“A parable for our time. . . . We are in deep need of simple truths, of rediscovering our ancient teachings, and Jalamanta may provide that opportunity.” —The Washington Post Book World For thirty years, Fatimah has tended her herd of goats and waited for her lover to return. Amado was banished after leading a revolt against the cruel despots of their village—the Seventh City of the Fifth Sun. He followed the teachings of the wise men and women and roamed the desert in search of knowledge. When his exile finally ends, he returns transformed—no longer the innocent lover of Fatimah’s youth but a prophet named Jalamanta, or “he who strips away the veils that blind the soul.” He brings enlightenment, cures addictions, and can perform miracles. But Jalamanta’s enemies see him as a dangerous threat to the status quo and will use any means necessary to stop him. His deep wellspring of faith and compassion will not allow him to give up or give in—even as he faces the greatest betrayal of all. A searing indictment of tyranny, oppression, and human suffering, Jalamanta is about the age-old battle between good and evil that rages in every heart. It is also a tribute to the love that is the creative force of the universe—the light that can banish ignorance and fear and illuminate the darkest corners of the soul.

Widely acclaimed as the founder of Chicano literature, Rudolfo Anaya is one of America’s most compelling and prolific authors. A recipient of a National Humanities Medal and best known for his debut novel, Bless Me, Ultima, his writings span multiple genres, from novels and essays to plays, poems, and children’s stories. Despite his prominence, critical studies of Anaya’s writings have appeared almost solely in journals, and the last book-length collection of essays on his work is now more than twenty-five years old. The Forked Juniper remedies this gap by offering new critical evaluations of Anaya’s ever-evolving artistry. Edited by distinguished Chicano studies scholar Roberto Cantú, The Forked Juniper presents thirteen essays written by U.S., Mexican, and German critics and academics. The essayists employ a range of critical methods in their analyses of such major works as Bless Me, Ultima (1972), Jalamanta: A Message from the Desert (1996), and the Sonny Baca narrative quartet (1995–2005). Through the lens of cultural studies, the essayists also discuss intriguing themes in Anaya’s writings, such as witchcraft in colonial New Mexico, the reconceptualization of Aztlán, and the aesthetics of the New World Baroque. The volume concludes with an interview with renowned filmmaker David Ellis, who produced the 2014 film Rudolfo Anaya: The Magic of Words. The symbol of the forked juniper tree—venerated as an emblem of healing and peace in some spiritual traditions and a compelling image in Bless Me, Ultima—is open to multiple interpretations. It echoes the manifold meanings the contributors to this volume reveal in Anaya’s boundlessly imaginative literature. The Forked Juniper illuminates both the artistry of Anaya’s writings and the culture, history, and diverse religious traditions of his beloved Nuevo Mexico. It is an essential reference for any reader seeking greater understanding of Anaya’s world-embracing work.

The accompanying CD provides excerpts from the interviews with the authors.

Drawing on critical frameworks, this study establishes the centrality of language, gender, and community in the quest for identity in contemporary American fiction. Close readings of novels by Alice Walker, Ernest Gaines, Ann Beattie, John Updike, Chang-rae Lee, and Rudolfo Anaya, among others, show how individuals find their American identities.

More than ten years in the making, this comprehensive single-volume literary survey is for the student, scholar, and general reader. The Continuum Encyclopedia of American Literature represents a collaborative effort, involving 300 contributors from across the US and Canada. Composed of more than 1,100 signed biographical-critical entries, this Encyclopedia serves as both guide and companion to the study and appreciation of American literature. A special feature is the topical article, of which there are 70.

How does religious commitment and practice contribute to what it means to be Latino or Latina in the U.S.? The answers to that question usually come from historical or sociological study, yet what if one were to seek them in contemporary Latino/a fiction? In this groundbreaking work, Hector Avalos turns to the works of U.S. Latino/a authors of fiction to discover a vibrant, complex picture of the role that religion, from Catholicism to Pentecostalism to Santeria, plays in shaping and defining Latino/a identity. As Avalos explores new territory in the study of U.S. Latino/a religion, he examines portrayals of religious commitment and practice, analyzes the complexity of the religious lives of Latino/as, expanding beyond the traditional Roman Catholic/Protestant dichotomy, and assesses the positive and negative contributions of religious experience to the Latino/a community. This book will prepare readers to experience the richness and diversity of religion among U.S. Latino/as and understand its meaning more deeply.

Collected interviews with the popular & critically acclaimed Chicano novelist.

Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.