Here is one of the most entertaining masterpieces of Sanskrit literature rendered in an English translation that fully captures the original's artistry and charm. Written most probably in the fourth century A.D., the Jatakamala is generally considered the masterpiece of Buddhist literature in Sanskrit. In elegant, courtly style, Arya Sura retells thirty-four traditional stories about the Buddha in his previous incarnations, human and animal. Whether as a king, a brahmin, a monkey, or a hare, the Great One is shown in assiduous pursuit of virtue and compassion. Though primarily intended as exemplary tales illustrating the Buddhist virtues, these stories also provide a vivid picture of life at a high point in ancient Indian culture—city life in ordinary households or at the royal court, and country life against a backdrop of mountain, desert, and jungle. Fresh study of the Sanskrit manuscripts, now scattered in libraries all over the world, has enabled Peter Khoroche to make this new translation faithful to the original in both style and content. His explanatory notes will assist student and general reader alike in appreciating this classic from an ancient and exotic civilization. “The general reader will be highly grateful for this new translation which, besides being beautifully printed, is rounded off with a very informative and reliable introduction.”—Renate Söhnen-Thieme, Bulletin of the School of Oriental and African Studies “One would be a fool not to welcome the chance to read this book.”—Richard Gombrich, Journal of the Royal Asiatic Society

A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

The Jatakamala is a famous work in both sacred Buddhist and classical Sanskrit literature. It recounts thirty-four stories of the Buddha's previous births, and his good deeds in those earlier incarnations as a god, man or an animal. Written in elegant Sanskrit prose and verse in the fourth century A.D., these tales were later translated into Chinese and Tibetan. Several feature in the Ajanta cave paintings. Their colourful backgrounds range from a sea voyage to a battle scene, a forest fire to a royal hunt and from the charms of the harem to the horrors of hell. Popular through the ages, they remain highly readable today, both for their timeless message of compassion and concord, and the vivid, dramatic imagery with which it is presented. Twelve of these tales are not found in any other collection including the Pali Jataka texts. Arya Shura, the author of the Jatakamala, is known in tradition as a saintly teacher and an authority on prosody. In all probability he was a Buddhist monk. No details are available of his life, except that he wrote several other works, some of which are extant only in Tibetan and Chinese translations.

Peter Khoroche's translation of Arya Sura's "Jatakamala" (ca. fourth century) has sold more than fifteen-hundred copies in each of its editions. We now have a new translation of the "Jatakamala" by Haribhatta, a later contemporary of Arya Sura's. Like the earlier volume, this one contains rare examples of the earliest extant writings from Sanskrit's classical period. To date, six of the thirty-four stories from the work are still lost to time, but even in its truncated form, the tales, in Khoroche's splendid, fluid renderings, amply illustrate the Buddha's single-minded devotion to the good of all creatures in each of his incarnations. Here we have stories of an actress and a peacock, as noted in the title, but also tales of kings and monkeys, sages and fools, lions and elephants, princes and fairies, in equal measure entertaining, surprising, and moving--in addition to edifying. These unique tales of bravery, romance, sex, death, and, ultimately, rebirth, will be greeted by a very appreciate audience.

One of the great treasures of Buddhist literature, is mDo-mdzangs-blun or the Sutra of the Wise and the Foolish as it is known to the Mongols. The text was translated to Mongolian from Tibetan as the Üliger-ün Dalai or Ocean of Narratives. It is one of the most interesting, enjoyable and readable Buddhist scriptures. For centuries, it has been an inexhaustible source of inspiration, instruction and pleasure for all who have been able to read it. The history of this unusual scripture is still uncertain. Legend has it that the tales were heard in Khotan by Chinese monks, who translated them (but from what language?) into Chinese, from which it was translated into Tibetan, then into Mongolian and Oirat. The Narratives are Jatakas, or rebirth stories, tracing the causes of present tragedy in human lives to events which took place in former lifetimes. The theme of each narrative is the same: the tragedy of the human condition, the reason for this tragedy and the possibility of transcending it. But unlike Greek tragedy, Buddhist tragedy is never an end in itself, i.e. a catharsis, but a call to transcend that which can be transcended and need not be endlessly endured. The people we meet in the Sutra of the Wise and the Foolish, although supposedly living in the India of the Buddha’s time, might also be living at present in New York City, a small rural town or Leningrad, and the problems they face are the same problems that men have had to face always and everywhere. Herein lies the timeless appeal of this profound Buddhist scripture.

The Garland of Past Lives is a collection of thirty four stories depicting the miraculous deeds performed by the Buddha in his previous rebirths. Composed in the fourth century C.E. by the Buddhist monk Aryashura, the text’s accomplished artistry led Indian aesthetic theorists to praise its elegant mixture of verse and prose. The twenty stories in this first volume deal primarily with the virtues of giving and morality. Ascetics sacrifice their lives for hungry tigers, kings open their veins for demons to drink their blood, helmsmen steer their crew through perilous seas, and quail chicks quench forest fires by proclaiming words of truth. The experience is intended to arouse astonishment in the audience, inspiring devotion, through the future Buddha’s transcendence of conventional norms in his quest to acquire enlightenment and save the world from suffering. The importance of such stories of past lives in traditional Buddhist culture, throughout Asia and up to today, cannot be overestimated.

"A must-read for all dancers as the invaluable historical references and in-depth coverage of the different jazz forms cannot be found in such detail in any other book on the market today."--Debra McWaters, author of "Musical Theatre Training" "Artfully weaves history and professional perspectives to reveal the boundaries of the jazz dance world. It invites the reader to develop a more complicated definition of jazz dance for the twenty-first century."--Susan A. Lee, Northwestern University The history of jazz dance is best understood by thinking of it as a tree. The roots of jazz dance are African. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. From the vernacular have grown many and varied branches, including tap, Broadway, funk, hip-hop, Afro-Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and more. Unique in its focus on history rather than technique, "Jazz Dance" offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the numerous histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, aesthetics, international appeal, and its relationship to tap, rock, indie, black concert dance, and Latin dance.Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabulary differs from ballet, this complex and compelling history captures the very essence of jazz dance.

Despite popular images of priests seeking enlightenment in snow-covered mountain temples, the central concern of Japanese Buddhism is death. For that reason, Japanese Buddhism’s social and economic base has long been in mortuary services—a base now threatened by public debate over the status, treatment, and location of the dead. Bonds of the Dead explores the crisis brought on by this debate and investigates what changing burial forms reveal about the ways temple Buddhism is perceived and propagated in contemporary Japan. Mark Rowe offers a crucial account of how religious, political, social, and economic forces in the twentieth century led to the emergence of new funerary practices in Japan and how, as a result, the care of the dead has become the most fundamental challenge to the continued existence of Japanese temple Buddhism. Far from marking the death of Buddhism in Japan, Rowe argues, funerary Buddhism reveals the tradition at its most vibrant. Combining ethnographic research with doctrinal considerations, this is a fascinating book for anyone interested in Japanese society and religion.