Every once in while, a work comes along that breaks through convention and fuses worlds and cultures. The Serpent and the Jaguar is one such work: it transcends the conventional interpretations of the Mayan Tzolk’in calendar and fuses the worlds of traditional Mayan cosmovision, scholarly research, and modern-day needs and concerns. The result is a book that enables virtually anyone anywhere in the world living in industrialized society to apply the Tzolk’in to their lives on a daily basis. For the first time, The Serpent and the Jaguar brings you the Tzolk’in and all of its 260 days interpreted in the context of modern life and modern challenges. The book is the cornerstone in a suite of related tools that include mobile applications, webinars and a strong social media platform designed to help you redefine your relationship with sacred, cyclical time in the face of our demanding, stressful schedules that force us to operate on linear time. Included in the book are: • The full set of the 260 Energies of the Day of the Tzolk’in calendar. • Detailed descriptions of the 20 trecenas and their ruling day signs. • Detailed descriptions of the 13 numbers. • Introductory sections on the Mayan Calendar, the day signs, trecenas, and the numbers. • A guide to living with sacred time • Mayan Calendar tables to calculate dates manually or offline. • Original day sign illustrations by New Zealand painter and artist Maree Gifkins (along with the traditional Maya day sign and number glyphs).

Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.

An important new way of viewing the prehistoric art of the Americas, The Jaguar Within demonstrates that understanding a work of art’s connection with shamanic trance can lead to an appreciation of it as an extremely creative solution to the inherent challenge of giving material form to nonmaterial realities and states of being. Shamanism—the practice of entering a trance state to experience visions of a reality beyond the ordinary and to gain esoteric knowledge—has been an important part of life for indigenous societies throughout the Americas from prehistoric times until the present. Much has been written about shamanism in both scholarly and popular literature, but few authors have linked it to another significant visual realm—art. In this pioneering study, Rebecca R. Stone considers how deep familiarity with, and profound respect for, the extra-ordinary visionary experiences of shamanism profoundly affected the artistic output of indigenous cultures in Central and South America before the European invasions of the sixteenth century. Using ethnographic accounts of shamanic trance experiences, Stone defines a core set of trance vision characteristics, including enhanced senses; ego dissolution; bodily distortions; flying, spinning, and undulating sensations; synaesthesia; and physical transformation from the human self into animal and other states of being. Stone then traces these visionary characteristics in ancient artworks from Costa Rica and Peru. She makes a convincing case that these works, especially those of the Moche, depict shamans in a trance state or else convey the perceptual experience of visions by creating deliberately chaotic and distorted conglomerations of partial, inverted, and incoherent images.

According to ancient records, the patriarchs and founders of the early civilizations in Egypt, India, China, Peru, Mesopotamia, Britain, and the Americas were colonized by the Serpents of Wisdom-spiritual masters associated with the serpent-who arrived in these lands after abandoning their beloved homelands and crossing great seas. While bearing names denoting snake or dragon (such as Naga, Lung, Djedhi, Amaru, Quetzalcoatl, Adder, etc.), these Serpents of Wisdom oversaw the construction of magnificent civilizations within which they and their descendants served as the priest kings and as the enlightened heads of mystery school traditions. The Return of the Serpents of Wisdom recounts the history of these “Serpents”-where they came from, why they came, the secret wisdom they disseminated, and why they are returning now.

Love the book. . . Am still dreaming of jaguars! If I were going to have a life-work, Id want it to be this one. You did good, my friend. Kerry Blair, author of COUNTING BLESSINGS, ANGELS BENDING NEAR THE EARTH, CLOSING IN and many other great books. MARK OF THE JAGUAR is a landmark novel, a Book of Mormon adventure AFTER 421 A.D. and before Columbus! The only Book of Mormon fiction regarding the time after the end of the Book of Mormon and before the arrival of Columbus. Based on real archaeological finds in Mesoamerica, the land of the Maya, this tale follows a young man as he is trained as a shaman, healer, scribe and stonecutter, as he accepts the challenge given by his old mentor from his death bed. Yax Kan will do what is needed to find the truth about Kukulkan, the white and bearded god represented by the feathered serpent. Who is he? Is he worthy of worship - even to the point of human sacrifice? Come join Yax Kan in some life-changing experiences that will thrill and delight!

