Modern Japanese political history has been eventful, as Japan transformed from a decentralized feudal regime into a nation state which seemed to be following a Western pattern of modernisation until the 1930s. This volume explores the changes in the political process behind these developments.

Japanese Political History Since the Meiji Restoration, 1868-2000 explores, through a combination of narrative and analysis, the changes in the political process which lay behind Japan's transformation into a modern nation state; its successive turn toward militarism, fascism, and the Pacific War; and the imposition of a fully democratic constitution. Sims examines closely such central topics as the Meiji renovation, samurai modernisers, the rise of liberal political parties, the Meiji constitution, 'Taisho democracy', the wartime changes in the political system, postwar reforms and the 'reverse course', four decades of Liberal Democratic rule, and the shake-up of Japanese politics during the 1990s. No other book has covered Japanese political history over the entire period since 1868 in such detail, and the present volume aims to fill the gap between the various general histories of modern Japan and the ever-increasing monographic literature.

Japanese Political History Since the Meiji Restoration, 1868-2000 explores, through a combination of narrative and analysis, the changes in the political process which lay behind Japan's transformation into a modern nation state; its successive turn toward militarism, fascism, and the Pacific War; and the imposition of a fully democratic constitution. Sims examines closely such central topics as the Meiji renovation, samurai modernisers, the rise of liberal political parties, the Meiji constitution, 'Taisho democracy', the wartime changes in the political system, postwar reforms and the 'reverse course', four decades of Liberal Democratic rule, and the shake-up of Japanese politics during the 1990s. No other book has covered Japanese political history over the entire period since 1868 in such detail, and the present volume aims to fill the gap between the various general histories of modern Japan and the ever-increasing monographic literature.

The Historical Dictionary of Japan to 1945 spans the entire period from the earliest evidence of human habitation in Japan through to the end of the Pacific War. It includes substantial topics such as cultural and literary history, with entries ranging from aesthetics to various genres of writing. Other branches of history also feature, such as economic history, industrial history, political history, and so forth. And of course there are the makers of Japanese history, ranging from emperors and shoguns to politicians and extremists – as well as foreign arrivals. The early history of Japan is told through a detailed chronology, an introductory essay, appendixes, an extensive bibliography, and over 800 cross-referenced dictionary entries on important people, organizations, activities, and events. The Historical Dictionary of Japan to 1945 will appeal to both academics and the general public who have an interest in Japan, particularly those who want reliable information quickly and easily.

The Meiji Restoration of 1868 is one of the most astonishing political events of the modern era, yet it doesn't fit easily with Western precedents of mass mobilization and social transformation. This book challenges some of the preconceptions that have hindered the Restoration being understood on its own terms.

Scholarship on Japan’s development from the late nineteenth century to the early twentieth century has, perhaps quite understandably, been dominated by attention given to Japan’s emergence as a world power through a succession of military conflicts, and the burgeoning of a modern literary canon. This book argues that the emergence of empire and high culture needs to be more thoroughly integrated with an awareness of popular culture in urban life, a culture that at times exhibited a less than whole-hearted enthusiasm for the trappings of 'civilization', - a culture that was, in a sense, ‘decadent’. It integrates coverage of popular culture across diverse media and platforms, accentuating the emergence of new modern forms that evolved from the inter-relation between textual, visual and performative traditions such as kōdan and gidayū. The commentary is seasoned with reference to contemporary narratives, aiming to capture more ‘on the street’ perceptions of momentous events such as war and natural disasters, as well as the more arcane or curious media sensations of the moment. These included exposés of scandalous conduct in high places, new fads in popular entertainments and riveting stories of human interest whether it be crime or tragedies of modern urban living.

Kentucky native and national tastemaker Duncan Hines (1880--1959) published his first cookbook, Adventures in Good Cooking, in 1939 at the age of fifty-nine. This best-selling collection featured recipes from select restaurants across the country as well as crowd-pleasing family favorites, and it helped to raise the standard for home cooking in America. Filled with succulent treats, from the Waldorf-Astoria's Chicken Fricassee to the Oeufs a la Russe served at Antoine's Restaurant in New Orleans to Mrs. Hines's own Christmas Nut Cake, this book includes classic recipes from top chefs and home cooks alike. Featuring a new introduction by Hines biographer Louis Hatchett and a valuable guide to the art of carving, this classic cookbook serves up a satisfying slice of twentieth-century Americana, direct from the kitchen of one of the nation's most trusted names in food. Now a new generation of cooks can enjoy and share these delectable dishes with family and friends.

This is an updated edition of Conrad Totman's authoritative history of Japan from c.8000 BC to the present day. The first edition was widely praised for combining sophistication and accessibility. Covers a wide range of subjects, including geology, climate, agriculture, government and politics, culture, literature, media, foreign relations, imperialism, and industrialism. Updated to include an epilogue on Japan today and tomorrow. Now includes more on women in history and more on international relations. Bibliographical listings have been updated and enlarged. Part of The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.

Is there a new scramble for Africa involving China, Japan, and India in competition with each other and with the Western world? In the second half of the twentieth century, Mao’s China and Jawaharlal Nehru’s India were political players in Africa, while Japan limited itself to trade and investment in Africa. Africa and Asia have historically been allies against Western exploitation and have also been rivals as producers of raw materials. India and West Asia have led the way in the soft power of culture and religion in Africa while Japan and China have engaged in the harder disciplines of the economy and the construction of infrastructure. This book explores the historical and unfolding dynamic interactions among China, India, Japan, and Africa and their ramifications.

Rediscovered Classics of Japanese Animation is the first academic work to examine World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009), which popularized the practice of adapting foreign children's books into long-running animated series and laid the groundwork for powerhouses like Studio Ghibli. World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009) is a TV staple created by the Japanese studio Nippon Animation, which popularized the practice of adapting foreign children's books into long-running animated series. Once generally dismissed by critics, the series is now frequently investigated as a key early work of legendary animators Isao Takahata and Hayao Miyazaki. In the first book-length examination of the series, Maria Chiara Oltolini analyzes cultural significance of World Masterpiece Theater, and the ways in which the series pioneered the importance of children's fiction for Japanese animation studios and laid the groundwork for powerhouses like Studio Ghibli. Adapting a novel for animation also means decoding (and re-coding) socio-cultural patterns embedded in a narrative. World Masterpiece Theater stands as a unique example of this linguistic, medial, and cultural hybridisation. Popular children's classics such as Little Women, Peter Pan, and Anne of Green Gables became the starting point of a full-fledged negotiation process in which Japanese animators retold a whole range of narratives that have one basic formula in common: archetypal stories with an educational purpose. In particular, the series played a role in shaping the pop culture image of a young girl (shôjo). Examining the series through the lens of animation studies as well as adaptation studies, Oltolini sheds new light on this long-neglected staple of Japanese animation history.