A revised edition of Sir Charles Jackson's classic English Goldsmiths and their Marks with more than 10000 corrections and additions.

In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations

Since first published in 1991 Pocket Jackson's, as it is most often called, has enjoyed enormous success and is constantly rated as a best seller in the Arts and Antiques category. During the last twenty three years important developments have taken place in the Hallmarking system. Most notably the introduction within Europe of a universally accepted system of marking has lead not only to the addition of new marks, but also, to a change of status of several historic marks. This edition brings up to the present day all the date letters and commemorative marks. It also includes the recently introduced marks for Palladium and a section illustrating the Assay Office identification marks of those countries that are signatories to the International Convention marking system. In addition and of importance are the changes made in the early cycles of Dublin date letters which result from recent research by silver scholars in Ireland. AUTHOR: Ian Pickford was born and educated in London and is a Freeman of both the Worshipful Company of Goldsmiths and the City of London and a member of the panel of advisors on Antique Plate (Re: - Fakes and Forgeries) to the Goldsmiths Hall. He is the author of 'Silver Flatware: English, Irish and Scottish, 1660-1980', and editor of 'Jackson's Silver and Gold Marks of England, Scotland and Ireland', both published by the Antique Collectors' Club. He lectures extensively for NADFAS (National Association of Decorative and Fine Art Societies) and is a popular member of the television Antiques Roadshow team. SELLING POINTS: * First revised edition in more than 20 years, bringing it right up to date. * Contains more than 1,000 makers' marks listed alphabetically by mark * Comments as to rarity, value and the speciality of the maker * Best available pocket guide to hallmarks 1000 b/w illustrations

This handbook will enable collectors & dealers to trace the hallmarks on silver objects from over 30 countries. Starting from the letters or symbols constituting the mark, the reader can quickly identify the country & town of origin, the date when the mark was used & often the purity of the silver. Illustrates & explains nearly 2,000 marks arranged in alphabetical order -- numerals, human figures, mammals, birds, plants, heavenly bodies, etc., so that any of the marks can be easily found. The introduction describes the various systems in force in each country since the first known records. Bibliography .

NATIONAL BESTSELLER • From the two-time Pulitzer Prize finalist and New York Times bestselling author of The First American comes the first major single-volume biography in a decade of the president who defined American democracy • "A big, rich biography.” —The Boston Globe H. W. Brands reshapes our understanding of this fascinating man, and of the Age of Democracy that he ushered in. An orphan at a young age and without formal education or the family lineage of the Founding Fathers, Jackson showed that the presidency was not the exclusive province of the wealthy and the well-born but could truly be held by a man of the people. On a majestic, sweeping scale Brands re-creates Jackson’s rise from his hardscrabble roots to his days as frontier lawyer, then on to his heroic victory in the Battle of New Orleans, and finally to the White House. Capturing Jackson’s outsized life and deep impact on American history, Brands also explores his controversial actions, from his unapologetic expansionism to the disgraceful Trail of Tears. Look for H.W. Brands's other biographies: THE FIRST AMERICAN (Benjamin Franklin), THE MAN WHO SAVED THE UNION (Ulysses S. Grant), TRAITOR TO HIS CLASS (Franklin Roosevelt) and REAGAN.

The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.