A scientific investigation and personal adventure story about zombis and the voudoun culture of Haiti by a Harvard scientist. In April 1982, ethnobotanist Wade Davis arrived in Haiti to investigate two documented cases of zombis—people who had reappeared in Haitian society years after they had been officially declared dead and had been buried. Drawn into a netherworld of rituals and celebrations, Davis penetrated the vodoun mystique deeply enough to place zombification in its proper context within vodoun culture. In the course of his investigation, Davis came to realize that the story of vodoun is the history of Haiti—from the African origins of its people to the successful Haitian independence movement, down to the present day, where vodoun culture is, in effect, the government of Haiti’s countryside. The Serpent and the Rainbow combines anthropological investigation with a remarkable personal adventure to illuminate and finally explain a phenomenon that has long fascinated Americans.

If you liked The Golden Compass and The Chronicles of Narnia, be prepared to fall in love with mythic fantasy all over again. The Jaguar and the Cacao Tree pulls you into a mesmerizing world that blurs the lines between science, mythology, and the hidden magic of nature most adults find all but impossible. One of the world's authorities on chocolate, the C-Spot, calls the book "a strong contender for the best [chocolate] title in the last 5 years." When American-born Max and Maya-born Itzel open the pods of the Sacred Cacao Tree one night, they unwittingly unleash forces that threaten the past and future of the world's most desirable food-- and awaken two mythic beasts guarding the very DNA of chocolate. This book is perfect for book club discussions. A sequel, a coloring book, and an interactive game are all in the works for fans. "A mesmerizing, imaginative smorgasbord of facts and fantasy blended into a charming tale." - AllenYoung, PhD, Curator Emeritus, Milwaukee Public Museum and author of The Chocolate Tree.

Meticulously pieced together from personal experiences that come with years of travel, an extensive knowledge of the historic and scholarly works, and a deep appreciation of Latin American art and culture—both ancient and modern—critically-acclaimed biographer Neil Baldwin has created a mosaic of words and images retelling the myth of the Plumed Serpent (or Quetzalcóatl) as it has evolved through the millennia. He has also created an essential guidebook for the armchair traveller and passionate tourist alike. Only a few hours by air from the United States are the mysteries and hauntingly beautiful ruins of Mexico. Among the vines intertwined in the frail latticework of crumbling palaces, spiraling geometric motifs covering vast walls that sink beneath the jungle, and nearly vertical temple steps leading hundreds of feet to a dizzying view of sky and earth, images of Quetzalcóatl abound. The fanged, bug-eyed feathered serpent thrusts his malevolent, sneering head from the pyramid at Teotihuacán; he swims in a river of rock around the temple at Xochicalco; and at Chichén Itzá, serpent and jaguar dance on a trail of stone, their embrace spawning a monstrous snake with clawed forefeet. Depicted as part man, snake, and bird, the Plumed Serpent is the earliest known creation myth from Mesoamerica, the region spanning Mexico and most of Central America. He embodies good and evil, sky and earth, feast and famine—the duality of life itself. Steep, massive temples were built in his honor at Teotihuacán, the vast city of ruins near today’s Mexico City, and at Chichén Itzá in northern Yucatán, the intricate complex that includes the famed ballcourt. Moctezuma, the ruler of the Aztecs, mistook Hernán Cortéz and the invasion of the Spanish in 1519 for the return of Quetzalcóatl. The Catholic Church with its army of Franciscan monks adapted his legend to introduce the indigenous people to Catholicism. The myth enhanced Emiliano Zapata’s stature as a latter-day Quetzalcóatl during the Mexican Revolution. Diego Rivera and the modern muralists invoked his image to include indigenous themes in their state-sponsored art. And Quetzalcóatl inspired English author D. H. Lawrence to write a new “American novel.” These and many other tales are recounted in the words and images of Neil Baldwin’s Legends of the Plumed Serpent. Whether sharing a moment of reflection among the breathtaking ruins, delving into the historic role of Quetzalcóatl during the Spanish Conquest, or tracing the themes of revolution and rebirth in the art of Rivera, Orozco, and Siqueiros, Neil Baldwin’s enlightening prose captures the imagination. Accompanied by numerous illustrations—many photographs taken by the author, and others painstakingly researched and gathered over the past decade—Legends of the Plumed Serpent is a true labor of love.