The first book to provide a detailed and up to date analysis of Priestley’s enormous contribution to twentieth century British theatre. This study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics.

An intellectual biography, following the development of Priestley's thought from his engagement with social themes to his subsequent disillusion in the post-war period.

50 copies of this supplement, from the annotated bibliography of J.B. Priestley, are also available signed by the author.

This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity. The bibliography is published in three parts. Volume 1, General Studies (978-0-947623-81-4) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available. Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.

Priestley’s England is the first full-length academic study of J B Priestley – novelist, playwright, screen-writer, journalist and broadcaster, political activist, public intellectual and popular entertainer, one of the makers of twentieth-century Britain, and one of its sharpest critics. The book explores the cultural, literary and political history of twentieth-century Britain through the themes which preoccupied Priestley throughout his life: competing versions of Englishness; tradition, modernity, and the decline of industrial England; ‘Americanisation’, mass culture and ‘Admass’; cultural values and ‘broadbrow’ culture; consumerism and the decay of the public sphere; the loss of spirituality and community in ‘the nervous excitement, the frenzy, the underlying despair of our century’. It argues that Priestley has been unjustly neglected for too long: we have a great deal to learn both from this extraordinary, multi-faceted man, and from the English radical tradition he represented. This book will appeal to all those interested in the culture and politics of twentieth-century Britain, in the continuing debates over ‘Englishness’ to which Priestley made such a key contribution, and in the life and work of one of the most remarkable and popular writers of the past century.

With around thirty novels, J.B. Priestley is a major twentieth-century novelist. His reputation as a dramatist, essayist and general man of letters has tended to obscure his solid and highly interesting achievement as a novelist. This monograph is the first to be wholly devoted to Priestley's novels and short stories, organised in large groups determined by theme and attitude, while not neglecting his narrative technique. The middle decades of the twentieth century, which he has helped to shape, come alive in this tracing of their fictional recreation by Priestley. Contents: Introduction -- Escape -- People and work -- The past and the present -- Shades of gothic -- Dimensions of crime -- Visions and fantasies -- Rebellion and commitment -- Subversion and disengagement -- Retrospect: lines of development.

This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile

The Northwest Passage was repeatedly sought for over four centuries. From the first attempt in the late 15th century to Roald Amundsen's famous voyage of 1903-1906 where the feat was first accomplished to expeditions in the late 1940s by the Mounties to discover an even more northern route, author Alan Day covers all aspects of the ongoing quest that excited the imagination of the world. This compendium of explorers, navigators, and expeditions tackles this broad topic with a convenient, but extensive cross-referenced dictionary. A chronology traces the long succession of treks to find the passage, the introduction helps explain what motivated them, and the bibliography provides a means for those wishing to discover more information on this exciting subject.

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.