A.J. Jacobs has received some strange emails over the years, but this note was perhaps the strangest: “You don’t know me, but I’m your eighth cousin. And we have over 80,000 relatives of yours in our database.” And so begins A.J. Jacobs’s quest to build the biggest family tree in history. In an era of us-versus-them thinking, this book is a hilarious, heartfelt and profound exploration of what binds us all – where family begins, how far it goes, and the science that is revolutionizing the way we think about ethnicity, history and the human species. This book is about A.J. Jacobs’s family. But it’s also about your family. Because it is the same family.

The club was packed, the music was loud, and the alcohol was flowing. Jessie couldn't keep her eyes off of the exotic man drinking by himself across the room. Kai couldn't keep his gaze from the buxom brunette laughing with her friends at the bar. Fate pulled them together, giving them a night that neither one would soon forget. But then, you know what they say about fate. While their one night of bliss was perfect, neither Jessie nor Kai could have imagined what would be in store for them the next time they met, when fate again crossed their paths. As they both soon discovered, sometimes life places obstacles in the way that are insurmountable ... even for soul mates.

Discusses the basic principles of relativity and uses "thought experiments" to explain concepts such as the relationship between space and time, gravitation and acceleration, and the curvature of space.

When Alex discovers that her older brother, Justin, already knows how to fly, she insists that her father teach her as well, but her father is not ready.

Series Description:There's something magical happening in New York City... The Russos look like an average family: Mom and Dad run a Manhattan deli, while their kids, Alex, Justin, and Max, deal with school, friendships, and first dates. But things are not exactly as they seem because these kids are all wizards in training! To make things more complicated, only one of them will remain a wizard after the age of 18. Talk about sibling rivalry! Full of the magic, comedy, and fun that you've come to expect from Disney Channel, this series is sure to continue conjuring a smash hit. Wizards of Waverly Place #1: It's All Relative!When Alex Russo discovers that her dad has already taught her brother Justin how to fly the family’s magic carpet, she insists on getting her own flying lessons. The problem is, her father isn't quite ready for his little girl to fly. So Justin secretly teaches her to take to the skies. But when Dad finds out, will Alex be grounded? Plus, when their uncle pays a visit, the Russo kids learn a family secret about their parents.

The bestselling author of The Know-It-All takes on history's most influential book.

An Italian American investigates his family’s mixed religious roots in northern Italy and Sicily in this fascinating memoir. Italian Protestants? Few people seem to have heard of them, but the author’s mother’s immigrant Italian family was Protestant while his father’s were Catholic immigrants from Sicily. On his father’s side, with dozens of aunts, uncles and numerous cousins, Catholic family gatherings were loud, often profane, with drinking, smoking and raucous celebrations of weddings, births, holidays, and other occasions as well as the mystical rituals inherent in the Catholic faith. By contrast, on his mother’s side, family gatherings were small and quiet, with no smoking or drinking; and religion was the core of most family celebrations. But the author had little understanding of the ancient origins of his maternal grandparents’ very different Protestant faith which marked the keen differences between the two sides of the family. Relative Strangers describes the author’s search for the religious roots of his parents’ families in northern Italy and Sicily. He traces the history of the Waldensians, the Protestant sect which began in Lyon, France, in the twelfth century, often suffering persecution, but surviving to this day both in Europe and America.

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Direction of the Road" is a short story originally published in the collection The Wind's Twelve Quarters.

How come the only thing my family tree ever grows is nuts? Wade Rouse attempts to answer that question in his blisteringly funny new memoir by looking at the yearly celebrations that unite us all and bring out the very best and worst in our nearest and dearest. Family is truly the only gift that keeps on giving—namely, the gifts of dysfunction and eccentricity—and Wade Rouse’s family has been especially charitable: His chatty yet loving mother dresses her son as a Ubangi tribesman, in blackface, for Halloween in the rural Ozarks; his unconventional engineer of a father buries his children’s Easter eggs; his marvelously Martha Stewart–esque partner believes Barbie is his baby; his garage-sale obsessed set of in-laws are convinced they can earn more than Warren Buffett by selling their broken lamps and Nehru jackets; his mutt Marge speaks her own language; and his oddball collection of relatives includes a tipsy Santa Claus with an affinity for showing off his jingle balls. In the end, though, the Rouse House gifted Wade with love, laughter, understanding, superb comic timing, and a humbling appreciation for humiliation. Whether Wade dates a mime on his birthday to overcome his phobia of clowns or outruns a chubchasing boss on Secretary’s Day, he captures our holidays with his trademark self-deprecating humor and acerbic wit. He paints a funny, sad, poignant, and outlandish portrait of an an all-too-typical family that will have you appreciating—or bemoaning—your own and shrieking in laughter. Praise for It’s All Relative “[Filled with] sparkling humor . . . Listen to Wade Rouse—which you most assuredly should, especially if you value laughter and wisdom.”—Chicago Tribune “[Wade Rouse’s] stories are not only laugh-inducing, but also truly revealing of what it means to be a family through all stages of life, and show that no matter how kooky his family might be, love is what brings them together and defines them.”—St. Louis Magazine “Filled with uproarious one-liners and enough soul to truly satisfy, readers are going to clamor for a seat at Rouse’s holiday table! I can’t tell you how much I loved this book.”—Jen Lancaster, New York Times bestselling author of My Fair Lazy

John MacFarlane debates how we might make sense of the idea that truth is relative, and how we might use this idea to give satisfying accounts of parts of our thought and talk that have resisted traditional methods of analysis. Although there is a substantial philosophical literature on relativism about truth, going back to Plato's Theaetetus, this literature (both pro and con) has tended to focus on refutations of the doctrine, or refutations of these refutations, at the expense of saying clearly what the doctrine is. In contrast, Assessment Sensitivity begins with a clear account of what it is to be a relativist about truth, and uses this view to give satisfying accounts of what we mean when we talk about what is tasty, what we know, what will happen, what might be the case, and what we ought to do. The book seeks to provide a richer framework for the description of linguistic practices than standard truth-conditional semantics affords: one that allows not just standard contextual sensitivity (sensitivity to features of the context in which an expression is used), but assessment sensitivity (sensitivity to features of the context from which a use of an expression is assessed). The Context and Content series is a forum for outstanding original research at the intersection of philosophy, linguistics, and cognitive science. The general editor is Francois Recanati (Institut Jean-Nicod, Paris).