Includes the plays Get Up and Tie Your Fingers, Devil's Ground and Safe Get Up and Tie Your Fingers, Ann Coburn’s first play, was premiered at the 1995 Borders Festival and had a successful run at the 1996 Edinburgh Festival. It is the achingly sad and ultimately uplifting story of three women coping with death, dealing with guilt, and learning to let their children go. Safe is a play which taps into the deep, shared roots of childhood in order to explore contemporary parental fears about the safety of their children. Devil's Ground is the story of an historical act of genocide, told through the personal tragedy of one Reiver family.

As women’s spirituality continues to gain popularity, The Buddha’s Wife offers to a broad audience for the first time the intimate and profound story of Princess Yasodhara, the wife Buddha left behind, and her alternative journey to spiritual enlightenment. What do we know of the wife and child the Buddha abandoned when he went off to seek his enlightenment? The Buddha’s Wife brings this rarely told story to the forefront, offering a nuanced portrait of this compelling and compassionate figure while also examining the practical applications her teachings have on our modern lives. Princess Yasodhara’s journey is one full of loss, grief, and suffering. But through it, she discovered her own enlightenment within the deep bonds of community and “ordinary” relationships. While traditional Buddhism emphasizes solitary meditation, Yasodhara’s experience speaks of “The Path of Right Relation,” of achieving awareness not alone but together with others. The Buddha’s Wife is comprised of two parts: the first part is a historical narrative of Yasodhara’s fascinating story, and the second part is a “how-to” reader’s companion filled with life lessons, practices, and reflections for the modern seeker. Her story provides a relational path, one which speaks directly to our everyday lives and offers a doorway to profound spiritual maturation, awakening, and wisdom beyond the solitary, heroic journey.

A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013

A modern parenting classic—a guide to a new and gentle way of understanding the care and nurture of infants, by the internationally renowned childcare expert, podcaster, and author of No Bad Kids “An absolute go-to for all parents, therapists, anyone who works with, is, or knows parents of young children.”—Wendy Denham, PhD A Resources for Infant Educarers (RIE) teacher and student of pioneering child specialist Magda Gerber, Janet Lansbury helps parents look at the world through the eyes of their infants and relate to them as whole people who have natural abilities to learn without being taught. Once we are able to view our children in this light, even the most common daily parenting experiences become stimulating opportunities to learn, discover, and connect with our child. A collection of the most-read articles from Janet’s popular and long-running blog, Elevating Child Care focuses on common infant issues, including: • Nourishing our babies’ healthy eating habits • Calming your clingy, fearful child • How to build your child’s focus and attention span • Developing routines that promote restful sleep Eschewing the quick-fix tips and tricks of popular parenting culture, Lansbury’s gentle, insightful guidance lays the foundation for a closer, more fulfilling parent-child relationship, and children who grow up to be authentic, confident, successful adults.

A Trilogy: CRAZY LOVE, Part One: Harry's business travel leaves Claire alone too much, and she gets into trouble with other men. After being laid off from her job in San Francisco, Claire vacations in Paris with Harry. Escapades interwoven between this and other trips jeopardize their marriage. BAG LADY, Part Two: Harry and Claire are striving for a long graceful retirement. The Bag Lady invites herself to visit them in the Wine Country, and Harry and Claire react differently during this tense time. The woman creates a conflict between the couple, and the distressful situation becomes a problem that defies solution. SNOWSTORM, Part Three: Waking up one morning in the Great Northwest, Harry and Claire see snow coming down with no end in sight. The snowstorm puts their life on hold, and they feel like the only two people in the world. Being alone, without heat, electricity, telephone, and transportation, brings out the truth in their marital relationship.