"[Dawes] is highly original and intelligent, possessing poetic sensibility that is rooted and sound, unshakeable and unstopped, both in its vibrancy and direction. He writes poetry as it ought to be written."—World Literature Today "Dawes asserts himself as man and artist and finally, with grace achieved and grace said, sits down to begin life's tragic feast . . . a writer of major significance."—Brag Book "The notion of a reggae aesthetic—of the language moving to a different rhythm, under different kinds of pressure . . . underpins all Dawes' work as poet."—Stewart Brown Born in Ghana, raised in Jamaica, and educated in Canada, Kwame Dawes is a dynamic and electrifying poet. In this generous collection, new poems appear with the best work from fifteen previous volumes. Deeply nuanced in exploring the human condition, Dawes' poems are filled with complex emotion and consistently remind us what it means to be a global citizen. From "The Lessons": Fingers can be trained to make shapes that, pressed just right on the gleaming keys, will make a sound that can stay tears or cause them to flow for days. Anyone can learn to make some music, but not all have the heart to beat out the tunes that will turn us inside out. . . Kwame Dawes is the author of fifteen collections of poetry, two novels, four anthologies, and numerous essays and plays. In 2009 he won an Emmy Award for his interactive website, LiveHopeLove.com. Since 2011 he has taught at the University of Nebraska, and lives in Lincoln, Nebraska.

About the Book Sandra Rosetta Morris shares the story of her life, her family history, and her take on philosophy. After discovering H.I.M. God, she writes what she has been through and what she has learned from Him. Sandra’s book proves that there is only one God and Satan is very much present. Morris’s words will cause a change of heart and mind. About the Author Sandra Rosetta Morris worked as a nurse for twenty-four years. She left the nursing profession to follow her dream of becoming a writer. Morris is the mother to four children.

Traces the life of Marley, looks at his career and music, and discusses his beliefs concerning Jamaican politics and the Rastafarian religion.

JAMAICA JOURNAL: IN THE LAND OF NO WORRIES EVERYTHING AINT IRIE is a raw eye view of a woman traveler who is daring and brave enough to take on the entire Island of Jamaica Parish by Parish solo. With Divine courage and faith. April E. Diggs opens up the eyes of her readers to see the real experiences, good and bad, of taking on such a feat. The author engages you with an array of emotions, so the reader can feel the essence of Jamaica through foreign eyes. The book encompasses the true heartbeat of Jamaica, with vivid images and the Patois language native to Jamaica. The intention of this book from the author is to educate as well as inspire in search of the deeper meaning of Roots and Culture. The intention of this book is also meant to provide more resources to the community, as a grand bulk of this book's proceeds will be utilized to pay it forward and assist in the economic growth of the characters in this book and the overall well-being of Jamaica and its beautiful citizens".

This volume fills a lacuna in the academic assessment of new religions by investigating their cultural products (such as music, architecture, food et cetera). Contributions explore the manifold ways in which new religions have contributed to humanity’s creative output.

Jah Rastafari! Ever Living, Ever Faithful, Ever Sure! ★This beautiful journal is for those who are Rastafarians and followers of H.I.M ★Also for those who represent Ethiopia ★Interior & paper type: Black & white interior with cream paper ★Paperback cover finish: Glossy ★Trim Size: 7.44 x 9.69 in ★Page Count: 100

"’Reggae got soul,’ Toots Hibbert sang in one of his best-known songs, and Kim Gottlieb-Walker's remarkable photographs coax that soul out of shadow and light. Her images from Jamaica capture the rough environment that shaped and challenged these artists, and the unquenchable joy that filled their music. They're the next-best thing to listening.” — Richard Cromelin During 1975 and 1976, renowned underground photo-journalist Kim Gottlieb, and her husband, Island publicity head Jeff Walker, documented what is now widely recognized as the Golden Age of reggae. Over two years of historic trips to Jamaica and exclusive meetings in Los Angeles, Kim took iconic photographs of the artists who would go on to define the genre and captivate a generation. Bob Marley and the Golden Age of Reggae features candid and intimate photographs of all of the musicians, artists and producers who brought the reggae sound to the international stage, including Peter Tosh, Bunny Wailer, Toots Hibbert, Burning Spear, Jacob Miller, Third World, Lee “Scratch” Perry and, of course, Bob Marley. Kim’s photographs include never-before-seen performance shots, candid behind-the-scenes footage of Bob’s home in Jamaica, and exclusive records of key moments in reggae history, such as Bob’s first US television appearance, the historical Dream Concert with Stevie Wonder in Jamaica, and Bob meeting George Harrison backstage at the Roxy in 1975. Acclaimed rock journalist and director Cameron Crowe (Almost Famous) introduces this volume with a rousing foreword describing the time he accompanied Jeff and Kim to Jamaica to witness the burgeoning music scene there. Reggae historian Roger Steffens writes lucidly about the significance of those early years in reggae, and describes the pivotal moments documented in Kim’s photographs, many of which have not been seen in over 30 years, and many more of which have never been released to the public. Intimate and revealing, Bob Marley and the Golden Age of Reggae is a rare and beautiful record of one of the most exciting moments in music history, told through the photographs of a true artist.