An enduring witness to Dutch-Japanese relations is Arita export porcelain made for the Dutch market in the 17th and 18th centuries. The Dutch East India Company (VOC) was instrumental in ordering and distributing a variety of export wares. Private trade also played an important role. This resulted in the importation of large amounts of Japanese porcelain into The Netherlands. While many of these exquisite pieces have been lost over time, numerous examples are still preserved in public and private collections in The Netherlands. The author discusses the variety of export ware and the extraordinary pieces in those collections, many of which are published here for the first time. This survey offers a fascinating insight into a relatively unknown aspect of Dutch-Japanese interaction and is the first book of its kind devoted to this subject in English.

This is the first complete survey of Japanese export porcelain from the Meiji era to be published in English - a benchmark standard work for specialists and an insider tip for lovers of porcelain and anyone interested in Art Nouveau and Japan.

The world now applauds the exquisite ornamental ceramics made in Japan in the late 19th century for export to Europe and America. Here the breathtaking beauty of intricate decoration on Satsuma, Imari, Kutani, Hirado and other ceramics is displayed in over 500 color photographs with a carefully researched text, descriptive captions, and information about the current world market.

Popular Japanese porcelain of the 19th and 20th centuries, including Kakiemon, Nabeshima, Arita, Hirado, Fukagawa, Imari, Kutani, Satsuma, and individual craftsmen's works. The European-influenced styles of the 20th century, such as Nippon, Noritake, and Occupied Japan, are also presented. Over 500 color photos and well researched text provide the basic reference in this field.

Imari and Kakiemon wares are produced in the Arita area of Kyushu, a focus ofomestic porcelain production since the 17th century. In addition to theophisticated potting techniques and cobalt/celadon underglaze decorationearned from Korea, Japanese potters learned Chinese overglaze enamelechniques and the brilliant porcelains of Kyushu appeared almost overnight.hese porcelains were shipped through the port of Imari, and hence becamenown by that name. Wares from the Kakiemon kilns are well known for theirright yet subtle red enamel, the delicate balance between decorated andhite areas, and the painstaking care directed to every step from refininghe clay to the enamel firing.;This book provides a visual overview of theistory, techniques and distinguishing features of both Imari and Kakiemonares.

The popularity of Japanese ceramics in the West caused a vast and delightful variety of wares to be made in the late nineteenth century for export. Colourful Imari porcelain in deep blue, orange-red, and gold, Fukagawa porcelain in imaginative designs, as well as the softly coloured Satsuma earthenwares, are the best known of the old Japanese exports, shown here in hundreds of variations created by skilled decorators. This new edition has an updated values reference and additional items shown in each chapter, especially early Imari wares from the period c. 1700. Also presented are the exotic Sumida and Banko wares, relative newcomers to the field whose popularity has grown steadily over the last ten years. Makers' and decorators' marks, unusual shapes, design variations, and hard-to-find examples are all shown in 600 colour photographs with identifying captions and concise text.

Japanese porcelain played an important role in the decorative schemes of European palaces and country houses in the second half of the 17th century, the continuation of which is felt to this day. Japanese porcelain was imported into Europe from the end of the 1650s until the late 1730s - the period covered in this catalog. The Ashmolean Museum has perhaps the most comprehensive collection in the West. More than 400 pieces are included, among which Arita, Ko-Imari and Kakiemon porcelains, each illustrated and discussed with some comparative material.

A vibrant exploration of the fascinating and complex trade encounters and cross-cultural interactions between the East and West in the early modern period.