "workouts" can and should be tried with different fingerings and should be played in all keys for maximum benefit. "Jazz Scale Workout" provides an enjoyable "finger and mental fitness program" for guitarists interested in expanding their scale awareness in the jazz idiom.

Jamey Aebersold's Jazz Ear Training is a no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. It starts very simply, with intervals and gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in the book, and contains transposed parts for C, B-flat, and E-flat instruments to allow playing along. Beginning to advanced levels.

Guitarskole for jazzguitar baseret på Charlie Parkers soli

Scales, chords, and exercises to help improve jazz improvisation and theory. This book is designed for students who know how to read music and want to improve their knowledge of jazz technique and theory. FAQ: What scales does this book include? All seven modal scales, five of the seven melodic minor modal scales, all whole tone scales, diminished scales, pentatonic and blues scales. Transcribed in every key! The full list is: Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian, Locrian, Lydian Augmented, Lydian Dominant, Ascending Melodic Minor, Half Diminished, Altered Dominant, Whole Tone, Diminished (Whole Step-Half Step and Half Step-Whole Step), Pentatonic and Blues Scales. Just the scales? Absolutely not! Each scale family includes exercises for practicing the melodies and harmonies produced by that scale. Are there exercises for each scale? Each exercise is written in one key, e.g. F Lydian, C Ionian, etc. You are strongly encouraged to learn the exercises in every key, but transcribing them in every key would require a book forty times longer! I know how to read music, but I'm new to jazz. Is this a good book for me? This is the perfect book for you! The essential melodic and harmonic tools for jazz improvisation are all here. This is a great way to increase your knowledge of jazz improvisation and theory. I am completely new to music. Is this a good book for me? Unfortunately, you need to know how to read music before using this book. Please come back to it when you know the basics and are ready to begin playing jazz!

A new aid to learning Jazz Improvisation from the ground up in an easy to follow and easy to learn method. Plenty of exercises and jazz etudes.

This study shows rock and folk guitarist's how to make the most useful jazz chords and jazz progressions in the easiest way possible without reading music.

More than a pattern book, this lays out the theory behind the use of pentatonic scales in jazz, and follows with transcribed solos and exercises. Still a favorite after 14 years, this book has become a standard in the field.

A complete book of jazz technique studies and exercises for all instrumentalists. This text deals with many technique issues jazz musicians encounter in the real world, including chord scale exercises, motif exercises, finger busters, extended motif exercises, and ideas for improvisation.