This book reopens the debate on colonial nationalisms, going beyond derivative , borrowed , political and modernist paradigms. It introduces the conceptual category of samaj to demonstrate how indigenous socio-cultural origins in Bengal interacted with late-colonial discourses to produce the notion of a nation. Samaj (a historical society and an idea-in-practice) was a site for reconfiguring antecedents and negotiating fragmentation. Drawing on indigenous sources, this study shows how caste, class, ethnicity, region and community were refracted to conceptualise wider unities. The mapping of cultural continuities through change facilitates a more nuanced investigation of the ontology of nationhood, seeing it as related to, but more than political nationalism. It outlines a fresh paradigm for recalibrating postcolonial identities, offering interpretive strategies to mediate fragmentation.

The Encyclopaedic Dictionary Of Marathi Literature Has Been Developed With A Specific Planning To Include Not Only Men Of Letters But Also All Aspects Characterising The Growth Of Marathi Literature. It Also Presents A Clear Picture Of Development Of Marathi Literature From Early Period To The Present Day. The Contributions Of Many Poets, Writers, Playwriters, Essayist And Critics Are Given Along With Their Biographical Accounts Supported By Bibliography. It Has Successfully Converted A Long Journey Of Marathi Since Saint Dnyaneshwar To Today S New Little Magazine Movement .The Encyclopaedic Dictionary Serves The Purpose Of Research And Survey Of Marathi Literature Very Well, Bringing In Full Contributions Of Progressive Poets And Writers. It Is Bound To Be Gita For Researchers As Well As Every Common Marathi Individual As It Has Rich Reference Value.

This book foregrounds practices and discourses of translation in several non-Western traditions. Translation Studies currently reflects the historiography and concerns of Anglo-American and European scholars, overlooking the full richness of translational activities and diverse discourses. The essays in this book, which generally have a historical slant, help push back the geographical and conceptual boundaries of the discipline. They illustrate how distinctive historical, social and philosophical contexts have shaped the ways in which translational acts are defined, performed, viewed, encouraged or suppressed in different linguistic communities. The volume has a particular focus on the multiple contexts of translation in India, but also encompasses translation in Korea, Japan and South Africa, as well as representations of Sufism in different contexts."

A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

A trenchant assessment of Narendra Modi's BJP government and its impact on India.

Itihas means this is how it was, this is how it is, and this is how it will continue to be. It means history, but it also means timeless. The Ramayana and the Mahabharata form a rich tapestry of Indian itihas. Which came first–the Ramayana or the Mahabharata? Are they actually historical events? Which one has Krishna’s raas-leela? Where is Shiva in this? What about the Devi? India’s favourite mythologist Devdutt Pattanaik tells you everything you didn’t know about our myths–a story born 2000 years ago teaching us the ageless tale of how to live in grace. Did you know the Laxman-rekha didn’t exist in the original Ramayana? Or that Radha is never mentioned in the original Krishna story? Perfect for this festive season, find out all this and more in this short, sweet read from Devlok.

British histories in the nineteenth century were by and large monologues. From the turn of the century Indians began to 'talk back', questioning colonial assumptions and narratives of India's past. What was the point of this endeavour? What was said when the Indians began to talk back? What was the discourse of civilization all about? Sabyasachi Bhattacharya explores these questions and lays bare the various forms this rhetoric took: from the defence of Indian civilization to a tendency towards vainglorious depiction of 'Hindu civilization'; from asserting civilizational unity in the distant past to creating a surrogate for nationhood. Tracing the inception of this discourse in the works of R.G. Bhandarkar and Bankimchandra Chatterjee, this book explores the evolution of the idea of civilization in the writings of luminaries like Gandhi, Tagore, Vivekananda, and Nehru, as well as works of intellectuals, historians, linguists, and sociologists like M.G. Ranade, V.K. Rajwade, D.D. Kosambi, Sardar K.M. Panikkar, Nirmal Kumar Bose, and many present-day scholars.

Banaras has been home to sages, artists, poets, musicians and seekers from all parts of India. The ancient canon of texts passed down orally by the sages was written and transcribed in the lanes and by-lanes of this city. Over the centuries, the art of grafting and subsuming the religious and cultural ethos became the hallmark of Banaras. In this book, Vertul Singh presents a kaleidoscopic view of Banaras that charts a narrative spanning from the present-day city and its origins as Kashi to the fin de siècle of the eighteenth and nineteenth centuries, which witnessed the city’s inclusionary development as a cultural and pilgrimage centre, an opulent trading hub and a basilica of political power. Weaving facts, interesting anecdotes and untold stories to make a rich tapestry, this book is an insider’s account and an unparalleled portrait of the city.