James Bond the the 60s Spy Craze will explore James Bond films and the number of movies and television shows of the 1960s inspired by Ian Fleming’s character. The book also delves into the production, casting, merchandise, and music that helped to make James Bond a household name and a cultural touchstone. The 1960s spy craze lasted seven years, ostensibly from 1962–1969—peaking in 1966–1967. However, in that time many secret agent films flooded theaters and drive-ins and television shows filled station line-ups in the United States throughout the 1960s. All of which were directly inspired by the first James Bond adventure to hit the big screen, Dr. No (1962). This is the story, from a historical perspective, of those films and how they became a part of American pop culture. The book explores the various other top agents of the time, Matt Helm, Dereck Flint, and Harry Palmer, and the many spy-spoof imitators coming from the United States, England, Europe, and Mexico and discusses the impact James Bond had on each of these films and the ways in which James Bond influenced media. Also discussed are budgets, casting, production, box office numbers/ratings, development, merchandising, and how these elements have contributed to the success and longevity of the popularity of James Bond films.

"Nobody does 007 encyclopedias better than Bond historian Steven Jay Rubin. Buy this one. M's orders." —George Lazenby, James Bond in On Her Majesty's Secret Service Packed with behind-the-scenes information, fascinating facts, trivia, bloopers, classic quotes, character bios, cast and filmmaker bios, and hundreds of rare and unusual photographs of those in front of and behind the camera Ian Fleming's James Bond character has entertained motion picture audiences for nearly sixty years, and the filmmakers have come a long way since they spent $1 million producing the very first James Bond movie, Dr. No, in 1962. The 2015 Bond title, Spectre, cost $250 million and grossed $881 million worldwide—and 2021's No Time to Die is certain to become another global blockbuster. The James Bond Movie Encyclopedia is the completely up-to-date edition of author Steven Jay Rubin's seminal work on the James Bond film series. It covers the entire series through No Time to Die and showcases the type of exhaustive research that has been a hallmark of Rubin's work in film history. From the bios of Bond girls in front of the camera to rare and unusual photographs of those behind it, no detail of the Bond legacy is left uncovered.

Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties. The actresses interviewed for this book (including Celeste Yarnall, Lana Wood, Linda Harrison, Pamela Tiffin, Deanna Lund, Diane McBain, Judy Pace, and Chris Noel) all made their mark in these genres. These fantastic femmes could be found either twisting on the shores of Malibu, careening down the highway on a chopper, being serenaded by Elvis, or taking on the establishment as hip coeds. As cult figures, they contributed greatly to that period of filmmaking aimed at the teenage audience who frequented the drive-ins of America. They frolicked, screamed, and danced their way into B-movie history in such diverse films as Eve, Teenage Millionaire, The Girls on the Beach, Dr. Goldfoot and the Bikini Machine, Three in the Attic, Wild in the Streets, and Paradise, Hawaiian Style. This book is a celebration of the actresses' careers. They have for the most part been overlooked in other publications documenting the history of film. Fantasy Femmes addresses their film and television careers, focusing on their view of the above genres, their candid comments and anecdotes about their films, the people they worked with, and their feelings in general regarding their lives and the choices they made. The book is well illuminated and contains a complete list of film and television credits.

Amicus - The Studio That Made Us Scream and Scream Again offers an entertaining and affectionate overview of the legacy of this beloved studio and the films they produced. In the concluding chapter we shall also look at the work Milton Subotsky and Max Rosenberg did after Amicus folded. So, open that decanter of brandy, make sure there aren't any voodoo dolls or disembodied hands lying around, stay out of those catacombs, lock the doors lest an escaped maniac dressed as Father Christmas be lurking, watch out for the Werewolf Break, and prepare to enter the spooky, mysterious, eclectic, and wonderful world of Amicus Productions!

The ultimate guide to DVD by the world's leadding authority on the medium.

We often remember the 1960s as a time of peace and love, but it was also a time of assassinations, riots, and an unpopular war. Furthermore, more than three million people took to the streets in violent antiwar and civil rights demonstrations during this decade. In The Incredible '60s, renowned historian Jules Archer brings the glories and tragedies of the sixties to a new generation, with a comprehensive history of sixties counterculture, the Vietnam War and the resistance movement, civil rights, feminism, science, rock ’n’ roll, and more. Covering everything from the Kennedy Era and the Freedom Riders to nuclear weapons and the Cold War, Archer aims to make sure important history is not forgotten, and this is a story for young people—a story about seeing what needs to be changed in the world and making that change happen. Jules Archer traveled to distant parts of the globe in search of information, sometimes going back to original sources. For this book he had dinner with Elvis Presley, had tea with two Australian prime ministers, climbed a volcano via camel, and swum the Seine in Paris at midnight. His adventurous spirit and enthusiasm will be contagious to young readers who may just leave their own indelible mark on a future decade. Sky Pony Press is pleased to add this important and thought-provoking piece of historical literature to its new Jules Archer History for Young Readers series.

My previous book No Time to Die - The Unofficial Companion offered a comprehensive look at the genesis, production, and seemingly endless release woes of the much anticipated 25th James Bond film. Here then is the sequel that everyone asked me to write. No Time to Die - The Unofficial Retrospective covers the final marketing campaign and actual release of No Time to Die and also offers a comprehensive analysis of the film itself, the box-office, fan reaction, the future of the Bond franchise, and much more besides.

In the early days of television, suburban families welcomed TV into their homes as an electronic babysitter that would also teach their children about the world. Children's programming soon came to play a key role in the development of mass culture, promoting the shared interests, norms and vocabulary through which children interact with peers and define themselves as a cohort. This social history examines the forces driving the development of children's television in the U.S., from its inception to the present. Analyses of iconic programs reveal how they influenced our concept of childhood.

An imagined history of Kevin Dart's spy girl Yuki 7. includes behind-the-scenes stories, interviews, production artwork and illustrations from 14 contributing artists.

This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.